Eight years after the Joker's reign of anarchy, the Dark Knight is forced to return from his imposed exile to save Gotham City from the brutal guerrilla terrorist Bane with the help of the enigmatic Catwoman.
Dom Cobb is a skilled thief, the absolute best in the dangerous art of extraction, stealing valuable secrets from deep within the subconscious during the dream state, when the mind is at its most vulnerable. Cobb's rare ability has made him a coveted player in this treacherous new world of corporate espionage, but it has also made him an international fugitive and cost him everything he has ever loved. Now Cobb is being offered a chance at redemption. One last job could give him his life back but only if he can accomplish the impossible-inception. Instead of the perfect heist, Cobb and his team of specialists have to pull off the reverse: their task is not to steal an idea but to plant one. If they succeed, it could be the perfect crime. But no amount of careful planning or expertise can prepare the team for the dangerous enemy that seems to predict their every move. An enemy that only Cobb could have seen coming. Written by
Warner Bros. Pictures
When Cobb and Miles are first shown, Cobb mentions "Extradition between France and the United States is a bureaucratic nightmare." In Catch Me If You Can (2002), Leonardo DiCaprio's character is arrested in France and later extradited to the United States. See more »
When Yusuf drives the white van with frequent jerks, the same shot of the dreaming passengers moving inside and trying to gain balance with one hand while dreaming is shown twice. See more »
The movie title never appears in the beginning of the movie, but appears three times during the end credits. Once at the beginning, again after the main actors and developers, and once more at the very end. See more »
A Potpourri of Vestiges Review: Buñuel meets Kubrick in Nolan's most ambitious venture, till date
Surrealism can appear to be ineffably bizarre, or inquisitively titillating, depending purely on the viewer's intellect. Though the realm of surrealism is highly nebulous and complex, but even a slight attempt at improvisation can sometimes go awry and open a Pandora's Box, making the task highly improbable and nigh impossible. This facet of reality may pose a handicap to the most gifted of the directors, but not to the genius of Christopher Nolan, who not only dabbles with the concept of surrealism, but also ingeniously blends it with the elements of Science Fiction in his latest wonder named Inception. Nolan created a niche for himself a decade back by unleashing a monster of a movie called Memento. He further substantiated his status by conjuring movies like Insomnia, The Prestige, Batman Begins, and The Dark Knight. His unremitting desire for innovation and uncanny craving to foray into the unexplored realms of imagination deservedly earned him an auteur tag, which gave him the carte blanche that a story-teller like Nolan desperately needs. It's highly apparent that Nolan takes every possible advantage of this liberty while filming Inception. Inception is not only dreamlike, but is a dream in itself and is superior to any other thing conceived on the silver screen. With its entwined layers, the movie for the most part serves as an unfathomable riddle and makes multiple viewing extremely essential. It incredibly does extremely well on both the humanistic as well as the technical fronts. In fact, the balance between human emotions and the elements of Science Fiction is so adequate that it's impossible to separate them.
The movie is about a futuristic world where the human mind can be intercepted through dream invasion. Cobb is an expert in the art of extracting information (stealing valuable secrets) from deep within the subconscious in the dream state. His proficiency in extraction is marred by a turmoil that begins with his wife's untimely death. He is forced to live the life of a fugitive away from his children. His only chance for redemption lies with a Japanese tycoon named Saitu, who wants him to do an inception (planting information into someone's mind). In order to accomplish this unprecedented task, Cobb and his team must overcome a labyrinth of unforeseeable challenges, where even a slight miss could trap them in a perpetual limbo. Any further revelation would be remissness on my part as the plot is filled with such intricacies that even expatiation would be incapable of justifying its profundity.
Leonardo Dicaprio gives a solid performance in the lead role, following his memorable performance in Shutter Island. He has brilliantly depicted the complexities and limitations of Cobb's enigmatic character highlighting his pain and mental trauma. Marion Cotillard is ravishingly scintillating as Cobb's whimsical wife, Mal. The rest of the cast has given a thorough performance with special mention of Ken Watanabe, Ellen Page and Joseph Gordon-Levitt.
Inception is incredibly brilliant as a movie and is a breakthrough in contemporary cinema. Nolan's creativity and his unparalleled execution definitely make it an object of great cachet, but whether it would become Buñuel's 'Un chien andalou' or Kubrick's '2001: A Space Odyssey' and serve as a prototype for the movies to come is for the time to decide. Irrespectively, Inception is sine qua non not only for an aficionado, but also for the average viewer, who is willing to delve deep enough to savour the delight.
PS: One has to imagine it to believe it. 9/10
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