Adele's life is changed when she meets Emma, a young woman with blue hair, who will allow her to discover desire, to assert herself as a woman and as an adult. In front of others, Adele grows, seeks herself, loses herself and ultimately finds herself through love and loss.
Brandon is a 30-something man living in New York who is unable to manage his sex life. After his wayward younger sister moves into his apartment, Brandon's world spirals out of control. Shame examines the nature of need, how we live our lives and the experiences that shape us. Written by
During the 2012 Newsweek Magazine Oscar roundtable, Michael Fassbender said that he really urinated on camera during a scene in which his character was seen urinating (usually these sorts of bodily function scenes are simulated during the filming of a movie, if only because of the difficulty of replicating them over multiple takes). George Clooney, who was also participating in the roundtable, asked Fassbender how many takes he had to do of the urination, and Fassbender said three. See more »
When the subway train is stopped and evacuated, we see the station sign outside it and the station begins with a B (Brooklyn Bridge?). But when Brandon gets off the train there, he is at the 28th Street station. See more »
He was crying. He was crying. There were tears coming down his face. I saw it. You made a grown man cry.
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I am truly shocked by the people criticizing this film for lack of substance. I've seen comments about how there is limited dialogue, and therefore no character development, and hardly any story. Did we watch the same film? I'm thinking we must not have.
Shame dives into the life of a man living with an addiction to sex. The first 10 minutes of this movie effectively introduces him, his addiction, his relationship with humanity (sister included), and barely uses any words to do so. You shouldn't need a lot of dialogue when emotions are conveyed with facial expressions, effective cinematography, and great editing. This film is loaded with all of that.
Obviously films are subjective, but I feel those who say they didn't get to "know' the characters at all must always need everything spoon fed to them. I am not a sex addict, but still connected with both Fassbender and Mulligan. I found the development both subtle and extremely realistic. Does everything need to always have that Hollywood ending? Should everything get wrapped up nicely and leave you with a warm and fuzzy feeling when you walk out of the theater? I definitely don't think so.
Anybody who does need that probably shouldn't watch any Steve McQueen films. Anyone who can appreciate a raw, subtle, and beautifully made film should go watch Shame.
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