With the help of a smooth talking tomcat, a family of Parisian felines set to inherit a fortune from their owner try to make it back home after a jealous butler kidnaps them and leaves them in the country.
Lady, a golden cocker spaniel, meets up with a mongrel dog who calls himself the Tramp. He is obviously from the wrong side of town, but happenings at Lady's home make her decide to travel with him for a while. This turns out to be a bad move, as no dog is above the law. Written by
Tim Pickett <firstname.lastname@example.org>
In the 1999 video release, some scenes had pieces of dialogue missing that had been part of the original theatrical release. This was believed to be caused by the studio restoration process that incorporated both US and international formats of the film, which inadvertently created a hybrid version. Disney often produces different international and foreign versions of their films to make the foreign dialogue fit. See more »
Jim Dear puts a chair in front of the cellar door to keep the young Lady from escaping. When Lady looks under the door, there is no sign of the chair, but it is there in the next shot. Later, when Jim tells Lady to go to sleep, the shadow of his legs is seen coming from underneath the door, but there is no shadow of the chair's legs. See more »
[Giving Darling a hatbox]
It's for you, Darling. Merry Christmas.
Oh, Jim, dear. It's the one I was admiring, isn't it? Trimmed with ribbons?
Well, it *has* a ribbon.
[the box is opened; inside is a puppy wearing a ribbon]
Oh, how sweet.
You like her, Darling?
[hugging the puppy]
Oh, I love her. What a perfectly beautiful little Lady.
See more »
Fairy tale about the romance between two dogs from opposite sides of the tracks gets colorful, warm, old-fashioned Disney treatment. Cinemascope cartoon unfolds with valentine-like flair, all the ribbons and bows are in place, yet the requisite cutesy flourishes and manipulation inevitably turn up (one dog, thought to have been killed, shows up LIMPING in the next scene!). Yet, it's hard to complain when the rest of the pieces fall into place so snugly. The plot is, by turns, comfortably predictable and still pleasingly reassuring, though a bit heavy with incidental chatter. The Peggy Lee music is delightful, and the "Bella Notte" sequence alone, with the spaghetti, breadsticks and the drippy candle, is simply superb. *** from ****
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