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The Wizard of Oz (1939)

Passed  |   |  Adventure, Family, Fantasy  |  25 August 1939 (USA)
8.1
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Ratings: 8.1/10 from 261,821 users   Metascore: 100/100
Reviews: 516 user | 209 critic | 4 from Metacritic.com

Dorothy Gale is swept away to a magical land in a tornado and embarks on a quest to see the Wizard who can help her return home.

Directors:

, (uncredited) , 3 more credits »

Writers:

(screenplay), (screenplay), 18 more credits »
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Title: The Wizard of Oz (1939)

The Wizard of Oz (1939) on IMDb 8.1/10

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Top 250 Movies #193 | Won 2 Oscars. Another 7 wins & 13 nominations. See more awards »

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Cast

Complete credited cast:
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Pat Walshe ...
Clara Blandick ...
...
Toto (as Toto)
The Singer Midgets ...
The Munchkins (as The Munchkins)
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Storyline

In this charming film based on the popular L. Frank Baum stories, Dorothy and her dog Toto are caught in a tornado's path and somehow end up in the land of Oz. Here she meets some memorable friends and foes in her journey to meet the Wizard of Oz who everyone says can help her return home and possibly grant her new friends their goals of a brain, heart and courage. Written by Dale Roloff

Plot Summary | Plot Synopsis

Taglines:

The book that 80 million read! The play that 941 cities saw! Now the greatest Technicolor show-world miracle since "Snow White". (Newspaper ad, 1939). See more »


Certificate:

Passed | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

25 August 1939 (USA)  »

Also Known As:

El mago de Oz  »

Filming Locations:

 »

Box Office

Budget:

$2,777,000 (estimated)

Opening Weekend:

$5,354,311 (USA) (6 November 1998)

Gross:

$22,202,612 (USA) (11 October 2013)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Sound System: The Voice of Action)| (2005 re-issue)

Color:

(Kansas sequences) (1949 re-release)| (Kansas sequences) (1955 re-release)| (Sepiatone)| (Technicolor)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

Harry Earles:  The prominent little-person star of The Unholy Three (1930) and Freaks (1932) makes his final film appearance as the blue-shirted member of the Lollipop Guild. See more »

Goofs

When Dorothy and her companions are trying to escape from the witch in her castle, one of them bumps up against the "stone" structure, indenting it, and revealing that it is really a canvas flat. (It is very subtle and hard to see.) See more »

Quotes

[first lines]
Dorothy: She isn't coming yet, Toto. Did she hurt you? She tried to, didn't she? Come on. We'll go tell Uncle Henry and Auntie Em.
See more »

Crazy Credits

In the opening credits, The Singer Midgets, who portray the Munchkins, are not billed under their real name, but as simply The Munchkins. In the cast list at the end, they are billed as The Singer Midgets. None of the actors who play Munchkins are given an individual credit. In the posters and advertising publicity for the film, the group was billed as The Munchkins. See more »

Connections

Referenced in Mystery Science Theater 3000: Mitchell (1993) See more »

Soundtracks

If I Only Had a Brain
(1939) (uncredited)
Lyrics by E.Y. Harburg
Music by Harold Arlen
Sung by Ray Bolger and Judy Garland
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

a milestone
12 November 2004 | by (Dongshih, Taiwan) – See all my reviews

People talk about The Wizard of Oz as a backdrop to their lives; and how true that is. I just saw it again, DVD, for the first time in--gosh!--20 years. There was a little art house in Lansing Michigan USA that ran it back then, on the popular premise that there's nothing like TWoO on "the big screen." That's the last time I'd seen it, 'til today.

I guess the part that "gets" me about the movie is how the writers made it pretty plain that the Scarecrow, Tin Man, and Cowardly Lion really already had what they thought they were missing; that their respective problems were in misapprehending their own complete natures. That's a powerful statement for many of us. I found myself most touched in scenes where the Scarecrow was showing wisdom, the Tin Man feeling deeply ("...when I think of Dorothy in that awful place..."), and the Lion...well, maybe accomplishing this effect was harder in his case...what *is* true courage?

Anyway, if you're reading this here, you must be a movie weenie, and you've no doubt already seen the movie, so I'm not going to recite the usual "go see this movie" mantra.

I was just very touching to see this movie again, at this phase in my life.

I will mention a few more things about how I now see this movie as a "growed up" (I'm almost 50): It's interesting how you can see the production values of the time; the lot sets and special effects and so forth. This movie is a powerful example of how a good story overcomes limited means in other areas.

People who look back with disdain on the low-tech chintz of old movies can see in TWoO the magic ingredient; narrative solidity. And I'm not a pollyanna about this: I'm sure the underlying reality behind its making is rife with horror stories of expert disagreement, rewrites, discarding, jerryrigging, and the rest of it. But in the end, something like narrative love won out; and that's the important thing.

Oh: And having Harold Arlen write the music was good luck indeed. And orchestrations which cleverly appropriated very tasty new ideas in composition (polymodalism, non-standard phrasings, etc.) didn't hurt, either!

Geez, this movie is such a little universe....I'd better stop here.


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