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Damsels in Distress (2011)

5.8
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Ratings: 5.8/10 from 5,822 users   Metascore: 67/100
Reviews: 48 user | 142 critic | 33 from Metacritic.com

A trio of girls set out to change the male-dominated environment of the Seven Oaks college campus, and to rescue their fellow students from depression, grunge and low standards of every kind.

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Title: Damsels in Distress (2011)

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Cast

Cast overview, first billed only:
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Frank
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Jimbo
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Priss
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Complainer Student
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Freak Astaire
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Xavier
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Alice
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Barman
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Fred Packenstacker / Charlie Walker
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Storyline

Violet and her two cohorts attempt to help their "less-fortunate" students at Seven Oaks College - primarily by running a Suicide Prevention Centre and offering their off-beat advice whenever they get a chance. Violet's newest rescue is transfer student, Lily, and Violet wants to teach her how to talk and dress properly, and how to select appropriate men to be interested in. Along their way in helping everybody at the college, the damsels teach the fraternity doofi to hit the books, they get their hearts broken, but then attempt to start an international dance craze. Written by napierslogs

Plot Summary | Plot Synopsis

Genres:

Comedy | Drama | Romance

Motion Picture Rating (MPAA)

Rated PG-13 for mature thematic content including some sexual material | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

Country:

Language:

Release Date:

26 April 2012 (New Zealand)  »

Also Known As:

Damsels in Distress  »

Box Office

Opening Weekend:

$58,589 (USA) (6 April 2012)

Gross:

$1,007,535 (USA) (17 August 2012)
 »

Company Credits

Production Co:

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Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

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Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Lena Dunham auditioned for a role in this film. See more »

Quotes

Lily: There no logic to the algebra of love.
Fred Packenstacker: The algebra of love? Sounds like the title of some lame book.
Lily: It's a title but the book's not lame at all.
Fred Packenstacker: Love's algebra? I always thought it was more geometry.
Lily: Okay, the title's not good but the book is.
Fred Packenstacker: What's it say?
Lily: Well, that while we're all perverse in our preferences, there's actually this logic, or algebra to our perversity. And it has something to do with how the species has evolved
Fred Packenstacker: The survival of the species?
Lily: Yes, and whether it will continue ...
See more »

Crazy Credits

The background behind the "Sony Pictures Classics" logo at the beginning is bright pink instead of its normal blue. See more »

Connections

References La Grande Illusion (1937) See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

Delightful, quirky, intelligent fun
9 February 2012 | by (United States) – See all my reviews

It's clear that some reviewers "got" this film and some didn't. As always, Stillman delivers with marvelous, laugh-out-loud funny dialogue. This is so rare that that that virtue alone sets it apart from the majority of the drivel that passes for conversation in movie scripts these days. You can't tell me that there aren't some one-liners in there that you hear and just *wish* you could have uttered yourself if only you'd had the wit (Whit?).

The characters are all flawed, some lovably so, some not--just like life. You're not meant to like all of them, and it's part of the subtle, social observation of which Stillman is capable that the unlikable characters are not always immediately unlikable. Some characters learn from their mistakes and misperceptions, some do not. Again, like life.

The thing that is so winsome about Stillman's movies is that virtue always triumphs. There is a sweetness to his choice that the good always eclipses the bad. It's almost heart-achingly sweet, because we know that that is not how things usually work out, and yet you find yourself rooting for these flawed, quirky, sometimes idiotic characters to get out of their own way and allow their better natures to win the day. I've wondered for a long time about the central role of dancing in his movies, and maybe it's that when you're dancing, it's hard to do much else, and you become one with music, rhythm, and your dance partner(s). Perhaps that's what he wants for his characters--to use dance as a vehicle to get out of their own way and lead a happier, less complicated, less tortured existence.

My favorite of his movies will always be "Metropolitan," but this is an excellent new addition to his oeuvre. We've been waiting for "the new one" for a while, and now that it's here I find it a sheer delight.


36 of 52 people found this review helpful.  Was this review helpful to you?

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