With the help of a smooth talking tomcat, a family of Parisian felines set to inherit a fortune from their owner try to make it back home after a jealous butler kidnaps them and leaves them in the country.
Lady, a golden cocker spaniel, meets up with a mongrel dog who calls himself the Tramp. He is obviously from the wrong side of town, but happenings at Lady's home make her decide to travel with him for a while. This turns out to be a bad move, as no dog is above the law. Written by
Tim Pickett <firstname.lastname@example.org>
A dream sequence where giant dogs take their owners for walks was scrapped because of adverse audience reactions. See more »
At the beginning of the Dog Pound scene, during the first verses "No Place Like Home", the shadows of the bars on the dogs distinctly resemble the stripes that were usually shown on prisoners, a comic effect that makes the Pound seem like prison. But in the last verse, those stripes are gone. This was possibly intentional, as the joke could be assumed to have made its point by then, and the shadows would be too distracting during the following dialog. See more »
[Giving Darling a hatbox]
It's for you, Darling. Merry Christmas.
Oh, Jim, dear. It's the one I was admiring, isn't it? Trimmed with ribbons?
Well, it *has* a ribbon.
[the box is opened; inside is a puppy wearing a ribbon]
Oh, how sweet.
You like her, Darling?
[hugging the puppy]
Oh, I love her. What a perfectly beautiful little Lady.
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Fairy tale about the romance between two dogs from opposite sides of the tracks gets colorful, warm, old-fashioned Disney treatment. Cinemascope cartoon unfolds with valentine-like flair, all the ribbons and bows are in place, yet the requisite cutesy flourishes and manipulation inevitably turn up (one dog, thought to have been killed, shows up LIMPING in the next scene!). Yet, it's hard to complain when the rest of the pieces fall into place so snugly. The plot is, by turns, comfortably predictable and still pleasingly reassuring, though a bit heavy with incidental chatter. The Peggy Lee music is delightful, and the "Bella Notte" sequence alone, with the spaghetti, breadsticks and the drippy candle, is simply superb. *** from ****
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