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Love Actually (2003)

7.7
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Ratings: 7.7/10 from 246,805 users   Metascore: 55/100
Reviews: 956 user | 219 critic | 41 from Metacritic.com

Follows the lives of eight very different couples in dealing with their love lives in various loosely interrelated tales all set during a frantic month before Christmas in London, England.

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Title: Love Actually (2003)

Love Actually (2003) on IMDb 7.7/10

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Nominated for 2 Golden Globes. Another 10 wins & 19 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Joe
Rory MacGregor ...
Engineer
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Lulu Popplewell ...
Daisy - Her Daughter
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Mia
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Storyline

The characters are falling in love, falling out of love, some are with right people, some are with the wrong people, some are looking to have an affair, some are in the period of mourning; a capsule summary of reality. Love begins and love ends. They flirt a lot. They are all flirting with love. At all ages and social levels, love is the theme. Romantic love and brotherly love is the hotchpotch through out the movie. Most of the movie is filmed in London, during Christmas and the characters all ended up at Heathrow airport a very uplifting note. Written by Rosemea D.S. MacPherson

Plot Summary | Plot Synopsis

Plot Keywords:

love | christmas | friend | minister | travel | See more »

Taglines:

Coming soon actually. See more »

Genres:

Comedy | Drama | Romance

Motion Picture Rating (MPAA)

Rated R for sexuality, nudity and language | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

Country:

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Language:

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Release Date:

14 November 2003 (USA)  »

Also Known As:

Love Actually Is All Around  »

Box Office

Budget:

$45,000,000 (estimated)

Opening Weekend:

$647,984 (Japan) (6 February 2004)

Gross:

$5,010,288 (Japan) (5 March 2004)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| | (Asian Edition)

Sound Mix:

(as dts)| |

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

When Daniel says "We need Kate and we need Leo and we need them now", a toothpick can be seen in Daniel's left hand as he says "now". Later, Sam has a toothpick in his mouth while he and Daniel are lounging on a couch. What director Richard Curtis describes as "this toothpick business" was a result of Liam Neeson never being without a toothpick after he gave up smoking. See more »

Goofs

When the Prime Minister is going to find Natalie at the 'dodgy end of Wandsworth' his limo is viewed crossing Albert Bridge, but is actually driving away from Wandsworth in the direction of Chelsea. The Albert Bridge has three lanes, with two going in the direction of Chelsea, although now the central lane is blocked to reduce weight on the bridge during peak hour (changed 2007). See more »

Quotes

Dec: Billy, I understand you've got a prize for our competition winners.
Billy Mack: Yes I have, Ant or Dec. It's a - it's a personalized felt tip pen.
See more »

Crazy Credits

Jamie's bad brother - Dan Fredenburgh See more »

Connections

Referenced in Parenthood: The Situation (2010) See more »

Soundtracks

Christmas Is All Around
(2003)
By Reg Presley (as Presley)
Performed by Bill Nighy
Courtesy of Universal Pictures Music
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
A fabric woven of happy and sad threads
19 December 2003 | by (London, England) – See all my reviews

What I appreciated most about Love Actually was that for the most part, it realistically looks at relationships happy and sad, successful and unsuccessful, with a future and without. It addresses different forms and levels of love, sometimes straightforward and carefree, sometimes complex and contradictory. There are schmaltzy happy moments and touching sad ones, moments of great strength and moments of foolish weakness. The movie is made up of many threads, and of course some threads are stronger than others.

The most interesting parts of Love Actually are the times when it addresses the tragic situations where love is self-sacrificing, contradictory, or fragile. One character's unrequited love is revealed as a noble sacrifice made for another's happiness (the method of finally achieving closure and moving on, however, could only work in the movies). Another character is shown to be caught between conflicting duties that will, we are led to believe, prevent her from ever being truly happy. And the strength that a third shows when love is shown to be fragile and her world collapses around her is tragically inspiring.

These noble, tragic threads are interwoven with lighthearted comedic ones to produce a fabric that holds together well. While some characters have to fight for their love, others have simple, happy, straightforward relationships, with love (or whatever) falling in their laps like a parcel from Santa Claus. And the purely comic moments, like Rowan Atkinson's appearances and Hugh Grant's Christmas-caroling bodyguard, are delightful in and of themselves.

There are of course plenty of nits to pick. Hugh Grant doesn't make a very believable Prime Minister, and even his very pointed speech to his American counterpart -- especially relevant in light of Bush's recent state visit to England -- don't redeem the odd casting. Others in this forum have commented on the number of fat jokes in the film, and while I agree, I feel I should point out that the entire point of the first such joke is that the character who has fallen for the "fat" girl clearly doesn't think of her as fat, and doesn't understand at first who the other is talking about. It's true that calling her fat is ridiculous; she's only large in comparison to Keira Knightley, who must be carrying some vital organs around in her handbag because there's certainly not enough room in her torso! But that one time would have been enough; the "fat" theme gets tiresome later on in the movie. I also agree with those who have said that much of the nudity is completely unnecessary to the plot, and that at least some of the comedic threads in the movie are formulaic and unoriginal.

In the end, I feel that Love Actually is for the most part a thoughtful and entertaining look at relationships, which does not shy away from taking the bad with the good.


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