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Inception (2010)

PG-13  |   |  Action, Mystery, Sci-Fi  |  16 July 2010 (USA)
8.8
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Ratings: 8.8/10 from 1,226,417 users   Metascore: 74/100
Reviews: 2,655 user | 627 critic | 42 from Metacritic.com

A thief who steals corporate secrets through use of dream-sharing technology is given the inverse task of planting an idea into the mind of a CEO.

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Top 250 #14 | Won 4 Oscars. Another 147 wins & 170 nominations. See more awards »
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Cast

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Storyline

Dom Cobb is a skilled thief, the absolute best in the dangerous art of extraction, stealing valuable secrets from deep within the subconscious during the dream state, when the mind is at its most vulnerable. Cobb's rare ability has made him a coveted player in this treacherous new world of corporate espionage, but it has also made him an international fugitive and cost him everything he has ever loved. Now Cobb is being offered a chance at redemption. One last job could give him his life back but only if he can accomplish the impossible-inception. Instead of the perfect heist, Cobb and his team of specialists have to pull off the reverse: their task is not to steal an idea but to plant one. If they succeed, it could be the perfect crime. But no amount of careful planning or expertise can prepare the team for the dangerous enemy that seems to predict their every move. An enemy that only Cobb could have seen coming. Written by Warner Bros. Pictures

Plot Summary | Plot Synopsis

Taglines:

The dream is real. See more »


Motion Picture Rating (MPAA)

Rated PG-13 for sequences of violence and action throughout | See all certifications »

Parents Guide:

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Details

Country:

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Language:

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Release Date:

16 July 2010 (USA)  »

Also Known As:

Inception: The IMAX Experience  »

Filming Locations:

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Box Office

Budget:

$160,000,000 (estimated)

Opening Weekend:

£5,912,814 (UK) (16 July 2010)

Gross:

$292,568,851 (USA) (31 December 2010)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

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Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Christopher Nolan first pitched the film to Warner Bros. after the completion of his third feature, Insomnia (2002), and was met with approval from the studio. However, it was not yet written at the time, and Nolan determined that rather than writing it as an assignment, it would be more suitable to his working style if he wrote it as a spec script and then presented it to the studio whenever it was completed. So he went off to write it, thinking it would take "a couple of months", but it ultimately took nearly eight years. See more »

Goofs

In the warehouse scene between Cobb and Ariadne, a Nikon DSLR camera on a desk behind Cobb disappears and reappears between shots. See more »

Quotes

[first lines]
Saito's Attendant: He was delirious but asked for you by name. Show him...
Japanese Security Guard: He was carrying nothing but this...
[gun]
Japanese Security Guard: And this...
[spinning top]
Saito: Are you here to kill me?
See more »

Crazy Credits

The movie title never appears in the beginning of the movie, but appears three times during the end credits. Once at the beginning, again after the main actors and developers, and once more at the very end. See more »

Connections

Features The Hotel Barclay (2013) See more »

Soundtracks

Aboun Salehoun
Written by Youssef El Mejjad and Pat Jabbar
Performed by Amira Saqati
Courtesy of Barraka el Farnatshi Productions
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
This is your first lesson in shared dreaming. Stay calm.
7 April 2011 | by (United Kingdom) – See all my reviews

Inception is written, produced, and directed by Christopher Nolan. The film stars Leonardo DiCaprio, Ken Watanabe, Joseph Gordon-Levitt, Marion Cotillard, Ellen Page, Tom Hardy, Cillian Murphy, Dileep Rao, Tom Berenger, and Michael Caine. The musical score is by Hans Zimmer and Wally Pfister is the cinematographer. Plot finds DiCaprio playing Dom Cobb, a specialised spy for hire who steals ideas from the dreams of people. But one day he gets a different offer, one that will enable him to see his estranged children. To get his reward he must enact Inception, the planting of an idea in the mind of the selected target. But Inception is thought impossible and should Cobb and his selected team fail? The consequences are unthinkable.

There has already been much written and pondered about as regards Inception in the relatively short running time of its life. One can only imagine what will be written and said about it in ten years time. For although it's arguably a bit too early to be talking about it being held in such high regards as the likes of 2001: A Space Odyssey, it's inescapable that Nolan's movie is this current generation's sci-fi classic. That Nolan has managed to make it accessible to the mainstream, and dazzled the eyes as much as the brain in the process, is close to being a piece of genius craftsmanship.

Inception is a film that it's better to know nothing about before venturing into it, and then it asks, well Nolan asks, for your undivided attention. It's neither as confusing as some have painted it, nor does it have any tricks-peek behind the curtain type-up its sleeve. The truth is is that Inception has something for everyone; thematically speaking, and that's before we pore over the special effects that sees Nolan raising the bar considerably. As is the case with twisty high concept movies, interpretations are many, with the director rightly abstaining from discourse about his movie. What forms the basis is your basic life and death struggles, with the grey areas during and after given a clever cinematic make over. There's also meditations on grief that this reviewer personally found easy to get involved with; that of course wont work for everyone, but that is just one of many strands that Nolan dangles for the discerning viewer.

If that all sounds a bit too serious for the man who has redefined the Super Hero genre, rest assured thrill seekers, Inception is also a loud swirly spectacle. The action is raucous, be it gun fights or zero gravity punch ups, Nolan has not lost the ability to take the viewer on an action fuelled roller-coaster ride, aided superbly by Lee Smith's editing and Pfister's perfectly broad photography While Zimmer's score blends electronic action pulse beats with saddened guitar strains (ex-Smiths guitarist Johnny Marr on 12 string) to craft one of the best scores of 2010. As I said, there's something for everyone here, making it perhaps one of the leading nominees for title of ultimate modern day blockbuster.

Then there's the strong ensemble cast, led by a quite scintillating performance from DiCaprio. Following on from his cards played close to his chest turn in Shutter Island, DiCaprio has given 2010 two of its best lead performances. Here he gives real depth of emotion, the kind that makes it easy for the viewers to hang their hats on. His unfussy acting is easy to buy into, giving the character the air of believability, he is the glue that binds the whole film together. Murphy is wonderfully vulnerable, very much an axis in the narrative, while Levitt almost usurps DiCaprio with a neatly layered portrayal that carries a delightful whiff of duality about it. Special praise, too, for Ellen Page. Still in her early 20s, she exudes an intelligent sexiness that shines bright in a role that could have been boorishly played as a cipher in a lesser actress' hands. While Hardy provides brawny levity and Berenger leaves a favourable mark.

The Matrix meets Heat and Mission Impossible, only it's written by Phillip K. Dick and Richard Matheson; or something like that. A cracking hybrid movie that's fit to grace any summer and sure to improve and enlighten with further viewings. 9.5/10


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