Whale Rider (2002)

Director:

Niki Caro

Writers:

Witi Ihimaera (novel)
Niki Caro (screenplay)

Release Date:

4 July 2003 (USA)

Genre:

Drama | Family

Tagline:

One young girl dared to confront the past, change the present and determine the future

Plot:

A contemporary story of love, rejection and triumph as a young Maori girl fights to fulfill a destiny her grandfather refuses to recognize.

Plot Keywords:

New Zealand | Tradition | Maori | Canoe | Whale

Awards:

Nominated for Oscar. Another 29 wins & 28 nominations

Cast

Keisha Castle-Hughes	...	Paikea
Rawiri Paratene	...	Koro
Vicky Haughton	...	Nanny Flowers
Cliff Curtis	...	Porourangi
Grant Roa	...	Uncle Rawiri
Mana Taumaunu	...	Hemi
Rachel House	...	Shilo
Taungaroa Emile	...	Willie
Tammy Davis	...	Dog
Mabel Wharekawa	...	Maka (as Mabel Wharekawa-Burt)
Rawinia Clarke	...	Miro
Tahei Simpson	...	Miss Parata
Roi Taimana	...	Hemi's Dad (as Roimata Tamana)
Elizabeth Skeen	...	Rehua
Tyronne White	...	Jake (as Tyrone White)

Also Known As:

Te kaieke tohora (New Zealand: Maori title)

MPAA:

Rated PG-13 for brief language and a momentary drug reference.

Runtime:

101 min

Country:

New Zealand | Germany

Language:

English | Maori

Color:

Color

Aspect Ratio:

2.35 : 1

Sound Mix:

Dolby Digital

Certification:

Canada:G (British Columbia/Quebec) | Canada:PG (Alberta/Manitoba/Nova Scotia/Ontario) | Iceland:L | South Korea:All | Argentina:Atp | Australia:PG | Brazil:Livre | Finland:K-7 | Germany:6 | Hong Kong:IIA | Ireland:PG | Netherlands:AL | New Zealand:PG | Norway:11 | Portugal:M/6 | Singapore:PG | Sweden:7 | Switzerland:10 (canton of Geneva) | Switzerland:10 (canton of Vaud) | Switzerland:12 (canton of the Grisons) | UK:PG | USA:PG-13

Filming Locations:

Henderson Valley Studios, Hickory Avenue, Henderson, Auckland, New Zealand

Company:

ApolloMedia

Trivia:

The whales in the movie were depicted using a combination of footage of real whales, life size models (some with humans creating movement) and CGI. Keisha Castle-Hughes said the key whale riding scene took place 15-20 miles offshore and was terrifying.

Goofs:

Errors in geography: When Koro answers the phone towards the end of the film, it is ringing with an American style single ring, not the double-ring that is used on New Zealand phones.

Quotes:

[first lines]
Paikea: In the old days, the land felt a great emptiness. It was waiting. Waiting to be filled up. Waiting for someone to love it. Waiting for a leader.
[child birth scene]
Paikea: And he came on the back of a whale. A man to lead a new people. Our ancestor, Paikea. But now we were waiting for the firstborn of the new generation, for the descendant of the whale rider. For the boy who would be chief.
Paikea: There was no gladness when I was born. My twin brother died, and took our mother with him.

Movie Connections:

Featured in 10th Annual Screen Actors Guild Awards (2004) (TV)

Soundtrack:

Jast Passing Through

A real machismo meltdown.

A beautifully filmed and convincingly acted treat for the entire family. Adults need NOT beware since the film respects its audience and contains levels of depth suitable for all ages. Although ultimately an upbeat movie, there are some grim plot elements that may not be appropriate for very young or overly sensitive children. However, there's no actual violence or anything truly frightening or morbid.

This is the story of a 12 year old Maori girl who knows that she is born to the destiny her grandfather believes died with her stillborn twin brother. I won't spoil the ending (which is hinted at early on) with specifics, but suffice it to say that the story's ultimate lesson is that change is sometimes as necessary a component of living traditions as repetitive ceremony. And that the Maori must ride that "whale" as bravely as their mythological ancestor rode the whale from Havaiki (a satellite island of Tahiti, NOT Hawaii) to New Zealand. Not to destroy or denigrate their culture, but to ensure its vitality and continuity in the cultural matrix of the modern world.

A great lesson in true cultural diversity without preachy slogans or "politically correct" censorship. It should be shown in all the world's classrooms. Keisha Castle-Hughes is unforgettable as the heroine, and richly deserves the Oscar for which she has been nominated.