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Running Time: 100 Minutes
Synopsis: An anthology of horror related Christmas tales sees an investigation into a murder the previous Christmas, a young boy acting strangely after cutting down a tree, a family stalked by Krampus, and Santa fighting off zombies.
Tis the season to be gory! Christmas and horror are a strange combination that always seems to work. Since they days of Charles Dickens’ A Christmas Carol (and going back further to different cultures’ tales), ghosts and monsters have been mixed with the time of peace on Earth and goodwill to all men. There’s something about mixing a supposedly joyous holiday with extreme violence and dark goings on. With Christmas being camper than… »
- Luke Ryan Baldock
Want to catch up with post-2005 Doctor Who but don’t have 85 spare hours to watch the whole thing? We’ve some tips for you…
Maps To TV Shows: Is there a popular show you’d really like to watch but you just don’t have time to wade through years of it all at once? Do you just want to know why that one character keeps turning up on Tumblr? Do the fans all tell you ‘season one is a bit iffy but stick with it, it gets great!’, leaving you with absolutely zero desire ever to watch the boring/silly/just plain weird season one? Then Maps To TV Shows is for you!
In these articles, we’ll outline routes through popular TV shows focusing on particular characters, story arcs or episode types. Are you really into the Klingon episodes of Star Trek: The Next Generation? Do »
Robert Zemeckis with the cast of Flight Photo: Anne-Katrin Titze
After the New York Film Festival Opening Night Gala screening of Robert Zemeckis’s The Walk in 3D, starring Joseph Gordon-Levitt as Philippe Petit with Ben Kingsley, Charlotte Le Bon and Ben Schwartz had to be rescheduled due to the visit of Pope Francis, the Museum of Modern Art in New York announced today, What Lies Beneath: The Films of Robert Zemeckis.
His feature films, including Romancing The Stone, Forrest Gump, The Polar Express, Contact, Used Cars, Who Framed Roger Rabbit, Cast Away, A Christmas Carol, Beowulf and Flight (Closing Night Gala selection of the 2012 New York Film Festival) will be shown. On October 3, screenings of Back To The Future, Back To The Future Part II and Back To The Future Part III in succession celebrate the 30th anniversary of the original film's release.
Kicking off »
- Anne-Katrin Titze
People love classic Christmas movies like Miracle on 34th Street, It.s A Wonderful Life, and A Christmas Carol, but there.s also room for awesome nontraditional holiday fare like Christmas Vacation, Bad Santa, and Die Hard. Now it looks like we have another to add to the latter category with the Seth Rogen-starring The Night Before, which just delivered this hilarious new trailer. This holiday season, three childhood friends become three wise men. Watch the trailer for #TheNightBefore now! https://t.co/HazuYYuAQ0 . The Night Before (@TheNightBefore_) July 28, 2015 The Night Before stars Rogen, Joseph Gordon-Levitt, and Anthony Mackie as three life-long friends who spend every Christmas together. Things are changing, however, and this year that tradition comes to an end. Isaac (Rogen) is about to have a baby, Chris (Mackie) is too famous to go out in public for some reason, and Ethan (Gordon-Levitt) has come to terms »
London — Toby Haynes, who directed and exec produced TV drama “Jonathan Strange and Mr Norrell,” is set to direct a new movie version of Lionel Bart’s musical “Oliver!,” which Cameron Mackintosh, Working Title and Sony Pictures are producing, according to the Daily Mail’s Baz Bamigboye.
“Oliver!” is set to be greenlit in a matter of weeks, once rights deals are completed, and the film will start shooting early next year, with a release penciled in for the end of next year. The film, which will be grittier than the original, will shoot on location in and around London.
Haynes and casting director Lucinda Syson have started to scout for the young British actors who’ll play the title character, the Artful Dodger and the other kids in the musical. Working Title has experience in seeking out young talent as it produced the film and stage versions of “Billy Elliot. »
- Leo Barraclough
In what I can only call a moment of madness, Michael Gambon has said he wasn’t very good as Kazran Sardick. The Fortitude actor appeared in the 2010 festive special, A Christmas Carol, playing a Scrooge-like miser whose life the Doctor changes. But speaking at the London Film and Comic Con this previous weekend, he admitted that...
- Philip Bates
A few months ago we reported on Disney Xd picking up a five-part series of 22-minute episodes called Lego Star Wars: Droid Tales, and now its premiere is nigh. The animated series will tell the the stories of the Star Wars universe in chronological order, starting with Episode I: The Phantom Menace, and concluding with Episode VII: Return of the Jedi (they really should have done the machete order). The stories will all been seen through the eyes of C-3Po and R2-D2, in a way that sounds a little bit like A Christmas Carol. Check out four new images from the new series below (you can click on them for the full high res), along with a synopsis of the first episode. Lego Star Wars: Droid Tales will premiere Monday, July 6th at 6:30 p.m. on Disney Xd. [caption id="attachment_480643" align="alignnone" width="600"] Image via Disney Xd[/caption] [caption id="attachment_480641" align="alignnone" width="600"] Image via Disney Xd[/caption] »
- Allison Keene
Ron Moody as Fagin in 'Oliver!' based on Charles Dickens' 'Oliver Twist.' Ron Moody as Fagin in Dickens musical 'Oliver!': Box office and critical hit (See previous post: "Ron Moody: 'Oliver!' Actor, Academy Award Nominee Dead at 91.") Although British made, Oliver! turned out to be an elephantine release along the lines of – exclamation point or no – Gypsy, Star!, Hello Dolly!, and other Hollywood mega-musicals from the mid'-50s to the early '70s. But however bloated and conventional the final result, and a cast whose best-known name was that of director Carol Reed's nephew, Oliver Reed, Oliver! found countless fans. The mostly British production became a huge financial and critical success in the U.S. at a time when star-studded mega-musicals had become perilous – at times downright disastrous – ventures. Upon the American release of Oliver! in Dec. 1968, frequently acerbic The »
- Andre Soares
Last week brought us the first official trailer for Pixar's next film (following Inside/Out), The Good Dinosaur, and today Disney has revealed the film's voice cast, including Raymond Ochoa, Anna Paquin and many more. Come inside to check out the list!
When The Good Dinosaur was delayed by a year and a half (remember, this was supposed to hit in 2014 originally), lots of speculation abounded about whether or not the voice cast of the film would remain involved. Today brings the answer, as Disney/Pixar have revealed an all new cast for the upcoming film. Check it out.
Disney•Pixar’s upcoming movie “The Good Dinosaur” revealed its roster of voice talent today. “We were lucky to work with a number of incredible pros along the way and our story ultimately led us to this amazing and talented group,” said the first-time-feature-film director Peter Sohn. “We’re all taking this journey with Arlo, »
- email@example.com (Jordan Maison)
Disney•Pixar’s upcoming movie The Good Dinosaur revealed its roster of voice talent today.
“We were lucky to work with a number of incredible pros along the way and our story ultimately led us to this amazing and talented group,” said the first-time-feature-film director Peter Sohn. “We’re all taking this journey with Arlo, and it’s been a privilege to see these performers bring our characters to life.”
Raymond Ochoa (NBC’s “The Night Shift,” TNT’s “Rizzoli & Isles,” “Disney’s A Christmas Carol”) provides the voice of an Apatosaurus named Arlo. Jeffrey Wright (“The Hunger Games: Mockingjay” – parts I & II, HBO’s “Boardwalk Empire”) was tapped as the voice of Poppa, Arlo’s father. Steve Zahn (“Captain Fantastic,” “Ridiculous Six,” “Rescue Dawn,” “Mad Dogs”) provides the voice of a pterodactyl named Thunderclap. Aj Buckley (TNT’s “Murder in the First,” FX’s “Justified”) voices a T-Rex called Nash. »
- Michelle McCue
Disney•Pixar’s upcoming movie “The Good Dinosaur” revealed its roster of voice talent today. “We were lucky to work with a number of incredible pros along the way and our story ultimately led us to this amazing and talented group,” said the first-time-feature-film director Peter Sohn. “We’re all taking this journey with Arlo, and it’s been a privilege to see these performers bring our characters to life.” · Raymond Ochoa (NBC’s “The Night Shift,” TNT’s “Rizzoli & Isles,” “Disney’s A Christmas Carol”) provides the voice of an Apatosaurus named Arlo. · Jeffrey Wright (“The Hunger Games: Mockingjay” – parts I & II, HBO’s “Boardwalk Empire”) was tapped as the voice of Poppa, Arlo’s father. · Steve Zahn (“Captain Fantastic,” “Ridiculous Six,” “Rescue Dawn,” “Mad Dogs”) provides the voice of a pterodactyl named Thunderclap. · Aj Buckley (TNT’s “Murder in the First,” FX’s “Justified”) voices a T-Rex called Nash. »
Is Robert Zemeckis ready to tap his human side again? The filmmaker seems to have been distracted and sidetracked by filmmaking toys in his last few years. There was the run of early pioneering motion capture work ("The Polar Express," "A Christmas Carol," "Beowulf"), but even with his “return” to live-action filmmaking, “Flight” with Denzel Washington, the most convincing sequence in the entire movie was the dynamic and horrifying plane crash. Even “The Walk,” which stars Joseph Gordon-Levitt as young quixotic dreamer with an ambition to wire walk between the World Trade Center towers looks like an excuse to induce vertigo with 3D technology. So, what will Zemeckis hide behind in an upcoming untitled World War II thriller with romantic dimensions? Considering his cast, we hope nothing. Zemeckis’ latest already stars Brad Pitt, and Marion Cotillard has just joined the cast as his love interest. Penned by Steve Knight ("Peaky. »
- Edward Davis
Picard's pyjamas! The devil! Judge Data! This week's Tng lookback reaches a hugely fun courtroom episode, Devil's Due...
This review contains spoilers.
4.13 Devil's Due
Picard is watching Data perform as Ebeneezer Scrooge on the holodeck when the ship receives a distress call from a Federation science team on Ventax II. The planet's population is rioting because it just reached the end of an alleged thousand-year contract with Ardra, their planet's version of the Devil, which promised the citizens peace and prosperity in return for becoming her property when the contract was up. Remember: always read the small print.
With a mob holding most of the science team hostage, Picard beams down and gets his negotiating pen out. As he attempts to quell the superstitious crowd's fear, Arda appears, announcing that "Time's up."
In an attempt to convince everyone that she is who she says, she briefly takes on the form »
If you only watch one scene, out of context, from The Flash this season, let it be the opening of this episode! We get, in fully computer generated, the race-battle between the Flash and Reverse Flash and it is Yes!
Spoilers ahead (as always)…
“Tricksters” is one of those typically fun episodes a lot of shows do with a guest star, who maybe has a few scenes, and gets the best lines; this episode amplified that formula, by plastering Mark Hamill all over this bad boy and giving us the back story of Harrison Wells. It’s triumphantly fun and intriguing all at the same time. Central City gets bombarded by a viral villain calling himself the Trickster, who released gift wrapped bombs all over a Central City playground, in a pretty disturbing effect, if you really think about it. Turns »
- Jessie Robertson
With an opening weekend that topped $70m in the Us, Kenneth Branagh may have the hit of his movie directing career on his hands with his live action Cinderella take. It's a strong film too, that finally makes it to the UK this week. And ahead of its release, he spared us some time for a natter about it...
I think I've worked out what you're up to. I've worked out your ruse. You do Thor, Cinderella and Jack Ryan: Shadow Recruit. Three different juggernauts, aimed at three different segments of the market, opening your work up to an audience that may otherwise not be familiar with it.
This is all about selling DVDs of Peter's Friends, isn't it?
[Laughs] That would be a lovely by-product.
Were you consciously looking for different audience subsets, »
You really shouldn't walk into a screening of a film not expecting an awful lot. As the mantra goes, you're supposed to go in hoping for something wonderful, else you soon go down a cynical cul-de-sac, with little hope of return. Cinderella, though, was a stretch. I can understand the business sense to Disney of making a live action Cinderella - heck, the thoroughly ordinary Alice In Wonderland took more than $1bn at the box office - but what about the appeal to a director such as Kenneth Branagh? And, more importantly, what about the appeal to, well, us?
Because the problem with such well told tales is just that. You know what's going to happen, and when. Then you read the film is just shy of two hours, and recall »
As VFX technology marches on at speed, more and more of our favourite movie characters are being brought to life by actors driving a performance capture digital creation.
Though Andy Serkis's Caesar from Dawn of the Planet of the Apes and Sharlto Copley's Chappie sit at the cutting edge today, in its current form it actually stretches back nearly 20 years to Star Wars's much-maligned Jar Jar Binks.
Go back even further and take into account rotoscoping - animators drawing over an actors' performance frame-by-frame - it's possible to mark Disney's Snow White and the Seven Dwarfs as a landmark film in 1937. There, an actress was used as the basis for the titular princess.
Fast forward to 2015, and we're now at a point where many in the industry are calling for an 'Assisted Performance' Oscars category to recognise the work done by actors and VFX artists.
"I think the technology is relatively new, »
If we could only agree on what ‘remake’ actually means, we could probably decide which film was the most remade. Cinderella is said to be the most retold story in cinema history, with A Christmas Carol also a hotly-tipped contender.
Somewhere high in that ranking must also be Brewster’s Millions. To date, it’s been filmed ten times and, according to Deadline, an eleventh iteration is now in the offing.
All that’s known about the new version is that Robert Townsend will be directing.
Townsend’s debut, Hollywood Shuffle, is a very sweet but also sincere and pointed piece of satire on how the American film industry marginalised and stereotyped actors and characters of colour. It’s still his most successful film, at least critically speaking, but Townsend did go on to make several other films that engaged with similar themes.
This is why I find his attachment »
- Brendon Connelly
If last week’s game of kick the can was a turning point on Togetherness you’d hardly realize it as such in the events of this week. Sort of. “Ghost in Chains” was the kind of episode shows need every once and again to set the stage for episodes to come, strategically moving the characters into position like so many chess pieces, and it suffers as such. But even while everyone is being shunted around for the final two episodes of the season, each relationship bears the strain of the events of last week.But before we get to all that, let’s talk about the week in Brett. Or, more appropriately, let’s talk about Jacob Marley. How much time do you spend thinking about Jacob Marley? Probably not much. Marley, a key character in Charles Dickens’s A Christmas Carol, was always kind of a bit player, »
- Libby Hill
One of the more obnoxious trailers I've seen in the last six months was for "Paddington," which looked like loud, annoying children's trash. I've sat through so many of those movies since I had my kids, and even when it's my job to review them, it is one of those things that I have to steel myself for ahead of time. Whoever cut the trailers for "Paddington" owes writer/director Paul King a personal apology, though. I mean, I get it. I know why they didn't push the whole "From the director of 'The Mighty Boosh'" angle in the trailers, but it would have at least convinced me. I am delighted to report that King's movie is sweet and smart and silly, beautifully made from top to bottom. While my kids were entertained by it, I found it very moving and was pleased to see how well King's sense of style, »
- Drew McWeeny
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