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Women in Film (2001)Three women in Hollywood talk to the camera one summer (with a coda six months later). Sara is a casting director; her soliloquies are addressed to Samson (her blind infant son) and to ... See full summary » Director:Bruce Wagner |
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Title: Women in Film (2001)
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Cast
| Complete credited cast: | |||
| Beverly D'Angelo | ... |
Phyllis Wolf
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| Portia de Rossi | ... |
Gina
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| Marianne Jean-Baptiste | ... |
Sara
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Camren Tyler Geyen | ... |
Samson
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Yvette Marie Geyen | ... |
Samson's Nanny
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| Cauleen Smith | ... |
Woman Prisoner
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Plot Summary
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Storyline
Three women in Hollywood talk to the camera one summer (with a coda six months later). Sara is a casting director; her soliloquies are addressed to Samson (her blind infant son) and to Holly Hunter. She talks about her husband's refusal to touch their son and her discovery of his affair. Gina is a masseuse - blithe, solipsistic, scheming to steal the energy of Hollywood players. She frequently refers to her dead sister Wanda, kidnaped by their father. Phyllis, sexually abused by her father when a teen, addresses her son Eric. She's a producer, working on remaking Pasolini's "Teorema." As the project falls apart, so does she. All three hum or sing, "You made me love you." Written by <jhailey@hotmail.com>
Motion Picture Rating (MPAA)
Rated R for strong sex-related dialogue, language, some nudity and drug content | See all certifications »Parents Guide:
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Details
Country:
USALanguage:
EnglishRelease Date:
24 January 2001 (USA) See more »Company Credits
Production Co:
InDigEnt (Independent Digital Entertainment), Independent Film Channel (IFC), Killer Films See more »
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Technical Specs
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Did You Know?
Quotes
Phyllis Wolf: I don't do digital. I'll fuck you with a digital dick until you're dead!See more »
The boundaries of digital video are pushed to the limits. Shot composition and cinematography are original and outstanding. Acting is superb -- very engrossing. There are many industry `in' jokes and references. Very LA. The three women speak directly to the camera and never interact. They expose their bodies and, though occasionally appearing shallow, their souls. (I have to find out what Barbara Barrie furnishings are!) Fascinating, though a mainstream audience probably won't have the patience for all dialogue and no action, nor for this stylized form. This is exactly the kind of movie that I expect to find at a film festival (and nowhere else).