With the help of a smooth talking tomcat, a family of Parisian felines set to inherit a fortune from their owner try to make it back home after a jealous butler kidnaps them and leaves them in the country.
Lady, a golden cocker spaniel, meets up with a mongrel dog who calls himself the Tramp. He is obviously from the wrong side of town, but happenings at Lady's home make her decide to travel with him for a while. This turns out to be a bad move, as no dog is above the law. Written by
Tim Pickett <firstname.lastname@example.org>
A dream sequence where giant dogs take their owners for walks was scrapped because of adverse audience reactions. See more »
The shadow under the door extends too far. The light source would have to be on the floor to cast a long shadow. See more »
[Giving Darling a hatbox]
It's for you, Darling. Merry Christmas.
Oh, Jim, dear. It's the one I was admiring, isn't it? Trimmed with ribbons?
Well, it *has* a ribbon.
[the box is opened; inside is a puppy wearing a ribbon]
Oh, how sweet.
You like her, Darling?
[hugging the puppy]
Oh, I love her. What a perfectly beautiful little Lady.
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Peggy Lee was a national treasure. What an amazing thing that she wrote most of the music for this movie, but only in old age did she receive credit. I agree that issues of class seem merely consistent with the era, but consider that the flavor of the day was vanilla. So in those days going out for Italian was a walk on the wild side (unless you grew up in Brooklyn)! Then an upper-crust girl marries a boy of mixed race origins?! And it's clear from the dog pound scene that Peg "got around" (just look at her hair!), nevertheless, she was valued and respected among the dogs. Yes, the film is hokey. But rats are evil. And the soundtrack is outstanding.
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