A case of mistaken identity lands Slevin into the middle of a war being plotted by two of the city's most rival crime bosses: The Rabbi and The Boss. Slevin is under constant surveillance by relentless Detective Brikowski as well as the infamous assassin Goodkat and finds himself having to hatch his own ingenious plot to get them before they get him.
Jake Vig (Burns) is a consummate grifter about to pull his biggest con yet, one set to avenge his friend's murder. But his last scam backfired, leaving him indebted to a mob boss (Hoffman) and his enforcer.
Lola receives a phone call from her boyfriend Manny. He lost 100,000 DM in a subway train that belongs to a very bad guy. Lola has 20 min to raise this amount and meet Manni. Otherwise, he will rob a store to get the money. Three different alternatives may happen depending on some minor event along Lola's run. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
The glass clock in the bank is broken using a small air rifle firing a small stone. See more »
At the end of the first run, Manni and Lola rob a supermarket. At the end of the third run, when Lola scans the intersection for Manni, the same supermarket is closed and dark. The filmmakers were unable to secure permission to close down the streets for filming, so the scene was filmed just after dawn on a Sunday morning to avoid traffic. See more »
Man... probably the most mysterious species on our planet. A mystery of unanswered questions. Who are we? Where do we come from? Where are we going? How do we know what we think we know? Why do we believe anything at all? Countless questions in search of an answer... an answer that will give rise to a new question... and the next answer will give rise to the next question and so on. But, in the end, isn't it always the same question? And always the same answer?
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The end credits run backwards, from top to bottom. See more »
"Lola Rennt" is probably the best german film to date! I've seen it a couple of times now and each time it is as fascinating as it was when I first saw it on the big screen.
The most stunning thing about this movie is the fast pace that is maintained through all aspects of the film: the sound, the music, the camera perspectives, the editing, etc. Plus Franka Potente does an excellent job to underline this effect.
But to be honest: "Lola Rennt" is no film for the casual moviegoer who just wants to see another mainstream movie as we so often see it in Hollywood movies. It is in nearly every aspect different from the average movie and has a lot of stylistic (animated sequences, split-screen, etc) and narrative twists that you won't see in most films today.
Score: 10 out of 10
92 of 136 people found this review helpful.
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