Jackie works as a CCTV operator. Each day she watches over a small part of the world, protecting the people living their lives under her gaze. One day a man appears on her monitor, a man she thought she would never see again, a man she never wanted to see again. Now she has no choice, she is compelled to confront him.
A poor boy of unknown origins is rescued from poverty and taken in by the Earnshaw family where he develops an intense relationship with his young foster sister, Cathy. Based on the classic novel by Emily Bronte.
The autumn of terror has just begun and agitation is starting to spread among the unfortunates in Whitechapel. One of them is Mary Jane Kelly, who goes by the name of Ginger. Driven by the ... See full summary »
Zoë is a single mother who lives with her four children in Dartford. She is poor and can't afford to buy food. One day her ex-boyfriend drives by and asks her to go on a date with him. ... See full summary »
Mia, an aggressive fifteen-year-old girl, lives on an Essex estate with her tarty mother, Joanne, and precocious little sister Tyler. She has been thrown out of school and is awaiting admission to a referrals unit and spends her days aimlessly. She begins an uneasy friendship with Joanne's slick boyfriend, Connor, who encourages her one interest, dancing. Written by
don @ minifie-1
Katie Jarvis, who plays Mia, had never acted before this film. A casting director spotted her having a fight with her boyfriend at a train station and offered her the role. See more »
When Mia takes the alcohol bottle from the woman at one of the parties, it is almost empty. Later, Mia is seen drinking from the bottle in her mother's bedroom and the bottle is half full. See more »
[Mia calls Keeley using a cellphone]
[from an answering machine]
Hey, it's Keeley. Leave me a message.
Keeley, it's me. What's going on? I've left like three messages. I said sorry, didn't I? You know what I'm like. I was pissed off. Ring me back, you bitch.
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Mia Williams (phenomenal coming out by Katie Jarvis) is a foul-mouthed street-bred 15 year old girl with an aspiration to become a dancer. However living in a decrepit neighbourhood with her alcoholic mother and badmouthing sister does not allow her to dream too extravagantly. Alienated from fellow mates she only finds solace in an abandoned house dancing away to beats from her CD player. Days pass with minor occurrences shaping the mundane paths of Mia. In search of a meaning to her life she attempts to rescue horses or enters a dance competition. But nothing seems to have as much impact as the unhealthy chemistry that forms between Mia and her mother's new boyfriend Connor (breakthrough performance by the man everyone loves to hate Michael Fassbender).
"Fish Tank" made by up-and-comer Andrea Arnold is probably my favourite Cannes movie in an unbelievably strong competition of 2009. Despite not being entirely refreshing and starting off slightly sophomoric ala "Kids" it quickly gets into gear strolling towards being a very emotional hard-hitting movie, which manages to present a strong story with never falling into typical dramatic traps. At times it has moments of pointless behaviour resulting from emotional trappings of the characters with one key nonsensical sequence standing out. Since the action of heroine was so pointless and idiotic it would be easy to falter and trap yourself, but the actions have such intense psychological meaning to them that I was immediately putting my hands together for a ostentatious clap.
As mentioned above the script tangles together the obvious with the surprising cooking up a well-made gourmet dish, which is bound to please both viewers as well as critics. The slight touches of ingenuity are especially pleasing, but at the same time the level of emotionality and character-building allows any viewer to suck into the squalor on screen. Thankfully also Arnold manages to escape any cop-outs during the movie, although several options chosen do pose slight questions about their reality and adequateness to the general plot.
Adding to that absolutely spot on acting by Fassbender and Jarvis, which actually allows the viewer to feel the growing sexual tension, but simultaneously grasps the awkwardness of this relationship, the movie is bound to be an instant classic. Absolutely perfect during most of the duration I did have a couple of minor issues with several scenes, which seemed to hit false notes here and again. This especially goes for the interaction with her mother and sister, that felt like scratching a chalkboard in the final scene. Thankfully however the movie was highlighted by two tremendous lead performances, hence any minor friction in the background goes relatively unnoticed.
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