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The Wizard of Oz (1939)

Passed  -  Adventure | Family | Fantasy  -  25 August 1939 (USA)
8.1
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Ratings: 8.1/10 from 232,754 users   Metascore: 100/100
Reviews: 499 user | 207 critic | 4 from Metacritic.com

Dorothy Gale is swept away to a magical land in a tornado and embarks on a quest to see the Wizard who can help her return home.

Directors:

, (uncredited) , 3 more credits »

Writers:

(screenplay), (screenplay), 18 more credits »
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Title: The Wizard of Oz (1939)

The Wizard of Oz (1939) on IMDb 8.1/10

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Top 250 #189 | Won 2 Oscars. Another 7 wins & 13 nominations. See more awards »

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Cast

Complete credited cast:
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Pat Walshe ...
Clara Blandick ...
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Toto (as Toto)
The Singer Midgets ...
The Munchkins (as The Munchkins)
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Storyline

In this charming film based on the popular L. Frank Baum stories, Dorothy and her dog Toto are caught in a tornado's path and somehow end up in the land of Oz. Here she meets some memorable friends and foes in her journey to meet the Wizard of Oz who everyone says can help her return home and possibly grant her new friends their goals of a brain, heart and courage. Written by Dale Roloff

Plot Summary | Plot Synopsis

Plot Keywords:

witch | wizard | cyclone | tornado | heart | See All (212) »

Taglines:

The Mighty Miracle Show That Is the Talk of America! See more »


Certificate:

Passed | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

25 August 1939 (USA)  »

Also Known As:

El mago de Oz  »

Filming Locations:

 »

Box Office

Budget:

$2,777,000 (estimated)

Opening Weekend:

$5,354,311 (USA) (6 November 1998)

Gross:

$22,202,612 (USA) (11 October 2013)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Sound System: The Voice of Action)| (2005 re-issue)

Color:

(Kansas sequences) (1949 re-release)| (Kansas sequences) (1955 re-release)| (Sepiatone)| (Technicolor)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

According to lead Munchkin Jerry Maren, the "little people" on the set were paid $50 per week for a 6-day work week, while Toto received $125 per week. See more »

Goofs

The Wizard states that he is "an old Kansas man" yet his hot air balloon is registered to Omaha, Nebraska. He could be from one state but performing in another. See more »

Quotes

[first lines]
Dorothy: She isn't coming yet, Toto. Did she hurt you? She tried to, didn't she? Come on. We'll go tell Uncle Henry and Auntie Em.
See more »

Crazy Credits

Clara Blandick, who plays Aunt Em, Pat Walshe, who plays Nikko, and Toto are not listed at all in the opening credits, only in the closing ones. See more »

Connections

Referenced in Bug Buster (1998) See more »

Soundtracks

Munchkinland Medley: 'Come Out, Come Out, Wherever You Are', 'The House Began To Pitch', 'As Mayor of the Munchkin City', 'As Coroner, I Must Aver', 'Ding Dong The Witch is Dead', 'Lullaby League', 'Lollipop Guild', and 'We Welcome You to Munchkinland'
(1939) (uncredited)
Lyrics by E.Y. Harburg
Music by Harold Arlen
Sung by Judy Garland, Billie Burke, The King's Men, Ken Darby, Rad Robinson, Bud Linn, Jon Dodson, The Debutantes, Billy Bletcher, Pinto Colvig, Delos Jewkes, Abe Dinovitch, Betty Rome, Carol Tevis, Lois Clements, Zari Elmassian, Nick Angelo, Robert Bradford, and Virgil Johanson (dubbing the Munchkins)
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

a milestone
12 November 2004 | by (Dongshih, Taiwan) – See all my reviews

People talk about The Wizard of Oz as a backdrop to their lives; and how true that is. I just saw it again, DVD, for the first time in--gosh!--20 years. There was a little art house in Lansing Michigan USA that ran it back then, on the popular premise that there's nothing like TWoO on "the big screen." That's the last time I'd seen it, 'til today.

I guess the part that "gets" me about the movie is how the writers made it pretty plain that the Scarecrow, Tin Man, and Cowardly Lion really already had what they thought they were missing; that their respective problems were in misapprehending their own complete natures. That's a powerful statement for many of us. I found myself most touched in scenes where the Scarecrow was showing wisdom, the Tin Man feeling deeply ("...when I think of Dorothy in that awful place..."), and the Lion...well, maybe accomplishing this effect was harder in his case...what *is* true courage?

Anyway, if you're reading this here, you must be a movie weenie, and you've no doubt already seen the movie, so I'm not going to recite the usual "go see this movie" mantra.

I was just very touching to see this movie again, at this phase in my life.

I will mention a few more things about how I now see this movie as a "growed up" (I'm almost 50): It's interesting how you can see the production values of the time; the lot sets and special effects and so forth. This movie is a powerful example of how a good story overcomes limited means in other areas.

People who look back with disdain on the low-tech chintz of old movies can see in TWoO the magic ingredient; narrative solidity. And I'm not a pollyanna about this: I'm sure the underlying reality behind its making is rife with horror stories of expert disagreement, rewrites, discarding, jerryrigging, and the rest of it. But in the end, something like narrative love won out; and that's the important thing.

Oh: And having Harold Arlen write the music was good luck indeed. And orchestrations which cleverly appropriated very tasty new ideas in composition (polymodalism, non-standard phrasings, etc.) didn't hurt, either!

Geez, this movie is such a little universe....I'd better stop here.


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