In this reworking of Cinderella, orphaned Connie Harding is sent to live with her rich aunt and uncle after graduating from boarding school. She's hardly received with open arms, especially...
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Edward Everett Horton
In this light and lovely romantic musical, a Hungarian woman(Deanna Durbin) attends a Viennese fair and buys a card from a gypsy fortune teller. It says that she will meet someone important... See full summary »
An aspiring actress is offered the lead in a major new play, but discovers that her mother, a more seasoned performer, expects the same part. The situation is further complicated when they both become involved with the same man.
In this reworking of Cinderella, orphaned Connie Harding is sent to live with her rich aunt and uncle after graduating from boarding school. She's hardly received with open arms, especially by her snobby cousin Barbara. When the entire family is invited to a major social ball, Barbara sees to it that Connie is forced to stay home. With the aid of her uncle, who acts as her fairy godfather, Connie makes it to the ball and meets her Prince Charming in Ted Drake, her cousin's boyfriend. Written by
Daniel Bubbeo <email@example.com>
This 1939 take on 'Cinderella' works like a charm, and I honestly would never have guessed as much. I found myself being continuously bewitched by it, its sincerely touching and funny script and dialogue, the wealth of small character parts from the laconic spinster teacher ("Old maids are only happy when they cry, you'll find out") and the personable servants to the zany rich family that Durbin's orphan girl has to stand up to.
And of course, over and above everything else, there is Deanna Durbin, a full-fledged young leading lady with a miraculous voice and loads of screen presence and pathos (listen to her sing 'Un bel dì' from 'Madame Butterfly' at the end!). Blonde hunk Robert Stack has his first part ever as the Prince Charming who is left with the empty slipper, but only after a gorgeous series of incredibly romantic encounters.
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