Monday morning. Paul Wertret, 50, heads off to his job as a manager at the International Credit and Trade Bank. He arrives at 8 o'clock on the dot, as usual. He enters a meeting room, takes... See full summary »
Camille was only sixteen and still in high school when she fell in love with Eric, another student. They later married and a child and were happy for a while. But now twenty-five years have... See full summary »
A colorful and provocative survey of anarchism in America, the film attempts to dispel popular misconceptions and trace the historical development of the movement. The film explores the ... See full summary »
Baptiste is a solitary type. A teacher in southern France, he never stays more than three weeks in the same job. One Friday, he finds himself in charge of Mathias, one of his pupils, who ... See full summary »
Frederic is a young man in social rehabilitation. He has just found a night internship, in an isolated hotel in the mountains when, one evening, he sees his boss, Jacques, together with ... See full summary »
Sarah tells Paul that she wants out of their marriage; the next day she disappears. A year later and Paul along with their children return to his childhood town to start anew after the loss of his wife and their mother.
A pharmaceutical company throws a gala party where all the employees from the top to the bottom are invited. Asked to participate in a role playing game which is actually a massive training... See full summary »
Monday morning. Paul Wertret, 50, heads off to his job as a manager at the International Credit and Trade Bank. He arrives at 8 o'clock on the dot, as usual. He enters a meeting room, takes out a gun and kills two of his bosses. Then he locks himself in his office. As he waits for the inevitable police assault, this ordinary man looks back over his life and the events that led him to commit such an act. Written by
Les Films du Losange
It's a pity to have to consign this film to the two-star bin. Jean-Marc Moutout flashback drama is a solid, tonally consistent piece keeping its head just above the moral floodwaters of the global banking crisis. It's inability to achieve any sort of argument, bias or conclusion isn't a failure. The subject preaches to a converted audience. However it is unsatisfactory.
For example: for all Jean-Pierre Darroussin's restrained moral and professional outrage not enough melodrama breaks the surface. It's a good, focused performance but it doesn't point us anywhere. Paul has his feet on the ground, even in an act of dreadful violence (which made people laugh in the screening I attended, such is the incongruity of his clear-sighted actions). He isn't a Meursault, operating on a different consciousness.
The film is bookended with Beethoven - the funeral march of the seventh Symphony and then the same music in variations by Robert Schumann, epic music of the inevitability of mortality. This is what I took from the film - the fruitless struggle of a good man in the overwhelming grip of bad faith. Not easily digestible. 4/10
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