Jackie works as a CCTV operator. Each day she watches over a small part of the world, protecting the people living their lives under her gaze. One day a man appears on her monitor, a man she thought she would never see again, a man she never wanted to see again. Now she has no choice, she is compelled to confront him.
A teenage girl with nothing to lose joins a traveling magazine sales crew, and gets caught up in a whirlwind of hard partying, law bending and young love as she criss-crosses the Midwest with a band of misfits.
Zoë is a single mother who lives with her four children in Dartford. She is poor and can't afford to buy food. One day her ex-boyfriend drives by and asks her to go on a date with him. ... See full summary »
A poor boy of unknown origins is rescued from poverty and taken in by the Earnshaw family where he develops an intense relationship with his young foster sister, Cathy. Based on the classic novel by Emily Bronte.
Mia, an aggressive fifteen-year-old girl, lives on an Essex estate with her tarty mother, Joanne, and precocious little sister Tyler. She has been thrown out of school and is awaiting admission to a referrals unit and spends her days aimlessly. She begins an uneasy friendship with Joanne's slick boyfriend, Connor, who encourages her one interest, dancing. Written by
don @ minifie-1
The film was shot chronologically, and the actors were shown only the part of the script they would be filming the following week - none of them knew what would happen to their characters later in the film. See more »
As Mia is leaving the dance audition, she passes a mirrored wall and the cameraman and his equipment is clearly reflected. See more »
[Mia calls Keeley using a cellphone]
[from an answering machine]
Hey, it's Keeley. Leave me a message.
Keeley, it's me. What's going on? I've left like three messages. I said sorry, didn't I? You know what I'm like. I was pissed off. Ring me back, you bitch.
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Juice (Know the Ledge)
Performed by Eric B. & Rakim
Written by Eric B. (as Eric Barrier) and Rakim (as William D. Griffin)
Published by EMI Publishing Ltd
Courtesy of MCA Records, Inc.
Under license from Universal Music Operations Ltd See more »
If you think England is only good for turning out glossy, romantic films adapted from their classic novels,guess again. England has long become a staple for some grim,gritty,edgy stories of the darker side of the human condition (with an emphasis on the working class---I guess they're channeling the Charles Dickens within them). Recent films such as 'Nil By Mouth',and 'Ratcatcher' have cemented this reputation. Now add Andrea Arnold's equally harrowing tale of existential despair, 'Fish Tank'. The story centers on Mia,a scrappy 15 year old girl,played with gusto by Kate Jarvis. Mia has an attitude problem,a short fuse,and has no problem solving adverse issues with her fists (evidant by an altercation in the film's opening with another girl,where Mia head butts her,giving the other girl a bloody nose),or her mouth (she has no problem cussing out anyone who crosses her path,including her Mother & little sister,who also boast of filthy mouths). Mia's big dream is to become a big time Hip Hop dancer & is always practicing her dance moves. Things take a turn for Mia's worse when her mom brings home a new boyfriend (Michael Fassbinder),who has less than wholesome designs for young Mia. Along the way,Mia attempts to make friends with an older boy who is in the process of restoring an automobile. As with other girl's her age,Mia experiments with the usual attractions:alcohol,drugs,sex,etc. All of this makes for a film that is not always easy to watch,but easy to admire for it's bravura. Andrea Arnold ('Red Road'and several made for British television projects)writes & directs this kitchen sink view of the British working class. Prepare yourself to get kicked in the stomach for 123 minutes. Not rated by the MPAA,this film contains pervasive strong language,an outburst of violence,flashes of nudity & sexual situation,including abhorrent adult behaviour involving a minor. Not for the little ones.
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