A botched card game in London triggers four friends, thugs, weed-growers, hard gangsters, loan sharks and debt collectors to collide with each other in a series of unexpected events, all for the sake of weed, cash and two antique shotguns.
A case of mistaken identity lands Slevin into the middle of a war being plotted by two of the city's most rival crime bosses: The Rabbi and The Boss. Slevin is under constant surveillance by relentless Detective Brikowski as well as the infamous assassin Goodkat and finds himself having to hatch his own ingenious plot to get them before they get him.
Lola receives a phone call from her boyfriend Manny. He lost 100,000 DM in a subway train that belongs to a very bad guy. Lola has 20 min to raise this amount and meet Manni. Otherwise, he will rob a store to get the money. Three different alternatives may happen depending on some minor event along Lola's run. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
This film contains about 1581 transitions (edits, dissolves, fades, wipes, etc) in 71 minutes of action (i.e. excluding the credits, and pre-credits sequence). This equates to an Average Shot Length of about 2.7 seconds. Interestingly, the editing is relatively slower towards the end of the film. For most contemporary films, the opposite is the norm. See more »
The reflection of the crew and tripod can be seen when Lola's father enters the car. See more »
Man... probably the most mysterious species on our planet. A mystery of unanswered questions. Who are we? Where do we come from? Where are we going? How do we know what we think we know? Why do we believe anything at all? Countless questions in search of an answer... an answer that will give rise to a new question... and the next answer will give rise to the next question and so on. But, in the end, isn't it always the same question? And always the same answer?
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The end credits run backwards, from top to bottom. See more »
It tells the tale of a young man, Manni, who one day was doing a job for crime boss. The job was just to deliver a bag of money to him with 100000 DM which roughly translates to $20000 or $25000 US. Unfortunatly Manni leaves the money on a train and is totally screwed unless he can get the money back in 20 minutes. So he calls his girlfriend, Lola (and no, she is not the girl from The Fifth Element), for help. From here the film follows Lola choosing three paths, each going for 20 minutes, to getting the money for Manni.
Run Lola Run is a wonderful study of how life consists of the paths we take. Some say there is no right and wrong paths to take in life, but Run Lola Run seems to illustrate that the right path is the best. Franka Potente (Lola) does a wonderful job and must have lost about 10 pounds for all the running she does in this film. But the real star here is Tom Tykwer (the director), who vison for this film is so fantastic and cool.
In terms of coolness, this has to be one of the coolest movies ever made. It contains black and white camera, animation, three or four different types of slow motion, fast motion and the most amazing still shots taken for a film which is enough to keep anyone interested. Plus this film is only 80 minutes long, but luckily it feels about 20 minutes longer than that.
After being one of the most talked about films of 1998, I would safely say that Run Lola Run has inspired a large number of film makers. Run Lola Run is a modern masterpiece and should pave the way for the future of films.
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