Eight years after the Joker's reign of anarchy, the Dark Knight, with the help of the enigmatic Selina, is forced from his imposed exile to save Gotham City, now on the edge of total annihilation, from the brutal guerrilla terrorist Bane.
Dom Cobb is a skilled thief, the absolute best in the dangerous art of extraction, stealing valuable secrets from deep within the subconscious during the dream state, when the mind is at its most vulnerable. Cobb's rare ability has made him a coveted player in this treacherous new world of corporate espionage, but it has also made him an international fugitive and cost him everything he has ever loved. Now Cobb is being offered a chance at redemption. One last job could give him his life back but only if he can accomplish the impossible - inception. Instead of the perfect heist, Cobb and his team of specialists have to pull off the reverse: their task is not to steal an idea but to plant one. If they succeed, it could be the perfect crime. But no amount of careful planning or expertise can prepare the team for the dangerous enemy that seems to predict their every move. An enemy that only Cobb could have seen coming. Written by
Warner Bros. Pictures
The role of Saito was written exclusively for Ken Watanabe because Christopher Nolan felt that although he had appeared in Batman Begins (2005), he did not have much screen time, and should therefore be given a more prominent supporting role. See more »
Cobb stops the car in a crosswalk at an intersection to pickup Ariadne. As soon as she enters, the car is broadsided by a train, in the middle of the intersection. See more »
At the end of the credits Édith Piaf's "Non, Je Ne Regrette Rien" plays at normal speed, then slows down to the speed it was at the beginning of the film during Hans Zimmer's score and throughout the movie. Then we see the title stop in the center of the screen as the song ends. See more »
Usually I try to be careful with over hyping a film, or setting the expectations too high, as film geeks all are guilty for, however for Christopher Nolan's Inception, this really is not possible.
This is possibly one of the only perfect films I have ever seen. It is absolutely confident in every way, something which is extremely refreshing, even more so than Avatar. Christopher Nolan gets some slack for making great to look at but ultimately heartless affairs, which I for one do not agree with, however I do not think anyone can argue that here. The emotional aspect of this film not only ties it all together but is really the centre of this film, it is the focus.
I do not want to over simplify the film, by simply calling it Kubrick doing Bond, or Gondry on a huge budget, because I am sure it will be called that but it is far more than that, it is something I do not think Kubrick could have ever made. It is pure Nolan, and pure greatness.
I hate writing something which is pure fan-boy gushing, but its really difficult here. I did not find a thing I did not like about it, I am sure if maybe I saw it a second time, maybe I would find something about it I didn't like, but not the first time. The way it is cut, means that there is always action on screen, if not, then the visuals are interesting enough to keep your eyes glued.
The final hour of the film, is possibly one of the most complicated action sequences put on film. You have to constantly be paying attention to remember all of the layers of what is happening. Without spoiling anything, all I have to say is that is what this film is about, that is what makes this film so great, layers. Once you have seen this you will now what I am talking about.
All of the actors are fantastic too, Di Caprio is the stand out here. Yes, this is probably due to the fact he is the star and given all of the emotional weight, but he handles it perfectly, similarly to his performance in Shutter Island. Ellen Page, whom I usually hate, gives a great performance here. Tom Hardy gives a break out performance here, he is quite the bad ass.
I hope audiences are ready for a film like this, a pure auteur driven film which does not sacrifice a single frame for the studio. I would hope this film will change Hollywood, as it is 100 percent the directors vision yet it is definitely a marketable film, much like District 9, yet I do not think it will.
I cannot recommend this film anymore than I have, I just have to say everyone and anyone should see it. Sorry about all the gushing, it is just so hard not too.
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