Eight years after the Joker's reign of anarchy, the Dark Knight must return to defend Gotham City against the enigmatic jewel thief Catwoman and the ruthless mercenary Bane as the city teeters on the brink of complete annihilation.
Dom Cobb is a skilled thief, the absolute best in the dangerous art of extraction, stealing valuable secrets from deep within the subconscious during the dream state, when the mind is at its most vulnerable. Cobb's rare ability has made him a coveted player in this treacherous new world of corporate espionage, but it has also made him an international fugitive and cost him everything he has ever loved. Now Cobb is being offered a chance at redemption. One last job could give him his life back but only if he can accomplish the impossible-inception. Instead of the perfect heist, Cobb and his team of specialists have to pull off the reverse: their task is not to steal an idea but to plant one. If they succeed, it could be the perfect crime. But no amount of careful planning or expertise can prepare the team for the dangerous enemy that seems to predict their every move. An enemy that only Cobb could have seen coming. Written by
Warner Bros. Pictures
When explaining why he thinks implanting an idea is not possible, Arthur says "don't think about elephants" to actually make Saito think of them and thus "insert" an idea into his mind. The line is a reference to the title of a famous cognitive semantics book, 'Don't Think of an Elephant' by George Lakoff. The book describes conceptual framing, the use of certain words to literally insert certain ideas about a subject into the listener's mind in a surreptitious way, e.g. implanting the idea that taxes are a bad thing by using the phrase "tax relief." See more »
In the warehouse scene between Cobb and Ariadne, a Nikon DSLR camera on a desk behind Cobb disappears and reappears between shots. See more »
The movie title never appears in the beginning of the movie, but appears three times during the end credits. Once at the beginning, again after the main actors and developers, and once more at the very end. See more »
The only moments that had dream-like qualities in the movie were the times I dozed off & my own dreams (many times more imaginative I might add) took over.
To be blunt about it, Inception is not so much about dreams as about the world of video games. Even more telling than the gratuitous CGI effects was the clunky narrative device of having the characters explain in overly verbose dialog where & when each segment was taking place (levels, locations, psychological motivations, etc.). Like having to follow instructions of a poorly designed game. Ugh.
The popularity of this snoozer is very sad testimony to the mediocrity of the average movie-going intelligence.
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