He had everything and wanted nothing. He learned that he had nothing and wanted everything. He saved the world and then it shattered. The path to enlightenment is as sharp and narrow as a razor's edge.
Broad satire and buffoonery presented as a series of movie trailers. Among the titles and subjects are: "The Howard Huge Story", "Skate-boarders from Hell", "The Invasion of the Penis ... See full summary »
Royce D. Applegate,
Frank Cross runs a US TV station which is planning a live adaptation of Dickens' Christmas Carol. Frank's childhood wasn't a particularly pleasant one, and so he doesn't really appreciate the Christmas spirit. With the help of the ghosts of Christmas past, present and future, Frank realises he must change. Written by
When the Ghost Of Christmas Present (Carol Kane) grabbed Bill Murray's lip she tore his lip so badly that filming was halted for several days. See more »
When Claire first visits Frank at the beginning of the movie she hands him her business card. When he accepts the card it is a woman's hand that takes hold of it in the close-up. See more »
I get it. You're here to show me my past, and I'm supposed to get all dully-eyed and mushy. Well, forget it, pal, you got the wrong guy!
Ghost of Christmas Past:
That's exactly what Attila the Hun said. But when he saw his mother... Niagara Falls!
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About a third of the way through the closing credits, Bill Murray appears with the word "Scrooged" across the screen in front of him. He looks down and brushes the front of his jacket a few times, with each brush a couple of the letters in the title chase off the screen as if he's brushing them off his jacket. See more »
I just finished watching this film (on TNT) for the countless time. What a fine seasonal offering. It's so much better than a lot of the pulp and smarmy c*** that passes for Christmas classics.
Bill Murray exclaims at the end of the movie, "I get it now!" Apparently, some folks watched this flick and didn't get it. The movie is essentially a star turn for Murray, who's in almost every frame - and that's fine with me because he can carry a film. Trivial quibbles over the movie's name and reference to the original work, the lack of faithfulness to the book and other complaints miss the point of the project. While staging a production of 'A Christmas Carol,' a TV executive experiences the very same circumstances as one of the characters in the novel. That alone makes it work. A few reviews question the overall harsh tone of the movie, or more specifically, Murray's role. Frankly, I would not have minded had it been even a little darker. There's a lot of water to carry in that bucket of trying to measure the callous and thoughtless manner in which some folks act on all but the most treasured of holidays. Murray's demeanour boils it down into one strong mean spirit and evaporates it with a truly positive and well-wishing finale.
Scrooged is, along with Groundhog Day, among his best work.
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