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An eccentric, if not charming Southern professor and his crew pose as a band in order to rob a casino, all under the nose of his unsuspecting landlord: a sharp old woman.
A man meets up with two "good guys" to recover what is unlawfully his, taking them on his whirlwind ride, doing things they never would have imagined, just to survive.
Director:
Stephen Milburn Anderson
Stars:
Sean Bean,
Chris Hemsworth,
Victoria Profeta
Jimmy the Tulip's (Willis) quiet new life is shaken up by his old pal Oz (Perry), whose wife (Henstridge) has been kidnapped by a Hungarian mob. The Tulip and his wife Jill (Peet) spring into action.
An Ivy League professor is lured back to his Oklahoma hometown, where his twin brother, a small-time pot grower, has concocted a scheme to take down a local drug lord.
Director:
Tim Blake Nelson
Stars:
Edward Norton,
Lucy DeVito,
Henry Max Nelson
Unemployed and newly-divorced Stephanie Plum lands a job at her cousin's bail-bond business, where her first assignment puts her on the trail of a wanted local cop from her romantic past.
Director:
Julie Anne Robinson
Stars:
Katherine Heigl,
Jason O'Mara,
Daniel Sunjata
After being set-up and betrayed by the man who hired him to assassinate a Texas Senator, an ex-Federale launches a brutal rampage of revenge against his former boss.
Finding himself in considerable debt, Chris a Texan drug dealer, decides the only solution is to murder his mother to collect the insurance money. Getting together with his father, the ex-husband of Chris' mother, they decide to hire Joe Cooper a contract killer, who also happens to be a police detective. The plan is that the money will go to Chris' sister Dottie. However due to the size of the contract fee, Chris agrees that Joe can take Dottie as a retainer until the insurance comes through. Written by
Anonymous
In one scene Dottie asks if Joe is a detective like Magnum PI. Matthew McConaughey was in the running for playing Magnum PI in a big budget movie remake of the series in 2007, as of 2012 the project is dead in the water. See more »
Goofs
When Sharla is leafing through the photos, she's is using both hands in the close-up and the photos are loose. In the next view she is holding the packet of photos in one hand and the phone with the other. See more »
Sometimes a performance in itself can boost a movies value and vault it into something spectacular, McConaughey provides the turbo to this otherwise solid but not groundbreaking vehicle of karmic retribution as Killer Joe. The movie itself has been said to be akin to Friedkin aping a Cohen crime caper and that description works. We have a crime masterminded by selfish, unintelligent and or quirky characters, we have the mid-west as our backdrop, and we have the metaphysical shadow of karma hovering over their every move throughout the film. Call it Cohen Brothers on whiskey. The characters themselves are all very stereotyped but I think Friedkin left that transparent enough. In other words, the stereotype was part of the wardrobe itself. The reason being is this is not about these characters in particular...this is about choices and consequences and Killer Joe is simply a vehicle of karmic arithmetic. All that aside, on any day, or in any movie, McConaughey's performance as Killer Joe is mesmerizing. He is the serpent...cold and dangerous but charming and in control, constantly. He weaves his restrained psychotic energy through the movie as if he was born to play this role. For as silly as this movie can be, this is a brutally adult movie. It is graphic and there is a barrel of bush in it. There is also an almost misogynistic undertone that I don't wish to defend one way or the other, but I will say that for the scenes to not play out as they did would be an injustice to the character that McConaughey plays. The cast all around is very solid. Thomas Haden Church is pretty terrific, Gershon is on point and I've never been happier to see her answer a door. Juno Temple is a lolita-ish young vixen who seems to be almost in a different plane of existence throughout the movie. This is a movie that will stick with you after it's over, the mark of a truly good movie. There's mechanics below the surface that have to be thought about and you have to discipline yourself for the eventual knee jerking that is bound to happen. Adults only. Would go well sandwiched between Blood Simple and No Country for Old Men.
18 of 28 people found this review helpful.
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Sometimes a performance in itself can boost a movies value and vault it into something spectacular, McConaughey provides the turbo to this otherwise solid but not groundbreaking vehicle of karmic retribution as Killer Joe. The movie itself has been said to be akin to Friedkin aping a Cohen crime caper and that description works. We have a crime masterminded by selfish, unintelligent and or quirky characters, we have the mid-west as our backdrop, and we have the metaphysical shadow of karma hovering over their every move throughout the film. Call it Cohen Brothers on whiskey. The characters themselves are all very stereotyped but I think Friedkin left that transparent enough. In other words, the stereotype was part of the wardrobe itself. The reason being is this is not about these characters in particular...this is about choices and consequences and Killer Joe is simply a vehicle of karmic arithmetic. All that aside, on any day, or in any movie, McConaughey's performance as Killer Joe is mesmerizing. He is the serpent...cold and dangerous but charming and in control, constantly. He weaves his restrained psychotic energy through the movie as if he was born to play this role. For as silly as this movie can be, this is a brutally adult movie. It is graphic and there is a barrel of bush in it. There is also an almost misogynistic undertone that I don't wish to defend one way or the other, but I will say that for the scenes to not play out as they did would be an injustice to the character that McConaughey plays. The cast all around is very solid. Thomas Haden Church is pretty terrific, Gershon is on point and I've never been happier to see her answer a door. Juno Temple is a lolita-ish young vixen who seems to be almost in a different plane of existence throughout the movie. This is a movie that will stick with you after it's over, the mark of a truly good movie. There's mechanics below the surface that have to be thought about and you have to discipline yourself for the eventual knee jerking that is bound to happen. Adults only. Would go well sandwiched between Blood Simple and No Country for Old Men.