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When his new father-in-law, King Harold falls ill, Shrek is looked at as the heir to the land of Far, Far Away. Not one to give up his beloved swamp, Shrek recruits his friends Donkey and Puss in Boots to install the rebellious Artie as the new king. Princess Fiona, however, rallies a band of royal girlfriends to fend off a coup d'etat by the jilted Prince Charming.
Rumpelstiltskin tricks a mid-life crisis burdened Shrek into allowing himself to be erased from existence and cast in a dark alternate timeline where Rumpel rules supreme.
The toys are mistakenly delivered to a day-care center instead of the attic right before Andy leaves for college, and it's up to Woody to convince the other toys that they weren't abandoned and to return home.
Monsters generate their city's power by scaring children, but they are terribly afraid themselves of being contaminated by children, so when one enters Monstropolis, top scarer Sulley finds his world disrupted.
By tying thousands of balloons to his home, 78-year-old Carl sets out to fulfill his lifelong dream to see the wilds of South America. Russell, a wilderness explorer 70 years younger, inadvertently becomes a stowaway.
Directors:
Pete Docter,
Bob Peterson
Stars:
Edward Asner,
Christopher Plummer,
Jordan Nagai
The tale of three unlikely heroes - a misfit mouse who prefers reading books to eating them, an unhappy rat who schemes to leave the darkness of the dungeon, and a bumbling servant girl with cauliflower ears - whose fates are intertwined with that of the castle's princess.
Directors:
Sam Fell,
Robert Stevenhagen
Stars:
Matthew Broderick,
Dustin Hoffman,
Emma Watson
When a green ogre called Shrek discovers his swamp has been 'swamped' with all sorts of fairytale creatures by the scheming Lord Farquaad, Shrek sets out, with a very loud donkey by his side, to 'persuade' Farquaad to give his swamp back. Instead, a deal is made. Farquaad, who wants to become the King, sends Shrek to rescue Princess Fiona, who is waiting for her one true love. But once they head back with Fiona, it starts to become apparent that not only does Shrek like Fiona, but Fiona is keeping something secret. Written by
Film_Fan
The Prince isn't charming. The Princess isn't sleeping. The sidekick isn't helping. The ogre is the hero. Fairy tales will never be the same again. See more »
Over 1,000 fantasy characters invade Shrek's swamp at the beginning of the movie. See more »
Goofs
When donkey first meets Shrek, when Shrek confronts the knights, the shadows of the all people in the scene do not fall the same way, Shrek's shadow is casting more forward onto the leader knight, whereas the knight's shadows are off to their left. See more »
Quotes
[first lines]
[a fairytale book appears]
Shrek:
[narrating]
Once upon a time, there was a lovely princess. But she had an enchantment upon her of a fearful sort, which could only be broken by love's first kiss. She was locked away in a castle guarded by a terrible fire-breathing dragon. Many brave knights had attempted to free her from this dreadful prison, but none prevailed. She waited in the dragon's keep, in the highest room of the tallest tower, for her true love, and true love's first kiss.
[...] See more »
Crazy Credits
Hand drawn illustrations over the end credits. See more »
Shrek has hidden messages that will likely sail right over the heads of its target audience. The resettlement of the fairly tale creatures in the villainous Farquaad's (ruthless and cruel Anglo-Saxon) kingdom is an allusion to the resettlement of Jews in ghettos carried out by many European principalities during the Middle Ages (at the time of Martin Luther, I think they were expelled from England, France and Spain but tolerated, with restrictions, in some German city states). The filmmakers seem to be suggesting that just as Farquaad did not appreciate the fairy tale creatures and their magical and unique abilities and may have in fact been afraid of them, so, too, were Europeans afraid of Jews and their foreign culture and thus unjustly persecuted them. Apparently, all for no good reason. Shrek, the ogre, of course, represents how the African would have been received in medieval European society. He is feared and misunderstood as a stupid, grotesque, and violent menace. Of course, we are shown that in his private moments, he is anything but these undesirable qualities and his moral fibre transcends his physical ugliness. The fact that the fair princess Fiona is revealed to really be an ogress is to confirm that well worn cliché that we are all the same inside. In a classic fairy tale, which Shrek is the antithesis of, written by someone like Hans Christian Anderson for instance, Farquaad would be the hero, Shrek the villain, and Fiona would indeed be the fairest maiden in all the land.
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Shrek has hidden messages that will likely sail right over the heads of its target audience. The resettlement of the fairly tale creatures in the villainous Farquaad's (ruthless and cruel Anglo-Saxon) kingdom is an allusion to the resettlement of Jews in ghettos carried out by many European principalities during the Middle Ages (at the time of Martin Luther, I think they were expelled from England, France and Spain but tolerated, with restrictions, in some German city states). The filmmakers seem to be suggesting that just as Farquaad did not appreciate the fairy tale creatures and their magical and unique abilities and may have in fact been afraid of them, so, too, were Europeans afraid of Jews and their foreign culture and thus unjustly persecuted them. Apparently, all for no good reason. Shrek, the ogre, of course, represents how the African would have been received in medieval European society. He is feared and misunderstood as a stupid, grotesque, and violent menace. Of course, we are shown that in his private moments, he is anything but these undesirable qualities and his moral fibre transcends his physical ugliness. The fact that the fair princess Fiona is revealed to really be an ogress is to confirm that well worn cliché that we are all the same inside. In a classic fairy tale, which Shrek is the antithesis of, written by someone like Hans Christian Anderson for instance, Farquaad would be the hero, Shrek the villain, and Fiona would indeed be the fairest maiden in all the land.