Adèle's life is changed when she meets Emma, a young woman with blue hair, who will allow her to discover desire and to assert herself as a woman and as an adult. In front of others, Adèle grows, seeks herself, loses herself, and ultimately finds herself through love and loss.
Brandon is a 30-something man living in New York who is unable to manage his sex life. After his wayward younger sister moves into his apartment, Brandon's world spirals out of control. Shame examines the nature of need, how we live our lives and the experiences that shape us. Written by
The scene where Brandon (Michael Fassbender) and Sissy (Carey Mulligan) have an argument on the couch while watching TV is an unbroken take of 6 minutes and 15 seconds. See more »
When Brandon goes out for a run, the shadows of crew and technical equipment can be seen in the background. See more »
Are you with someone? Does he go down on you? I do... That's what I like to do... I like the way it feels. I like the way it's just me and it... I wanna taste you. I like to slip my tongue inside you... just as you come.
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No opening credits apart from the movie's title. See more »
I am truly shocked by the people criticizing this film for lack of substance. I've seen comments about how there is limited dialogue, and therefore no character development, and hardly any story. Did we watch the same film? I'm thinking we must not have.
Shame dives into the life of a man living with an addiction to sex. The first 10 minutes of this movie effectively introduces him, his addiction, his relationship with humanity (sister included), and barely uses any words to do so. You shouldn't need a lot of dialogue when emotions are conveyed with facial expressions, effective cinematography, and great editing. This film is loaded with all of that.
Obviously films are subjective, but I feel those who say they didn't get to "know' the characters at all must always need everything spoon fed to them. I am not a sex addict, but still connected with both Fassbender and Mulligan. I found the development both subtle and extremely realistic. Does everything need to always have that Hollywood ending? Should everything get wrapped up nicely and leave you with a warm and fuzzy feeling when you walk out of the theater? I definitely don't think so.
Anybody who does need that probably shouldn't watch any Steve McQueen films. Anyone who can appreciate a raw, subtle, and beautifully made film should go watch Shame.
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