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The Grey (2011)

6.8
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Ratings: 6.8/10 from 159,706 users   Metascore: 64/100
Reviews: 689 user | 384 critic | 35 from Metacritic.com

After their plane crashes in Alaska, six oil workers are led by a skilled huntsman to survival, but a pack of merciless wolves haunts their every step.

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Title: The Grey (2011)

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Cast

Cast overview, first billed only:
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Hernandez (as Ben Hernandez)
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Peter Girges ...
Jonathan Bitonti ...
Ottway (5 years old) (as Jonathan James Bitoni)
James Bitonti ...
Ella Kosor ...
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Storyline

In Alaska, a team of oil workers board a flight home; however, they cross a storm and the airplane crashes. Only seven workers survive in the wilderness and John Ottway, who is a huntsman that kills wolves to protect the workers, assumes leadership of the group. Shortly after they learn that they are surrounded by a pack of wolves and Ottway advises that they should seek protection in the woods. But while they walk through the heavy snow, they are chased and attacked by the carnivorous mammals. Written by Claudio Carvalho, Rio de Janeiro, Brazil

Plot Summary | Plot Synopsis

Taglines:

Live or Die on This Day


Motion Picture Rating (MPAA)

Rated R for violence/disturbing content including bloody images, and for pervasive language | See all certifications »

Parents Guide:

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Details

Official Sites:

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Country:

Language:

Release Date:

27 January 2012 (USA)  »

Also Known As:

The Grey  »

Box Office

Budget:

$25,000,000 (estimated)

Opening Weekend:

$19,665,101 (USA) (27 January 2012)

Gross:

$51,533,608 (USA) (6 April 2012)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

|

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

The ending scene song "Into the Fray" was originally composed by Jamin Winans as "The City Surf" for his movie Ink (2009). See more »

Goofs

When Pete leaves the other two by the river, John has two pairs of white sport shoes. But before he stops in the final scene he has two pairs of black mountain shoes. See more »

Quotes

[first lines]
Ottway: A job at the end of the world. A salaried killer for a big petroleum company. I don't know why I did half the things I've done, but I know this is where I belong, surrounded by my own. Ex-cons, fugitives, drifters, assholes. Men unfit for mankind.
See more »

Crazy Credits

There's a scene after the end credits. See more »

Connections

Referenced in Film 2014: Episode dated 26 February 2014 (2014) See more »

Soundtracks

Running A.D. Part 2
Songwriter Mark Kevin Wilson
Produced by Vintage Masters Music
Performed by Lucian Blaque
Courtesy of Fervor Records Vintage Master, a division of Wild Whirled Music
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Neeson and Carnahan go above and beyond the survival thriller norms
27 January 2012 | by (IL, USA) – See all my reviews

Liam Neeson the gritty action hero. How unbelievable that at nearly 60 years old, an actor can redefine his career and become more bankable. Neeson has somehow re-channeled the seriousness he brought to dramatic roles into creating utterly convincing heroes in decent (at best) thrillers.

But that's not "The Grey." "The Grey" earns marks far above decent, and Neeson's performance makes it better. I know, the calendar clearly reads January, but that's a matter of maximizing box-office potential in this case. Writer/director Joe Carnahan ("The A-Team") has turned a new leaf in this harrowing wilderness survival thriller, a film as dedicated to exploring the true extent of the human will to live as much as shocking its audience with menacing wolf attacks.

Neeson leads the pack in all manner of ways. Paid to protect oil workers from nature's dangers (especially wolves), Neeson's character Ottway turns out to be a group of drillers' best chance for survival when their plane crashes in the Alaskan wilderness near a wolf den. He's far from a boy scout, however, and he's emotionally wounded by the past as evidenced by visions of his wife.

Most of the early indicators in the film give you the sense that Neeson will do his usual solemn-faced hero routine that he executes to perfection, but the way the film unfolds (not in terms of plot, but in terms of the quality of the storytelling) asks him to go beyond that. He definitely responds.

When looked at in its most fundamental form, "The Grey" could be considered just another film in which a group of imperiled people die one at a time en route to finding safety. Carnahan, however, slows down that pace so that we can absorb the extent of the danger and imagine ourselves in it. When death does occur, it's visually striking, jaw-dropping and/or thought-provoking as compared to standard efforts at the genre that involve only jump-scare deaths or death by character stupidity.

Only one character, Diaz (Frank Grillo) gets a stereotype as the stubborn self-centered jerk who disagrees with Ottway on purpose. Most movies would've killed him off before he got too annoying, but Carnahan and co-writer Ian Mackenzie Jeffers (who wrote the short story the film's based on), have more interesting plans in store for him.

It's also not just a film about people being hunted by wolves in the wilderness. There's no bloody man vs. wolf climactic battle, unlike what the trailers would have you believe, so film fans prone to take misleading marketing out on the film itself, be prepared. "The Grey" is much more of a suspenseful drama with high-adrenaline scenes lurking around every corner.

As such, the visual style of "The Grey" asks for something different from Carnahan than the over-the-top high-flying nature of his previous two films, "The A-Team" and "Smokin' Aces." The overall tone is gritty and naturalistic, so snow-caked beards without the blistering frostbite makeup.

The action is also more frenetic and gripping. Rather than shooting the action scenes in a traditional sense, he wants the viewer to feel as if they are experiencing them along with the characters. If a character falls from a tree top and hits 20 branches on the way down, that's exactly what the camera's doing. This maximizes the intensity of every major sequence. As for the wolves, they're horrifying, yet never painted as the bad guys. They're just part of nature.

When it comes to issues of faith and the will to survive, that's when "The Grey" really jumps up and above the bar for its genre. The story is told in such a way that when people die, it's not for our entertainment, but to highlight the unpredictable nature of ... nature, and life and death. As Ottway wrestles with these same issues, its Neeson's performance that makes it hit home.

"The Grey" gives its audience the rare gift of genre-film entertainment with some serious food for thought and an ample dose of emotion. Carnahan's choices on how to tell the story, along with an ending not typical of genre films, only make it all the stronger. Both he and Neeson display the true nature of their strengths. Hopefully we've seen only the beginning of Carnahan's potential, and that nature is kind enough to Neeson to let him continue challenging the norm for the standard heroic performance.

~Steven C

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Wolf jerkie? Really? nwbrfc
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