When his new father-in-law, King Harold falls ill, Shrek is looked at as the heir to the land of Far, Far Away. Not one to give up his beloved swamp, Shrek recruits his friends Donkey and Puss in Boots to install the rebellious Artie as the new king. Princess Fiona, however, rallies a band of royal girlfriends to fend off a coup d'etat by the jilted Prince Charming.
Monsters generate their city's power by scaring children, but they are terribly afraid themselves of being contaminated by children, so when one enters Monstropolis, top scarer Sulley finds his world disrupted.
By tying thousands of balloons to his home, 78-year-old Carl sets out to fulfill his lifelong dream to see the wilds of South America. Russell, a wilderness explorer 70 years younger, inadvertently becomes a stowaway.
The tale of three unlikely heroes - a misfit mouse who prefers reading books to eating them, an unhappy rat who schemes to leave the darkness of the dungeon, and a bumbling servant girl with cauliflower ears - whose fates are intertwined with that of the castle's princess.
When a green ogre called Shrek discovers his swamp has been 'swamped' with all sorts of fairytale creatures by the scheming Lord Farquaad, Shrek sets out, with a very loud donkey by his side, to 'persuade' Farquaad to give his swamp back. Instead, a deal is made. Farquaad, who wants to become the King, sends Shrek to rescue Princess Fiona, who is waiting for her one true love. But once they head back with Fiona, it starts to become apparent that not only does Shrek like Fiona, but Fiona is keeping something secret. Written by
Donkey was the easiest character to sketch since no-one knew what a talking donkey would look like. He looked very different in the early drafts, more akin to Eeyore from Winnie the Pooh. See more »
When donkey first meets Shrek, when Shrek confronts the knights, the shadows of the all people in the scene do not fall the same way, Shrek's shadow is casting more forward onto the leader knight, whereas the knight's shadows are off to their left. See more »
[a fairytale book appears]
Once upon a time, there was a lovely princess. But she had an enchantment upon her of a fearful sort, which could only be broken by love's first kiss. She was locked away in a castle guarded by a terrible fire-breathing dragon. Many brave knights had attempted to free her from this dreadful prison, but none prevailed. She waited in the dragon's keep, in the highest room of the tallest tower, for her true love, and true love's first kiss.
[...] See more »
The opening credits are seen around Shrek as he starts his day: the film's title and Mike Myers's name appear in the mud Shrek bathes with (appropriate considering Myers voices the title character); when Shrek breaks the mirror with his smile, Eddie Murphy's name can be seen behind it; Cameron Diaz's name forms out of pond-scum; and when Shrek lifts up a snail, its larvae form John Lithgow's name before dissolving. See more »
Shrek is one hell of an animated ride, and right when you're certain you know where to expect the next gag it one ups you. If you need a reason to see Shrek, here is that reason: imagine Eddie Murphy as an annoying not to mention obnoxious talking donkey. Yeah. Eddie Murphy gives Robin Williams a serious run for his money in terms of greatest animated side kick. From there we get Mike Myers voicing a big green ogre, who plays off Eddie Murphy with perfect comedic timing like the two were meant to do this film together.
Shrek is merciless in its humor. Targeting everything from fairy tales to Disney films to narrative clichés to bad puns, sliding in its own commentary, all the while giving the typical fantasy story a few modern twists and turns to deliver a strangely original unoriginal story with original unoriginal characters . . . that doesn't make sense, but Shrek does, does it well, and doesn't care. And you never know where this humor is going to come from, either either visual gag, musical nod, or spoken dialogue. All three provide their share of narrative and commentary to the concepts in Shrek.
I think the beauty of Shrek is it's taken the typical fairy tale (which all of us have heard), and it answers the silly 'what if . . .' and 'why don't they ever . . .' questions we tend to ask. But that's not the core of the story - the core of this story is the friendship between Shrek and Donkey, which works in a funny goofball, but touching and unique way. If the audience can buy into Shrek and Donkey's relationship to one another, then they can believe entire film (which more or less focuses on the adventure the two share together). True, Shrek has a love theme . . . but it's Donkey and Shrek who sustain the film through most of the picture.
As for Cameran Diaz and John Lithgow, while not on screen as much as our two heroes, still play an important role. I wouldn't want to downplay Lithgow and Diaz who do bring their respective characters to life, but Shrek is a tale about an enduring friendship with a romance story on the side.
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