Paï (2002)

A contemporary story of love, rejection and triumph as a young Maori girl fights to fulfill a destiny her grandfather refuses to recognize.

Director:

Niki Caro

Writers:

Niki Caro, Witi Ihimaera (book)

Stars:

Keisha Castle-Hughes, Rawiri Paratene, Vicky Haughton

Nominated for 1 Oscar. Another 33 wins & 34 nominations.

Cast

Cast overview, first billed only:
Keisha Castle-Hughes	...	Paikea
Rawiri Paratene	...	Koro
Vicky Haughton	...	Nanny Flowers
Cliff Curtis	...	Porourangi
Grant Roa	...	Uncle Rawiri
Mana Taumaunu	...	Hemi
Rachel House	...	Shilo
Taungaroa Emile	...	Willie
Tammy Davis	...	Dog
Mabel Wharekawa	...	Maka (as Mabel Wharekawa-Burt)
Rawinia Clarke	...	Miro
Tahei Simpson	...	Miss Parata
Roi Taimana	...	Hemi's Dad (as Roimata Taimana)
Elizabeth Skeen	...	Rehua
Tyronne White	...	Jake (as Tyrone White)

Storyline

On the east coast of New Zealand, the Whangara people believe their presence there dates back a thousand years or more to a single ancestor, Paikea, who escaped death when his canoe capsized by riding to shore on the back of a whale. From then on, Whangara chiefs, always the first-born, always male, have been considered Paikea's direct descendants. Pai, an 11-year-old girl in a patriarchal New Zealand tribe, believes she is destined to be the new chief. But her grandfather Koro is bound by tradition to pick a male leader. Pai loves Koro more than anyone in the world, but she must fight him and a thousand years of tradition to fulfill her destiny.

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Plot Keywords:

maori | f rated | girl | tradition | new zealand | 

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Taglines:

One young girl dared to confront the past, change the present and determine the future

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Genres:

Drama | Family

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Motion Picture Rating (MPAA)

Rated PG-13 for brief language and a momentary drug reference

Details

Official Sites:

Official site Official site [Germany]

Country:

New Zealand Germany

Language:

English Maori

Release Date:

29 August 2003 (USA)

Also Known As:

Paï

Filming Locations:

Henderson Valley Studios, Hickory Avenue, Henderson, Auckland, New Zealand

Box Office

Budget:

NZD 6,000,000 (estimated)

Opening Weekend:

$198,471 (Australia) (2 May 2003)

Gross:

$20,779,666 (USA)

Company Credits

Production Co:

South Pacific Pictures, ApolloMedia Distribution, Pandora Filmproduktion

Technical Specs

Runtime:

101 min

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

2.35 : 1

Did You Know?

Trivia

The Polynesian word "auwe" is used in dialog, in some chants and songs, and as Koro weeps at night. The word is used to express a wide range of emotions, including surprise, disappointment, scorn, sorrow, and pity, depending on the context.

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Goofs

The father and grandfather argue after the slide show, and the father goes to pull down the white sheet that was hung over some drapes to act as a screen. He pulls it down, along with the rod and orange drapes that the sheet was hanging from. Moments later, the drapes are back up in place and hanging perfectly straight, without enough time for him to re-hang the drapes.

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Quotes

[first lines]
Paikea: In the old days, the land felt a great emptiness. It was waiting. Waiting to be filled up. Waiting for someone to love it. Waiting for a leader.
[child birth scene]
Paikea: And he came on the back of a whale. A man to lead a new people. Our ancestor, Paikea. But now we were waiting for the firstborn of the new generation, for the descendant of the whale rider. For the boy who would be chief.
Paikea: There was no gladness when I was born. My twin brother died, and took our mother with him.

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Crazy Credits

Made by New Zealand

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Connections

Featured in The 76th Annual Academy Awards (2004)

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Soundtracks

Waka In The Sky
Vocals [Haka] performed by 'The People Of Ngati Konghi, Whangara'
Copyright owned by 4AD LTD Under License from South Pacific Pictures LTD.
© (P) 2003 4AD LTD

User Reviews

A beautiful film!

While 1994's "Once Were Warriors" was a violent look at Maori culture this is easily more upbeat and lyrical. Story starts out in a hospital where a mother has just given birth to twins and the male twin dies as does the mother. The remaining twin is a girl and the film is about her and how she thinks and wants to be the future leader of her village. The film is set in modern day and we see the girl Pai (Keisha Castle-Hughes) as a 12 year old who knows that her twin brother that died was suppose to be the future chief. Pai's father is Porourangi (Cliff Curtis) and he's an artist who has left the village for a career and Pai is raised by her grandparents Koro and Nanny (Rawiri Paratene and Vicky Haughton) and she craves the respect from Koro but he is of the old ways and is still searching for a new chief. She wants to learn the ways of being chief but Koro yells at her not to fool with the sacred ways of their people. Women are treated as second class but Pai eavesdrops on Koro's classes with the young boys and learns the ways. The film is directed by Niki Caro and its only her third film but this should definitely put her on everyones list as a great future director. The film is beautiful to look at and even though its not a big budget movie the story and images make this an unforgettable viewing experience. Caro does a wonderful job of allowing the story to tell itself without relying on plot contrivances. Even though the story is more of a fable it still comes across as relevant and believable. One scene in particular stands out and its the one where Pai is receiving an award at school and she has invited Koro to watch her but instead of him making the obligatory entrance, Koro has discovered something more important. The performances are superb and Castle-Hughes gives I think one of the best performances of the year. What makes it so amazing is that its her film debut! You would think that you were watching a seasoned actress but your not! She's incredible to look at and in some scenes she comes across as so strong willed but then in other shots she's just a fun loving young girl. Castle-Hughes conveys both sorrow and pity as she dreams of being a chief. A remarkable performance that was crucial to the film. Without her performance the film would come across as more distant emotionally. The images of Castle-Hughes on the back of the whale as it submerges are so haunting and beautiful and its these scenes that give it a lyrical quality and the emotional impact of the story is impossible to ignore. This is more than just a film its a viewing experience that everyone must see! Beautiful, haunting and a performance that you will never forget. Go see it!