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The Wizard of Oz (1939)

Passed  |   |  Adventure, Family, Fantasy  |  25 August 1939 (USA)
8.1
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Ratings: 8.1/10 from 258,401 users   Metascore: 100/100
Reviews: 511 user | 209 critic | 4 from Metacritic.com

Dorothy Gale is swept away to a magical land in a tornado and embarks on a quest to see the Wizard who can help her return home.

Directors:

, (uncredited) , 3 more credits »

Writers:

(screenplay), (screenplay), 18 more credits »
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Title: The Wizard of Oz (1939)

The Wizard of Oz (1939) on IMDb 8.1/10

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Top 250 #195 | Won 2 Oscars. Another 7 wins & 13 nominations. See more awards »

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Cast

Complete credited cast:
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Pat Walshe ...
Clara Blandick ...
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Toto (as Toto)
The Singer Midgets ...
The Munchkins (as The Munchkins)
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Storyline

In this charming film based on the popular L. Frank Baum stories, Dorothy and her dog Toto are caught in a tornado's path and somehow end up in the land of Oz. Here she meets some memorable friends and foes in her journey to meet the Wizard of Oz who everyone says can help her return home and possibly grant her new friends their goals of a brain, heart and courage. Written by Dale Roloff

Plot Summary | Plot Synopsis

Taglines:

We're off to see the Wizard, the wonderful [Wizard of Oz]! (UK release) See more »


Certificate:

Passed | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

25 August 1939 (USA)  »

Also Known As:

El mago de Oz  »

Filming Locations:

 »

Box Office

Budget:

$2,777,000 (estimated)

Opening Weekend:

$5,354,311 (USA) (6 November 1998)

Gross:

$22,202,612 (USA) (11 October 2013)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Sound System: The Voice of Action)| (2005 re-issue)

Color:

(Kansas sequences) (1949 re-release)| (Kansas sequences) (1955 re-release)| (Sepiatone)| (Technicolor)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

Some see L. Frank Baum's story containing political and social satire. The little girl from the Midwest (typical American) meets up with a brainless scarecrow (farmers), a tin man with no heart (industry), a cowardly lion (politicians, in particular William Jennings Bryan) and a flashy but ultimately powerless wizard (technology). Although the little people keep telling her to follow the yellow brick road (gold standard), in the end it's her silver (in the original story) slippers (silver standard) that help her get back to the good old days. See more »

Goofs

The lion's crown, which was made from a shattered flower pot, bounced on the floor when knocked off by the guard, and when it was made, without breaking. See more »

Quotes

[first lines]
Dorothy: She isn't coming yet, Toto. Did she hurt you? She tried to, didn't she? Come on. We'll go tell Uncle Henry and Auntie Em.
See more »

Crazy Credits

Dedication right after opening credits - "For nearly forty years this story has given faithful service to the Young in Heart; and Time has been powerless to put its kindly philosophy out of fashion. To those of you who have been faithful to it in return ...and to the Young in Heart ...we dedicate this picture." See more »

Connections

Referenced in The Lost Remake of Beau Geste (2013) See more »

Soundtracks

We're Off To See The Wizard
(1939) (uncredited)
Lyrics by E.Y. Harburg
Music by Harold Arlen
Sung by Judy Garland, Ray Bolger, and the off-screen voice of Buddy Ebsen as the Tin Man
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

A Wiz of a film, if ever a Wiz there was
11 August 2003 | by See all my reviews

The NBC Peacock began unfolding its wings. "The following program is brought to you in living color--with portions in black & white--on NBC." That exclusive intro began my exposure to color television at Grandma's in 1968. When Dorothy stepped out into Technicolor, I'll bet my eyes just popped.

This is the Movie of All Time, folks--a status achieved during its long run as a huge annual TV event during that classic era whose programs now show up on TV Land network. In the 1970s, Peter Marshall once read the answer on Hollywood Squares as to the program seen more times by more people than anything else ever shown on television. It was "Oz." Likewise, no movie has the hold on popular culture that this one does. What lion character ever since (i.e., Snagglepuss) hasn't been an impersonation of Bert Lahr going, "Put 'em up, put 'em uuuuup!"

Few musicals offer an equal combination of lovable music and engaging story. Perhaps "The Sound of Music." Hard to think of many Hollywood musicals where the story gets as serious as it does here when the Witch informs Dorothy that, "The last to go will see the first three go before her...and her mangy little dog too!" Yikes! In contrast, even the best of other Hollywood musicals seem to serve up fluffy, forgettable story lines that are mere backdrop to the song numbers that typically put the plot on hold.

I can't say that "Oz" doesn't have technical flaws or story element inconsistencies. It's just that the astonishing production values all around so overwhelm the shortcomings. The tornado sequence is a 1939 special effects tour de force--incredible. And the Nutcracker-quality musical score offers songs tastefully interwoven with the action. Certain numbers like "Merry Old Land of Oz," I never get tired off, though I like each of the songs.

Oz should be viewed in the lightness of spirit that it deserves. I mean look, we have Frank Morgan as the Emerald City gatekeeper, then seconds later as the cabbie with the Horse of a Different Color, then the Wizard's palace guard, and then the voice of fire-and-smoke Wizard of Oz who bellows, "Step forward, Tin Man!" What other film could put an actor go through 4 quick-changes within 10 minutes to such an endearing result? "Oz" is as magic as those sparkling ruby shoes.

The early Technicolor process utilized triple nitrate negative strips--separately recording each primary color in light. This was done due to the lack of a suitable "color film" in 1939. That would quickly change--but films from years following suffered from hues that faded with the years, even original negatives. Because "Oz" was actually filmed on a black-and-white base film, the negatives never faded. So now we have home videos/DVDs of breathtaking color quality. Now, the tinted filters in the cameras that separated the colors onto the negative strips meant that intense illumination was required, rendering the filming experience miserably hot for the actors involved, especially Lahr. But they all hold up amazingly well.

"Oz" has a valuable message. As the pop group America once said, "No, Oz never did give nothin' to the Tin Man....that he didn't, didn't already have." If we have truly search, we can find within us--or create through trial, like the Lion's courage--what we think we most lack. The Wizard (like the Lord) helps those who find help within themselves.

I feel sorry for the Almira Gulches who can't treasure this film experience. They need to visit the Emerald City to get their own ticking Testimonials and find their hearts.

Didn't bring your broomsticks with you? Well, I'm afraid you'll have to walk.


92 of 114 people found this review helpful.  Was this review helpful to you?

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