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Shame (2011)
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Shame (2011)

NC-17  |   |  Drama  |  13 January 2012 (UK)
7.3
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Ratings: 7.3/10 from 130,691 users   Metascore: 72/100
Reviews: 360 user | 465 critic | 41 from Metacritic.com

In New York City, Brandon's carefully cultivated private life -- which allows him to indulge his sexual addiction -- is disrupted when his sister arrives unannounced for an indefinite stay.

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Nominated for 1 Golden Globe. Another 54 wins & 78 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
...
Woman on Subway Train
Mari-Ange Ramirez ...
...
...
...
Steven
...
Samantha
...
Elizabeth
Rachel Farrar ...
Rachel
...
Loren
...
Lauren Tyrrell ...
Hostess
...
Cocktail Waitress
...
Skype Son (as Jake Siciliano)
...
Waiter
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Storyline

Brandon is a 30-something man living in New York who is unable to manage his sex life. After his wayward younger sister moves into his apartment, Brandon's world spirals out of control. Shame examines the nature of need, how we live our lives and the experiences that shape us. Written by Momentum Pictures

Plot Summary | Plot Synopsis

Genres:

Drama

Motion Picture Rating (MPAA)

Rated NC-17 for some explicit sexual content | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

| |  »

Country:

Language:

Release Date:

13 January 2012 (UK)  »

Also Known As:

Deseos culpables  »

Filming Locations:

 »

Box Office

Budget:

$6,500,000 (estimated)

Opening Weekend:

$349,519 (USA) (2 December 2011)

Gross:

$4,000,304 (USA) (20 April 2012)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

(DeLuxe)

Aspect Ratio:

2.35 : 1
See  »
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Did You Know?

Trivia

Shot in 25 days. See more »

Goofs

In the final scene, the train that pulls into the 28th street station is the J train. However, in reality, the closest the J line comes to 28th street is Essex Street which is about 3 miles away from 28th. See more »

Quotes

Brandon Sullivan: If you had a choice to live in the past or the future, and you could be anything you wanted to be , what would you be?
Marianne: What would you be?
Brandon Sullivan: Well, i always wanted to be a musician in the Sixties.
Marianne: That's cool. Musician?
Brandon Sullivan: Yeah.
Marianne: Sixties it's tough though! I saw Gimme Shelter recently, you know, the Rolling Stones documentary?
Brandon Sullivan: Yeah.
Marianne: Kinda seem like hell!
Brandon Sullivan: What?
Marianne: Yeah, Sixties be like the last place I want to be.
[...]
See more »

Crazy Credits

No opening credits. See more »

Connections

References Army Wives (2007) See more »

Soundtracks

Prelude & Fugue No. 10 E Minor, BWV 855
Written by Johann Sebastian Bach
Performed by Glenn Gould
Courtesy of Sony Masterworks and the Glenn Gould Estate
Licensed by Sony Music Entertainment UK Ltd
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

Fassbender and Mulligan show no "Shame"

What Director Steve McQueen and co-writer Abi Morgan achieve in the raw and powerful Shame starring breakout star of 2011 Michael Fassbender and Academy Award nominated actress Carey Mulligan is some of the most daring and provocative work seen this year. Telling the story of Brandon (Fassbender), a mid-30s successful businessman who balances his work life and his unflinching addiction to sex on a daily basis. When his free spirited and often times irresponsible sister Sissy (Mulligan) drops by unexpectedly, Brandon is faced with having his dark secret unravel in his day-to-day operations.

Headlined by tour-de-force performances by Fassbender and Mulligan, Shame wraps you from moment one, never easing its unyielding grip on us and showing the darkest parts of nature in a fresh and venturesome manner. McQueen and Morgan shape their narrative in a classic storytelling procedure that entices the viewer without ever feeling forced. They build two authentic characters that surprisingly you can relate to and find solace in. This archetype could be considered one of the best written works of 2011.

McQueen's direction is steady, precise, and full of originality. As stylistic as his direction is, his third act does lose its gravity leaving some thoughts to maneuver in and out. Two polarizing technical aspects of the film are Joe Walker's very impressive editing work, showcasing some of the most vulgar yet necessary scenes of the year. Also, though sadly brief, Harry Escott's massively transcendent score builds up to one of my favorite opening film sequences seen this millennium. So about the nudity you ask and that NC-17 rating? It's all necessary. It never feels forced or for the sake of showing a genital. It's all important and unique to the story. But rest assured, it does deliver some of the most graphic images seen (that's not pornography) on film.

Fassbender and Mulligan set the screen on fire. Fassbender dedicates himself to Brandon, showing all the beauty and ugly, and bestowing upon us, one of the finest Oscar-caliber performances of the year. He doesn't allow judgment, he becomes, he doesn't allow resurgence, he inhabits. It's one of the year's best turns by a leading man. Mulligan achieves her most raw and passionate performance to date. As Sissy, she dives in, lives, and never comes up for air. What's most impressive as oppose to her other work in Nicolas Winding Refn's Drive earlier this year and her nominated work in Lone Scherfig's An Education, is Mulligan endures and persists Sissy with tenacity and bravery. I hope Oscar can recognize greatness as it walks across their screens this year because Mulligan is the truth.

Shame delivers in not only the essence of indomitably but in unique semblance of a raw and illuminating piece of cinema. It likely will be one of the dark gems audiences and critics wish they embraced from 2011.

Read more reviews @ The Awards Circuit (www.awardscircuit.com)


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