In New York City, Brandon's carefully cultivated private life -- which allows him to indulge his sexual addiction -- is disrupted when his sister arrives unannounced for an indefinite stay.
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Adele's life is changed when she meets Emma, a young woman with blue hair, who will allow her to discover desire, to assert herself as a woman and as an adult. In front of others, Adele grows, seeks herself, loses herself and ultimately finds herself through love and loss.
The continuation of Joe's sexually dictated life delves into the darker aspects of her adulthood, obsessions and what led to her being in Seligman's care.
Director:
Lars von Trier
Stars:
Charlotte Gainsbourg,
Stellan Skarsgård,
Willem Dafoe
Georges and Anne are an octogenarian couple. They are cultivated, retired music teachers. Their daughter, also a musician, lives in Britain with her family. One day, Anne has a stroke, and the couple's bond of love is severely tested.
Brandon is a 30-something man living in New York who is unable to manage his sex life. After his wayward younger sister moves into his apartment, Brandon's world spirals out of control. Shame examines the nature of need, how we live our lives and the experiences that shape us. Written by
Momentum Pictures
During the jogging scene, Brandon is seen waiting at a stop light and in the background is an advertisement for the TV series Army Wives (2007). Lucy Walters, who plays the woman on the subway train, also appears in Army Wives as Amy Sandberg. See more »
Goofs
When Brandon goes into the office he has unbuttoned the top buttons of his shirt and he clearly wears nothing underneath it. When he heads to the bathroom and he is filmed from the top of his head you can see the collar of a t-shirt underneath his shirt. The V-neck is also there when he is back home at his apartment. See more »
Quotes
David:
He was crying. He was crying. There were tears coming down his face. I saw it. You made a grown man cry.
See more »
Steve McQueen made a real impact in the film world with his powerful debut Hunger. But like with musicians, there is always the risk that a director's second film will not live up to the high expectations the first effort sets. Yet McQueen has a good go with his dark exploration of human character in Shame.
Brandon (Michael Fassbender) is a successful and well off man living in New York City. He is also a sex addict who constantly picks up women, hires prostitutes, views internet porn daily and masturbates at any given opportunity. It affects his day to day life and he lives a lonely existence. His life is made more complex when his singer sister Sissy (Carey Mulligan), a woman with obvious problems, crashes at his place. She interferes with his life, including sleeping with his boss, David (James Badge Dale) and sets Brandon off to tackle his addiction.
Brandon is depicted as a really despicable character, but he is a man struggling with an addiction. There is a number of sexual scenes throughout Shame, but there is no eroticism as Brandon explores more depraved and disgusting acts and his life spirals out of control. Shame plays as a drug addition movie, similar to Requiem for a Dream as someone struggles to give up something hazardous.
Fassbender offers a powerful performance as a dark, sinister man with strong interplay with Mulligan as he becomes threatening towards her. Compare him to Mulligan, a much more brittle character, on the edge for different reason. She gives a heartbreaking performance as a woman who does not know how to do deal with problems and has a sadness in her eyes. Their scenes were enhanced by McQueen's direction, using hand held cameras to follows Fassbender and the conversations stick to one point, making you feel like you are really watching them in a voyeuristic matter. This makes the movie more tense as the tone changes in an instant.
McQueen employs a grainy filter, giving Shame a dark, grim look which is perfectly fitting considering the atmosphere of the movie. The visuals have a similar feel and tone as other gritty and grim New York set films such as Taxi Driver, Midnight Cowboy and American Psycho, all of which follow the horrible underbelly of the city. He has shown that he is a great actors' director, but McQueen also had some great visuals, such as a long tracking shot of Brandon jogging and Brandon watching two people having sex in their apartment.
There are many moments in the movie that have little dialogue, relying on Fassbender superb abilities as an actor, particularly key in the beginning and during a long montage of Brandon wandering alone in New York, playing like a scene in the great novel Last Exit to Brooklyn. This is a movie about Brandon's continuing descent and self-sabotage and Fassbender should hopefully gain an Oscar nomination to back up his award buzz in Europe.
Shame continues McQueen's reputation as being one of the best emerging directors around, sticking to his no holds barred, brutal style which keeps a stage play quality to the presentation. Shame is tough, but worthy just for Fassbender's performance and keeps to a tradition of grim New York based film.
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Steve McQueen made a real impact in the film world with his powerful debut Hunger. But like with musicians, there is always the risk that a director's second film will not live up to the high expectations the first effort sets. Yet McQueen has a good go with his dark exploration of human character in Shame.
Brandon (Michael Fassbender) is a successful and well off man living in New York City. He is also a sex addict who constantly picks up women, hires prostitutes, views internet porn daily and masturbates at any given opportunity. It affects his day to day life and he lives a lonely existence. His life is made more complex when his singer sister Sissy (Carey Mulligan), a woman with obvious problems, crashes at his place. She interferes with his life, including sleeping with his boss, David (James Badge Dale) and sets Brandon off to tackle his addiction.
Brandon is depicted as a really despicable character, but he is a man struggling with an addiction. There is a number of sexual scenes throughout Shame, but there is no eroticism as Brandon explores more depraved and disgusting acts and his life spirals out of control. Shame plays as a drug addition movie, similar to Requiem for a Dream as someone struggles to give up something hazardous.
Fassbender offers a powerful performance as a dark, sinister man with strong interplay with Mulligan as he becomes threatening towards her. Compare him to Mulligan, a much more brittle character, on the edge for different reason. She gives a heartbreaking performance as a woman who does not know how to do deal with problems and has a sadness in her eyes. Their scenes were enhanced by McQueen's direction, using hand held cameras to follows Fassbender and the conversations stick to one point, making you feel like you are really watching them in a voyeuristic matter. This makes the movie more tense as the tone changes in an instant.
McQueen employs a grainy filter, giving Shame a dark, grim look which is perfectly fitting considering the atmosphere of the movie. The visuals have a similar feel and tone as other gritty and grim New York set films such as Taxi Driver, Midnight Cowboy and American Psycho, all of which follow the horrible underbelly of the city. He has shown that he is a great actors' director, but McQueen also had some great visuals, such as a long tracking shot of Brandon jogging and Brandon watching two people having sex in their apartment.
There are many moments in the movie that have little dialogue, relying on Fassbender superb abilities as an actor, particularly key in the beginning and during a long montage of Brandon wandering alone in New York, playing like a scene in the great novel Last Exit to Brooklyn. This is a movie about Brandon's continuing descent and self-sabotage and Fassbender should hopefully gain an Oscar nomination to back up his award buzz in Europe.
Shame continues McQueen's reputation as being one of the best emerging directors around, sticking to his no holds barred, brutal style which keeps a stage play quality to the presentation. Shame is tough, but worthy just for Fassbender's performance and keeps to a tradition of grim New York based film.
Please visit www.playeraffinity.com