In future Britain, charismatic delinquent Alex DeLarge is jailed and volunteers for an experimental aversion therapy developed by the government in an effort to solve society's crime problem - but not all goes according to plan.
A botched card game in London triggers four friends, thugs, weed-growers, hard gangsters, loan sharks and debt collectors to collide with each other in a series of unexpected events, all for the sake of weed, cash and two antique shotguns.
A Mumbai teen who grew up in the slums, becomes a contestant on the Indian version of "Who Wants To Be A Millionaire?" He is arrested under suspicion of cheating, and while being interrogated, events from his life history are shown which explain why he knows the answers.
A wild, freeform, Rabelaisian trip through the darkest recesses of Edinburgh low-life, focusing on Mark Renton and his attempt to give up his heroin habit, and how the latter affects his relationship with family and friends: Sean Connery wannabe Sick Boy, dimbulb Spud, psycho Begbie, 14-year-old girlfriend Diane, and clean-cut athlete Tommy, who's never touched drugs but can't help being curious about them... Written by
Michael Brooke <email@example.com>
The "Choose Life" monologue was originally planned for the middle of the film. Danny Boyle and his writer John Hodge were struggling to find a suitable opening when they hit on the idea of moving the monologue to the beginning. An iconic moment was born by that one simple act. See more »
When Diane meets Spud lying comatose on the street, a bus passes by in the background. The bus is orange, which is the colour of Glasgow City buses, but the movie is set in Edinburgh where the buses are maroon and cream. See more »
Mark "Rent-boy" Renton:
Choose Life. Choose a job. Choose a career. Choose a family. Choose a fucking big television, choose washing machines, cars, compact disc players and electrical tin openers. Choose good health, low cholesterol, and dental insurance. Choose fixed interest mortgage repayments. Choose a starter home. Choose your friends. Choose leisurewear and matching luggage. Choose a three-piece suit on hire purchase in a range of fucking fabrics. Choose DIY and wondering who the fuck ...
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The voice-over during the end of the end credits cites the seven movies in which Sean Connery played "James Bond". See more »
Take the best orgasm you've ever had multiply it by a thousand and you're still nowhere near "Trainspotting."
In 1996 John Hodge took Irvine Welsh's novel "Trainspotting" and with the help of Danny Boyle's direction created one of the most influential, modern cult classics Britain has to offer. Commonly ranked among the greatest films of the 90s; "Trainspotting" delivers satisfactory viewing every single time. The essential drug film.
The term "trainspotting" in this case, is not the non-drug based hobby, but has two meanings for this film. A) The act of "trainspotting" is UK slang for trying to find a vein to intravenously inject drugs. And B) A joke not featured in the film, but two of the characters go to a disused train station to buy drugs and say they are going "trainspotting".
Ewan McGregor stars as Mark Renton, a performance that put him on the map, a man who spends; or wastes, most of his time taking drugs with his friends in one of their apartments. Until he decides to finally pack it in and go cold turkey. We see the highs and lows of the drugs as Renton attempts to build a new life. He battles the strain and the influences of his mates; including Sick Boy (Johnny Lee Miller) a man who stops at nothing to take all, Spud (Ewen Bremner) a fast-paced anxious performance and Francis Begbie (Robert Carylye) a frighteningly intense character who is possibly my favourite of all-time; and Renton's sex life.
Vibrant colour is used to exaggerate the actions to intensify the imagery on screen. This also makes it stand out from other films creating a massive impact on the viewer. Unforgettable. The soundtrack consists of the pop culture the characters themselves love and some regularly featured in real life at the time. The film captures the era perfectly.
Danny Boyle's stylish direction is what mainly is so appealing about the film. Delivering an expertly structured adrenalin rush. The daring topic of the film was well perceived by critics and audiences to claim universal praise. But, they were still unsure if it was supporting drugs or an anti-drug film. In a way it is both.
We are guided through the film with Renton's narration, making it an extremely watchable viewing, one irresistible to want to experience several times. A hilarious triumph. This is movie-making at its most exhilarating.
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