Top brass at the 2016 Tribeca Film Festival presented by At&T have announced selections in the Us Narrative, International Narrative and Documentary Competition strands.
The films comprise 55 out of 110 features that will play during the 15th edition of the New York festival from April 13-24. The festival will present features films in the Spotlight, Midnight, and Special Sections on March 8.
Also included in Wednesday’s announcement are the out-of-competition Viewpoints titles.
The world premiere of Bill Ross and Turner Ross’ Contemporary Color will open the World Documentary competition on April 14, while the world premiere of Kicks by Justin Tipping will open the Us Narrative competition.
The world premiere of Madly directed by Gael García Bernal, Mia Wasikowska, Sebastian Silva, Anurag Kashyap, Sion Sono, and Natasha Khan will open the International Narrative Competition. Viewpoints will open with the world premiere of Nerdland directed by Chris Prynoski.
One third of the festival’s feature films are directed by women...
The films comprise 55 out of 110 features that will play during the 15th edition of the New York festival from April 13-24. The festival will present features films in the Spotlight, Midnight, and Special Sections on March 8.
Also included in Wednesday’s announcement are the out-of-competition Viewpoints titles.
The world premiere of Bill Ross and Turner Ross’ Contemporary Color will open the World Documentary competition on April 14, while the world premiere of Kicks by Justin Tipping will open the Us Narrative competition.
The world premiere of Madly directed by Gael García Bernal, Mia Wasikowska, Sebastian Silva, Anurag Kashyap, Sion Sono, and Natasha Khan will open the International Narrative Competition. Viewpoints will open with the world premiere of Nerdland directed by Chris Prynoski.
One third of the festival’s feature films are directed by women...
- 3/2/2016
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
The Havana Film Festival in New York, running April 3-11, is celebrating its 15th year with a diverse lineup of documentary and fiction films from several Latin American countries. We take a closer look at the talent behind the camera and profile four filmmakers screening their works at this year's fest. Read on to hear from Cuban master Gerardo Chijona, camera operator-turned-director Diego Quemada-Diez, multiple award-winner Fernando Coimbra of Brazil, and Spanish documentarian Yolanda Pividal. They share their inspirations, aspirations, and cinematic guilty pleasures.
Gerardo Chijona, Director of Esther en alguna parte Lino Catala, a serious and traditional man, is approached by Larry Po, an eccentric elder who tells him that his late wife, Maruja, led a double life. From that moment on, the two old men join in an intense search of Maruja's past while trying to find the whereabouts of Esther, Larry's great love.
Where are you from? Cuba
What city do you call home? Havana
When did you know you wanted to be a filmmaker?
I was a movie fan since I was in high school, but definitely I just knew it the first time I was invited to watch the shooting of a feature.
Did you formally study film?
No, my school was the industry. I worked first as assistant editor and also, during many years, as assistant director in features. Later I directed a lot of documentaries before jumping to fiction.
What's a movie you are embarrassed to admit you really like? Those I envy when I watch them.
If you could make a film with any actor (living or dead) who would it be? What would be the plot?
There are many actors through the history of cinema I would like to have with me in a film set, no matter the genre, either a drama or a comedy.
What was your inspiration for this story?
It was an old dream that I had since Eliseo Alberto Diego, one of my best friends, wrote his novel Esther Somewhere in 2005. We fought a lot to make it real. The inspiration was the friendship that joined us for almost forty years until his death.
What was your biggest challenge in making this film?
To work with Reinaldo Miravalles, the best actor in Cuban cinema ever. He left Cuba in 1994 but came back to shoot the movie in Havana. The biggest challenge was to direct him with since he's 90 years old.
What sort of response has your film will had?
The film had a big response by the Cuban audience when it was shown in the theaters, mainly because of the quality of the cast that we managed to recruit. Outside Cuba, it is just starting to be shown and I am anxious to know the response. It was screened in October at the Los Angeles Latino Film Festival and won the awards for Best film and Best Script.
What is next for you? Any new projects?
I am just starting pre-production of a new movie, a comedy, called The Human Thing.
Diego Quemada-Diez, Director of La Jaula de Oro Three teenagers from Guatemala's slums travel to the Us in search of a better life. On their journey through Mexico they meet Chauk, an Indian from Chiapas who doesn't speak Spanish. Traveling together in cargo trains and walking on the railroad tracks, they soon have to face a harsh reality.
Where are you from? Iberian Peninsula
What city do you call home? Mexico City
When did you know you wanted to be a filmmaker?
After watching Shane (1953) by George Stevens. I cried lots and thought, "I want to make others feel."
Did you formally study film?
I worked my way up the ladder in the camera department until I saved enough money to go to the American Film Institute. I worked in over twenty films, my best teacher and master has been Ken Loach. I learned his method while working on Land & Freedom and 2 other of his films. While I was making shorts and researching and writing my first feature, I made a living as camera operator which allowed me collaborate with other directors like Iñarritu, Meirelles, Spike Lee, Toni Scott and others. That allowed me to meditate on how I would do things and find my own method.
What's a movie you are embarrassed to admit you really like? Evil Dead
If you could make a film with any actor (living or dead) who would it be? What would be the plot?
Alec nor Charles Laughton searching for his identity
What was your inspiration for this story?
From testimonies of migrants. They asked me to tell their story. One of them told me: "as human beings, no one in the world is illegal"
What was your biggest challenge in making this film?
To film in less that 7 weeks, including travel days, a road movie, well, a train movie, that travelled 3000 miles over 3 countries, 120 locations, with 2000 extras.
What do you hope to achieve with your film? What sort of response or impact do you think it will have?
My intention is that during the screening the barriers between us (race, languages, nationalities) would dissolve. I want to impact the perception of undocumented migrants by someone in Kansas for example, that he/she would understand why migrants travel, that he/she would do the same thing if they were in a similar situation.
What is next for you? Any new projects?
I am researching and writing a new film. It also takes place in Latin America and is about a contemporary issue.
Fernando Coimbra, Director of O Lobo Atras da Porta
A girl is kidnapped. At the police station, Sylvia and Bernardo, the victim's parents, and Rosa, the main suspect and Bernardo's lover, give contradictory evidence. Rosa and Bernardo met on a train in Rio de Janeiro and they became lovers. Obsessed, Rosa and Sylvia develop a secret friendship, without Sylvia knowing of Bernardo's infidelities.
Where are you from? Brazil
What city do you call home? São Paulo
When did you know you wanted to be a filmmaker?
I was 11 year old, my parents bought a videocassette and my grandma bought a VHS camera. I started to see a lot of films and to do some videos.
Did you formally study film?
Yes, at Eca-usp (School of Communication and Arts - Sao Paulo University)
What's a movie you are embarrassed to admit you really like?
I have no shame about the films I like.
If you could make a film with any actor (living or dead) who would it be? What would be the plot?
Marlon Brando, the best actor ever. I don't know the plot.
How did the idea of this film come to you? What was your inspiration for this story?
It's inspired on a true story. I read it in an old magazine and got thrilled by the strength of the story and the characters.
What was your biggest challenge in making this film?
The editing. To keep the tension through the whole film. The beginning is so thrilling that was a challenge to keep the tension until the end. But I believe we got it.
What do you hope to achieve with your film?
I want the film to keep on the minds and bodies of the audience and make them think about all these crazy emotions a human being can experiment and live.
What is next for you? Any new projects?
I'm starting to write a new script in Brazil and I'm talking about other projects. Soon I hope I will have great news about these projects!
Yolanda Pividal, Director Of Kites and Borders
In this documentary, Edie is a teen who smuggles immigrants into the United States. Carmela is a nine-year-old who knows more about work in the city's dumps than fairy tales. Brothers Adrian and Fernando don masks to conceal their young age and perform wrestling matches at busy intersections in order to support their family.
Where are you from? Spain
What city do you call home? New York
When did you know you wanted to be a filmmaker?
After college, when struggling to turn my journalistic work into something deeper.
Did you formally study film?
I studied communication in Spain then got my Mfa in Documentary film at City College of New York
What's a movie you are embarrassed to admit you really like? Titanic
If you could make a film with any actor (living or dead) who would it be? What would be the story?
I would just make The Night of the Hunter with Robert Mitchun the way it is!
What was your inspiration for this story?
A conversation with a Mexican man who had been deported and had crossed back the Rio Bravo guided by two kids, twice!
What was your biggest challenge in making this film?
Being able to cross our own financial borders. Also, breaking all the borders between us and the characters till we felt we were all on the same side.
What do you hope to achieve with your film?
We hope people rethink the ideas on the border and the people on the other side.
Written by Vanessa Erazo. LatinoBuzz is a weekly feature on SydneysBuzz that highlights Latino indie talent and upcoming trends in Latino film with the specific objective of presenting a broad range of Latino voices. Follow @LatinoBuzz on Twitter and Facebook.
Gerardo Chijona, Director of Esther en alguna parte Lino Catala, a serious and traditional man, is approached by Larry Po, an eccentric elder who tells him that his late wife, Maruja, led a double life. From that moment on, the two old men join in an intense search of Maruja's past while trying to find the whereabouts of Esther, Larry's great love.
Where are you from? Cuba
What city do you call home? Havana
When did you know you wanted to be a filmmaker?
I was a movie fan since I was in high school, but definitely I just knew it the first time I was invited to watch the shooting of a feature.
Did you formally study film?
No, my school was the industry. I worked first as assistant editor and also, during many years, as assistant director in features. Later I directed a lot of documentaries before jumping to fiction.
What's a movie you are embarrassed to admit you really like? Those I envy when I watch them.
If you could make a film with any actor (living or dead) who would it be? What would be the plot?
There are many actors through the history of cinema I would like to have with me in a film set, no matter the genre, either a drama or a comedy.
What was your inspiration for this story?
It was an old dream that I had since Eliseo Alberto Diego, one of my best friends, wrote his novel Esther Somewhere in 2005. We fought a lot to make it real. The inspiration was the friendship that joined us for almost forty years until his death.
What was your biggest challenge in making this film?
To work with Reinaldo Miravalles, the best actor in Cuban cinema ever. He left Cuba in 1994 but came back to shoot the movie in Havana. The biggest challenge was to direct him with since he's 90 years old.
What sort of response has your film will had?
The film had a big response by the Cuban audience when it was shown in the theaters, mainly because of the quality of the cast that we managed to recruit. Outside Cuba, it is just starting to be shown and I am anxious to know the response. It was screened in October at the Los Angeles Latino Film Festival and won the awards for Best film and Best Script.
What is next for you? Any new projects?
I am just starting pre-production of a new movie, a comedy, called The Human Thing.
Diego Quemada-Diez, Director of La Jaula de Oro Three teenagers from Guatemala's slums travel to the Us in search of a better life. On their journey through Mexico they meet Chauk, an Indian from Chiapas who doesn't speak Spanish. Traveling together in cargo trains and walking on the railroad tracks, they soon have to face a harsh reality.
Where are you from? Iberian Peninsula
What city do you call home? Mexico City
When did you know you wanted to be a filmmaker?
After watching Shane (1953) by George Stevens. I cried lots and thought, "I want to make others feel."
Did you formally study film?
I worked my way up the ladder in the camera department until I saved enough money to go to the American Film Institute. I worked in over twenty films, my best teacher and master has been Ken Loach. I learned his method while working on Land & Freedom and 2 other of his films. While I was making shorts and researching and writing my first feature, I made a living as camera operator which allowed me collaborate with other directors like Iñarritu, Meirelles, Spike Lee, Toni Scott and others. That allowed me to meditate on how I would do things and find my own method.
What's a movie you are embarrassed to admit you really like? Evil Dead
If you could make a film with any actor (living or dead) who would it be? What would be the plot?
Alec nor Charles Laughton searching for his identity
What was your inspiration for this story?
From testimonies of migrants. They asked me to tell their story. One of them told me: "as human beings, no one in the world is illegal"
What was your biggest challenge in making this film?
To film in less that 7 weeks, including travel days, a road movie, well, a train movie, that travelled 3000 miles over 3 countries, 120 locations, with 2000 extras.
What do you hope to achieve with your film? What sort of response or impact do you think it will have?
My intention is that during the screening the barriers between us (race, languages, nationalities) would dissolve. I want to impact the perception of undocumented migrants by someone in Kansas for example, that he/she would understand why migrants travel, that he/she would do the same thing if they were in a similar situation.
What is next for you? Any new projects?
I am researching and writing a new film. It also takes place in Latin America and is about a contemporary issue.
Fernando Coimbra, Director of O Lobo Atras da Porta
A girl is kidnapped. At the police station, Sylvia and Bernardo, the victim's parents, and Rosa, the main suspect and Bernardo's lover, give contradictory evidence. Rosa and Bernardo met on a train in Rio de Janeiro and they became lovers. Obsessed, Rosa and Sylvia develop a secret friendship, without Sylvia knowing of Bernardo's infidelities.
Where are you from? Brazil
What city do you call home? São Paulo
When did you know you wanted to be a filmmaker?
I was 11 year old, my parents bought a videocassette and my grandma bought a VHS camera. I started to see a lot of films and to do some videos.
Did you formally study film?
Yes, at Eca-usp (School of Communication and Arts - Sao Paulo University)
What's a movie you are embarrassed to admit you really like?
I have no shame about the films I like.
If you could make a film with any actor (living or dead) who would it be? What would be the plot?
Marlon Brando, the best actor ever. I don't know the plot.
How did the idea of this film come to you? What was your inspiration for this story?
It's inspired on a true story. I read it in an old magazine and got thrilled by the strength of the story and the characters.
What was your biggest challenge in making this film?
The editing. To keep the tension through the whole film. The beginning is so thrilling that was a challenge to keep the tension until the end. But I believe we got it.
What do you hope to achieve with your film?
I want the film to keep on the minds and bodies of the audience and make them think about all these crazy emotions a human being can experiment and live.
What is next for you? Any new projects?
I'm starting to write a new script in Brazil and I'm talking about other projects. Soon I hope I will have great news about these projects!
Yolanda Pividal, Director Of Kites and Borders
In this documentary, Edie is a teen who smuggles immigrants into the United States. Carmela is a nine-year-old who knows more about work in the city's dumps than fairy tales. Brothers Adrian and Fernando don masks to conceal their young age and perform wrestling matches at busy intersections in order to support their family.
Where are you from? Spain
What city do you call home? New York
When did you know you wanted to be a filmmaker?
After college, when struggling to turn my journalistic work into something deeper.
Did you formally study film?
I studied communication in Spain then got my Mfa in Documentary film at City College of New York
What's a movie you are embarrassed to admit you really like? Titanic
If you could make a film with any actor (living or dead) who would it be? What would be the story?
I would just make The Night of the Hunter with Robert Mitchun the way it is!
What was your inspiration for this story?
A conversation with a Mexican man who had been deported and had crossed back the Rio Bravo guided by two kids, twice!
What was your biggest challenge in making this film?
Being able to cross our own financial borders. Also, breaking all the borders between us and the characters till we felt we were all on the same side.
What do you hope to achieve with your film?
We hope people rethink the ideas on the border and the people on the other side.
Written by Vanessa Erazo. LatinoBuzz is a weekly feature on SydneysBuzz that highlights Latino indie talent and upcoming trends in Latino film with the specific objective of presenting a broad range of Latino voices. Follow @LatinoBuzz on Twitter and Facebook.
- 4/9/2014
- by Vanessa Erazo
- Sydney's Buzz
During the last Los Angeles Latino International Film Festival (Laliff) director, producer and Nalip member Kimberly Bautista (2012 HBO/Nalip Documentary Filmmaker Award Winner, Lpa 2010) won Best Documentary with Justice For My Sister. The feature documentary deals with domestic violence, murder, and one Guatemalan woman's determination to hold her sister's killer accountable.
The film was presented to a packed house, it received a standing ovation, and was followed by a lively Q&A, where Kimberly was joined on stage by her editor Michael X. Flores and the film's advocacy team, the Justice for my Sister Collective. Attendees included funders Latino Public Broadcasting (Lpb), sponsors National Association of Latino Independent Producers (Nalip), community partners Peace Over Violence, and East Los Angeles Women's Center promotoras (health promoters) - who were sponsored by Supervisor Gloria Molina's Office to attend. Special guests included representatives from the Mexican Consulate, Un Women, and Chime for Change.
Justice for my Sister was unanimously chosen as the winner by the jury, as it shows the strength and resilience of the human spirit, and touched each of the jury members personally.
Affected herself by the issue of gender-based violence and inspired by the fearlessness of her main character Rebeca, Kimberly decided to launch a nationwide violence prevention campaign in Guatemala with the support of an advocacy team. The campaign consists of community screenings, violence prevention and healthy relationships workshops, and a text messaging campaign - launched with Freedom Connect - to connect audiences to services. These initiatives and more are being replicated in Los Angeles, and soon throughout Latin America and target cities in the U.S., with the support of Embassies, Movies That Matter Foundation, Un Women, and others.
This is the third jury prize that Justice For My Sister has won at a festival, the others being: - Movies That Matter Festival, Holland, “Camera Justitia” Jury Prize, March 2013 - Festival Internacional de Cine de los Derechos Humanos de Sucre, Bolivia- "Pukañawi 2013/Ojo Latinoamericano”Jury Prize, July 2013
Other awards for the film: - Inaugural Young Alumni Achievement Award for Commitment to Promoting International Domestic Violence Prevention Through Use of Media, Pitzer College, 2013 - Winner of the 2012 HBO/Nalip Documentary Filmmaker Award - 2012 Cornelian Award “Alumna of the Year” from Mayfield Senior School - First Place Winner, Cuban Hat Transmedia Pitch, Sunny Side of the Doc, France, 2012
Currently Justice For My Sister is being considered for the prestigious Japan Prize with Japan\'s Public television network, Nhk.
For more information about the film visit Here
Sydney Levine of SydneysBuzz also interviewed Kimberly Bautista Here.
Here is the complete list winners of the 16th Los Angeles Latino International Film Festival:
Best Feature Film (Rita Award): Esther en Alguna Parte, Director: Gerardo Chijona, Country: Cuba
Best Documentary: Justice For My Sister, Director: Kimberly Bautista, Country: U.S./ Guatemala
Best Opera Prima: Princesas Rojas, Director: Laura Astorga, Country: Costa Rica / Venezuela / Nicaragua
Honorable Mention: Water & Power, Director: Richard Montoya, Country: U.S.
Best Short Film: El Cocodrilo, Director: Steve Acevedo, Country: U.S.
Audience Choice Award: Ponchao, Director: Josh Crook, Country: Dominican Republic
Best Director: Miriam Kruishoop for Greencard Warriors, Country: U.S.
Best Script: Esther en Alguna Parte, Director: Gerardo Chijona, Country: Cuba
Honorable Mention: Amor Cronico, Director: Jorge Perugorria, Country: Cuba
Visit www.latinofilm.org for more information.
About Laliff: The Los Angeles Latino International Film Festival (Laliff) was founded in 1997 by producer, director, actor and activist Edward James Olmos and independent producer Marlene Dermer. Laliff is a non-profit 501c (3) organization with the mission to support the development and exhibition of diverse visions by Latino filmmakers. To serve as a springboard and catalyst for the promotion of Latin films and filmmakers in the industry locally, nationally & internationally. To develop audiences for such films and in the process bring awareness of the richness and diversity of Latin cultures, artistry and countries through film, the most powerful medium in the world. A competitive festival with prizes, Laliff serves as a venue where Latino filmmakers come together with industry buyers and distributors. Laliff also offers industry workshops, panels, labs, networking receptions, educational programs, and hosts some of the best Galas in tinsel town.
The film was presented to a packed house, it received a standing ovation, and was followed by a lively Q&A, where Kimberly was joined on stage by her editor Michael X. Flores and the film's advocacy team, the Justice for my Sister Collective. Attendees included funders Latino Public Broadcasting (Lpb), sponsors National Association of Latino Independent Producers (Nalip), community partners Peace Over Violence, and East Los Angeles Women's Center promotoras (health promoters) - who were sponsored by Supervisor Gloria Molina's Office to attend. Special guests included representatives from the Mexican Consulate, Un Women, and Chime for Change.
Justice for my Sister was unanimously chosen as the winner by the jury, as it shows the strength and resilience of the human spirit, and touched each of the jury members personally.
Affected herself by the issue of gender-based violence and inspired by the fearlessness of her main character Rebeca, Kimberly decided to launch a nationwide violence prevention campaign in Guatemala with the support of an advocacy team. The campaign consists of community screenings, violence prevention and healthy relationships workshops, and a text messaging campaign - launched with Freedom Connect - to connect audiences to services. These initiatives and more are being replicated in Los Angeles, and soon throughout Latin America and target cities in the U.S., with the support of Embassies, Movies That Matter Foundation, Un Women, and others.
This is the third jury prize that Justice For My Sister has won at a festival, the others being: - Movies That Matter Festival, Holland, “Camera Justitia” Jury Prize, March 2013 - Festival Internacional de Cine de los Derechos Humanos de Sucre, Bolivia- "Pukañawi 2013/Ojo Latinoamericano”Jury Prize, July 2013
Other awards for the film: - Inaugural Young Alumni Achievement Award for Commitment to Promoting International Domestic Violence Prevention Through Use of Media, Pitzer College, 2013 - Winner of the 2012 HBO/Nalip Documentary Filmmaker Award - 2012 Cornelian Award “Alumna of the Year” from Mayfield Senior School - First Place Winner, Cuban Hat Transmedia Pitch, Sunny Side of the Doc, France, 2012
Currently Justice For My Sister is being considered for the prestigious Japan Prize with Japan\'s Public television network, Nhk.
For more information about the film visit Here
Sydney Levine of SydneysBuzz also interviewed Kimberly Bautista Here.
Here is the complete list winners of the 16th Los Angeles Latino International Film Festival:
Best Feature Film (Rita Award): Esther en Alguna Parte, Director: Gerardo Chijona, Country: Cuba
Best Documentary: Justice For My Sister, Director: Kimberly Bautista, Country: U.S./ Guatemala
Best Opera Prima: Princesas Rojas, Director: Laura Astorga, Country: Costa Rica / Venezuela / Nicaragua
Honorable Mention: Water & Power, Director: Richard Montoya, Country: U.S.
Best Short Film: El Cocodrilo, Director: Steve Acevedo, Country: U.S.
Audience Choice Award: Ponchao, Director: Josh Crook, Country: Dominican Republic
Best Director: Miriam Kruishoop for Greencard Warriors, Country: U.S.
Best Script: Esther en Alguna Parte, Director: Gerardo Chijona, Country: Cuba
Honorable Mention: Amor Cronico, Director: Jorge Perugorria, Country: Cuba
Visit www.latinofilm.org for more information.
About Laliff: The Los Angeles Latino International Film Festival (Laliff) was founded in 1997 by producer, director, actor and activist Edward James Olmos and independent producer Marlene Dermer. Laliff is a non-profit 501c (3) organization with the mission to support the development and exhibition of diverse visions by Latino filmmakers. To serve as a springboard and catalyst for the promotion of Latin films and filmmakers in the industry locally, nationally & internationally. To develop audiences for such films and in the process bring awareness of the richness and diversity of Latin cultures, artistry and countries through film, the most powerful medium in the world. A competitive festival with prizes, Laliff serves as a venue where Latino filmmakers come together with industry buyers and distributors. Laliff also offers industry workshops, panels, labs, networking receptions, educational programs, and hosts some of the best Galas in tinsel town.
- 11/20/2013
- by Sydney Levine
- Sydney's Buzz
After being cancelled last year, sadly, for lack of funding, the Latino International Film Festival (Laliff) returns stronger than ever to treat audiences to some of the best cinematic works, of all lengths and genres, created by Latino American filmmakers in their native countries or by Latino creators here in the U.S. This 16th edition of the festival will run from Thursday October 10th to Monday October 14th, and showcases a varied compilation of films from 14 Latin filmmaking countries.
"We are very excited and honored to have this record breaking number of Premieres presented at Laliff," said Marlene Dermer, Co-founder/Executive Director/Programmer of Laliff. "16 years and it keeps getting better because of the films." added co-founder Edward James Olmos.
This year's diverse selection of 62 works includes 28 features, 11 documentaries, and 23 shorts, which represent an eclectic mosaic of styles, subject matters, and experiences. The festival will close with the special presentation of the Mexican box-office smash hit Nosotros los Nobles, directed by Gary Alazraki, followed by an after party sponsored by Cine Latino. The list of films include the Guatemalan feature Polvo by Julio Hernandez or the Argentinian La Paz by Santiago Loza Directorial debuts like Water & Power by Richard Montoya, based off his acclaimed play by the same name, compelling documentaries like Narco Cultura and Gimme the Power, among many others.
For more information, single tickets, and festival passes click Here
This year's Laliff films are as follows (in alphabetical order):
Amor Cronico , Jorge Perugorria, 83 min
Country: Cuba
Premiere: West Coast
A Puerta FRÍA , Xavi Puebla, 80 min
Country: Spain
Premiere: USA
A Truth In Silence , Jonathan Salemi, 4:23 min
Country: USA
Premiere: World
Bordando La Frontera (Embroidering The Border) , Rene Rhi, 27 min
Country: Mexico/ USA
Captive Radio , Lauren Rosenfeld, 23 min
Country: USA/ Colombia
Premiere: Los Angeles
Carne De Perro (Dog's Flesh) , Fernando Guzzoni, 81min
Country: Chile
Premiere: Los Angeles
Catch , David Henrie, 10 min
Country: USA
Premiere: World
Cement Suitcase , Rick Castañeda, 94 min
Country: USA
Close Your Eyes , Sonia Malfa, 14:32 min
Country: USA
Con La Pata Quebrada (Barefoot In The Kitchen) , Diego Galán, 83 min
Country: Spain
Premiere: U.S.
Defectuosos (Defective) , Gabriela Martínez Garza & Jon Fernández López, 8 min
Country: Mexico
Dentro De Uno (Inside Oneself) , Salvador Aguirre, 8 min
Country: Mexico
Desert Road Kill , Michael Carreño, 16:57 min
Country: USA
Detained In The Desert , Iliana Sosa, 80 min
Country: USA
Premiere: World
Dragon Day , Jeffrey Travis, 95 min
Country:usa/Mexico
Premiere: World
Dreamer , Jesse Salmeron, 93 min
Country: USA
El Alcalde (The Mayor) , Emiliano Altuna, 80 min
Country: Mexico
Premiere: Los Angeles
El Cocodrillo , Steve Acevedo, 15 min
Country: USA
El Doctor , Heather de Michele, 11:24 min
Country: USA
El Jazz (Jazz) , Andrés Peralta, 10:30 min
Country: Mexico
Esther En Alguna Parte (Esther Somewhere) , Gerardo Chijona, 95 min
Country: Cuba
Premiere: World
Gimme The Power , Olallo Rubio, 101min
Country: Mexico
Greencard Warriors , Miriam Kruishoop, 91min
Country: USA
Premiere: World
Homebound , Fanny Veliz, 105 min
Country: USA
¡Huelga! (Strike) , Skeets McGrew, 57:32 min
Country: USA
Interstate , Camille Stochitch, 19:56 min
Country: USA
Premiere: World
JARDĺN De Amapolas (Field Of Amapolas) , Juan Carlos Melo Guevara, 86min
Country: Colombia
Premiere: World
Justice For My Sister , Kimberly Bautista, 69 min
Country: USA
Premiere: Los Angeles
Kill The Dictator (El Teniente Amado) , Félix Limardo, 90 min
Country: Dominican Republic
Premiere: West Coast
La Calle Estereo (The Stereo Street) , Santiago León Cuellar, 30min
Country: Colombia
La Paz , Santiago Loza, 73 min
Country: Argentina
Premiere: Los Angeles
La Piscina (The Swimming Pool) , Carlos Machado Quintela, 66 min
Country: Cuba
Premiere: Los Angeles
Las Tardes De Tintico (Tintico's Afternoons) , Alejandro García Caballero, 8:30 min
Country: Mexico
Llegar A Ti (To Reach You) , Alejandro Torres Rezzio, 8 min
Country: USA
Lo Azul Del Cielo , Juan Alfredo Uribe, 112min La
Country: Colombia
Premiere: Los Angeles
Maestra , Catherine Murphy, 33 min
Country: USA/ Cuba
Meu Pais (My Country) , André Ristum, 84min
Country: Brazil
Premiere: Los Angeles
Miradas MÚLTIPLES (La MÁQUINA Loca) / (Multiple Perspectives (The Crazy Machine) , Emilio Maillé, 90 min
Country: France/ Mexico
Muerte De Una Ama De Casa (Death Of A Housewife) , Marisé Samitier, 27 min
Country: Spain
Narco Cultura , Shaul Schwarz, 102 min
Country: USA
Premiere: West Coast
Ni Un Hombre MÁS (Iguana Stew) , Martin Salinas, 83 min
Country: Argentina
Premiere: West Coast
Nosotros Los Nobles (The Noble Family) , Gaz Alazraki, 95 min
Country: Mexico
Premiere: Los Angeles
O Afinador (The Tuner) , Fernando Camargo & Matheus Parizi, 15 min
Country: Brazil
Premiere: Los Angeles
Our Boys , Leonardo Ricagni, 88 min
Country: USA
Premiere: World
Pablo , Richard Goldgewicht, 93 min
Country: USA / Brazil
Premiere: Los Angeles
Phoenix , Stefano Capuzzi Lapietra, 13 min
Country: Brazil
Premiere: West Coast
Polvo (Dust) , Julio Hernández Cordón, 80 min
Country: Guatemala/Spain/Chile/Germany
Premiere: Los Angeles
Ponchao , Josh Crook, 85 min
Country: Dominican Republic
Premiere: World
POTOSÍ , Alfredo Castruita, 120min
Country: Mexico
Premiere: USA
Princesas Rojas (Red Princesses) , Laura Astorga Carrera, 100 min
Country: Costa Ria/ Venezuela/ Nicaragua
Premiere: Los Angeles
Rebel , Maria Agui Carter, 75 min
Country: USA
Premiere: Los Angeles
Sleeping With The Fishes , Nicole Gómez Fisher, 101 min
Country: USA
Stand & Deliver , Ramón Menéndez, 102 min Special Screening - 25Th Anniversary
Tanta Agua , Ana Guevara & Leticia Jorge, 102 min
Country: Urugua/ Mexico/ Netherlands/ Germany
Premiere: West Coast
Tierra De Sangre , James Katz, 106 min
Country: Chile
Premiere: North American
The Graduates (Los Graduados) , Bernardo Ruiz, 60 minYOUTH Program
Country: USA
The Price We Pay , Jesse Garcia, 7:24 min
Country: USA
Premiere: World Premiere
The Shooting Star Salesman , Kico Velarde, 20 min
Country: USA
Water & Power , Richard Montoya, 87 minOpera Prima
Country: USA
We Women Warriors (Tejiendo Sabiduria) , Nicole Karsin, 82 min
Country:usa/Colombia
Your Father's Daughter , Carlos Bernard, 15:20 min
Country: USA
Premiere: World
Zero Hour , Dan Carillo Levy, 7:20 min
Country: USA/Mexico...
"We are very excited and honored to have this record breaking number of Premieres presented at Laliff," said Marlene Dermer, Co-founder/Executive Director/Programmer of Laliff. "16 years and it keeps getting better because of the films." added co-founder Edward James Olmos.
This year's diverse selection of 62 works includes 28 features, 11 documentaries, and 23 shorts, which represent an eclectic mosaic of styles, subject matters, and experiences. The festival will close with the special presentation of the Mexican box-office smash hit Nosotros los Nobles, directed by Gary Alazraki, followed by an after party sponsored by Cine Latino. The list of films include the Guatemalan feature Polvo by Julio Hernandez or the Argentinian La Paz by Santiago Loza Directorial debuts like Water & Power by Richard Montoya, based off his acclaimed play by the same name, compelling documentaries like Narco Cultura and Gimme the Power, among many others.
For more information, single tickets, and festival passes click Here
This year's Laliff films are as follows (in alphabetical order):
Amor Cronico , Jorge Perugorria, 83 min
Country: Cuba
Premiere: West Coast
A Puerta FRÍA , Xavi Puebla, 80 min
Country: Spain
Premiere: USA
A Truth In Silence , Jonathan Salemi, 4:23 min
Country: USA
Premiere: World
Bordando La Frontera (Embroidering The Border) , Rene Rhi, 27 min
Country: Mexico/ USA
Captive Radio , Lauren Rosenfeld, 23 min
Country: USA/ Colombia
Premiere: Los Angeles
Carne De Perro (Dog's Flesh) , Fernando Guzzoni, 81min
Country: Chile
Premiere: Los Angeles
Catch , David Henrie, 10 min
Country: USA
Premiere: World
Cement Suitcase , Rick Castañeda, 94 min
Country: USA
Close Your Eyes , Sonia Malfa, 14:32 min
Country: USA
Con La Pata Quebrada (Barefoot In The Kitchen) , Diego Galán, 83 min
Country: Spain
Premiere: U.S.
Defectuosos (Defective) , Gabriela Martínez Garza & Jon Fernández López, 8 min
Country: Mexico
Dentro De Uno (Inside Oneself) , Salvador Aguirre, 8 min
Country: Mexico
Desert Road Kill , Michael Carreño, 16:57 min
Country: USA
Detained In The Desert , Iliana Sosa, 80 min
Country: USA
Premiere: World
Dragon Day , Jeffrey Travis, 95 min
Country:usa/Mexico
Premiere: World
Dreamer , Jesse Salmeron, 93 min
Country: USA
El Alcalde (The Mayor) , Emiliano Altuna, 80 min
Country: Mexico
Premiere: Los Angeles
El Cocodrillo , Steve Acevedo, 15 min
Country: USA
El Doctor , Heather de Michele, 11:24 min
Country: USA
El Jazz (Jazz) , Andrés Peralta, 10:30 min
Country: Mexico
Esther En Alguna Parte (Esther Somewhere) , Gerardo Chijona, 95 min
Country: Cuba
Premiere: World
Gimme The Power , Olallo Rubio, 101min
Country: Mexico
Greencard Warriors , Miriam Kruishoop, 91min
Country: USA
Premiere: World
Homebound , Fanny Veliz, 105 min
Country: USA
¡Huelga! (Strike) , Skeets McGrew, 57:32 min
Country: USA
Interstate , Camille Stochitch, 19:56 min
Country: USA
Premiere: World
JARDĺN De Amapolas (Field Of Amapolas) , Juan Carlos Melo Guevara, 86min
Country: Colombia
Premiere: World
Justice For My Sister , Kimberly Bautista, 69 min
Country: USA
Premiere: Los Angeles
Kill The Dictator (El Teniente Amado) , Félix Limardo, 90 min
Country: Dominican Republic
Premiere: West Coast
La Calle Estereo (The Stereo Street) , Santiago León Cuellar, 30min
Country: Colombia
La Paz , Santiago Loza, 73 min
Country: Argentina
Premiere: Los Angeles
La Piscina (The Swimming Pool) , Carlos Machado Quintela, 66 min
Country: Cuba
Premiere: Los Angeles
Las Tardes De Tintico (Tintico's Afternoons) , Alejandro García Caballero, 8:30 min
Country: Mexico
Llegar A Ti (To Reach You) , Alejandro Torres Rezzio, 8 min
Country: USA
Lo Azul Del Cielo , Juan Alfredo Uribe, 112min La
Country: Colombia
Premiere: Los Angeles
Maestra , Catherine Murphy, 33 min
Country: USA/ Cuba
Meu Pais (My Country) , André Ristum, 84min
Country: Brazil
Premiere: Los Angeles
Miradas MÚLTIPLES (La MÁQUINA Loca) / (Multiple Perspectives (The Crazy Machine) , Emilio Maillé, 90 min
Country: France/ Mexico
Muerte De Una Ama De Casa (Death Of A Housewife) , Marisé Samitier, 27 min
Country: Spain
Narco Cultura , Shaul Schwarz, 102 min
Country: USA
Premiere: West Coast
Ni Un Hombre MÁS (Iguana Stew) , Martin Salinas, 83 min
Country: Argentina
Premiere: West Coast
Nosotros Los Nobles (The Noble Family) , Gaz Alazraki, 95 min
Country: Mexico
Premiere: Los Angeles
O Afinador (The Tuner) , Fernando Camargo & Matheus Parizi, 15 min
Country: Brazil
Premiere: Los Angeles
Our Boys , Leonardo Ricagni, 88 min
Country: USA
Premiere: World
Pablo , Richard Goldgewicht, 93 min
Country: USA / Brazil
Premiere: Los Angeles
Phoenix , Stefano Capuzzi Lapietra, 13 min
Country: Brazil
Premiere: West Coast
Polvo (Dust) , Julio Hernández Cordón, 80 min
Country: Guatemala/Spain/Chile/Germany
Premiere: Los Angeles
Ponchao , Josh Crook, 85 min
Country: Dominican Republic
Premiere: World
POTOSÍ , Alfredo Castruita, 120min
Country: Mexico
Premiere: USA
Princesas Rojas (Red Princesses) , Laura Astorga Carrera, 100 min
Country: Costa Ria/ Venezuela/ Nicaragua
Premiere: Los Angeles
Rebel , Maria Agui Carter, 75 min
Country: USA
Premiere: Los Angeles
Sleeping With The Fishes , Nicole Gómez Fisher, 101 min
Country: USA
Stand & Deliver , Ramón Menéndez, 102 min Special Screening - 25Th Anniversary
Tanta Agua , Ana Guevara & Leticia Jorge, 102 min
Country: Urugua/ Mexico/ Netherlands/ Germany
Premiere: West Coast
Tierra De Sangre , James Katz, 106 min
Country: Chile
Premiere: North American
The Graduates (Los Graduados) , Bernardo Ruiz, 60 minYOUTH Program
Country: USA
The Price We Pay , Jesse Garcia, 7:24 min
Country: USA
Premiere: World Premiere
The Shooting Star Salesman , Kico Velarde, 20 min
Country: USA
Water & Power , Richard Montoya, 87 minOpera Prima
Country: USA
We Women Warriors (Tejiendo Sabiduria) , Nicole Karsin, 82 min
Country:usa/Colombia
Your Father's Daughter , Carlos Bernard, 15:20 min
Country: USA
Premiere: World
Zero Hour , Dan Carillo Levy, 7:20 min
Country: USA/Mexico...
- 10/10/2013
- by Carlos Aguilar
- Sydney's Buzz
Fourteen films have been competing in iber.film.america, the first-ever Latin American film festival online, organized by VoD platform filmotech.com. “The aim is to bring Hispanic cinema closer to Latin American communities from both continents, America and Europe, through new distribution channels,” said festival and platform director Juan Alía. “Internet is the ideal venue for the general public to have access to these types of films, that are of great quality but have not been released either in cinemas or as DVDs.” Until April 16, the platform’s Latin American visitors will be able to see the films for free, with up to 10,000 viewings possible for each film. The selected films, produced in Latin American countries between 2009 and 2011, will vie for the Critics Award, decided on by a jury made up of five journalists and with a prize of $3,000, and for the Audience Award. Fifteen countries, from Argentina to Mexico via Spain, Nicaragua, and Colombia, are represented in a selection that includes:
Ticket to Paradise (Isa: Icaic) by Gerardo Chijona Valdés
Undertow (Isa: Greenburg Taurig) by Javier Fuentes León
Des-autorizados by Elia Schneider
García (Isa: Bogeydom Liscensing) by José Luis Rugeles
Guest (Isa: Roxbury) by José Luis Guerín
Jean Gentil (Isa: Aurora Dominicana) by Laura Amelia Guzmán and Israel Cárdenas
The Colors of the Mountain (Isa: Urban Distribution Int.) by Carlos César Arbeláez
La mala verdad (lit. “The bad truth”) by Miguel Ángel Rocca
Half of Oscar (Isa: FiGa FIlms) by Manuel Martín Cuenca
La Yuma (Isa: All Rights Ent.) by Florence Jauguey
Medianeras by Gustavo Taretto
Norberto’s Deadline (Isa: Outsider Pictures) by Daniel Hendler
Pescador (Isa: Latinofusion) (lit. “Fisherman”) by Sebastián Cordero
Transeúnte by Eryck Rocha
iber.film.america is supported by the Icaa, the Latin American Federation of Cinema and Audiovisual Producers (Fipca), and the Cervantes Institute.
Ticket to Paradise (Isa: Icaic) by Gerardo Chijona Valdés
Undertow (Isa: Greenburg Taurig) by Javier Fuentes León
Des-autorizados by Elia Schneider
García (Isa: Bogeydom Liscensing) by José Luis Rugeles
Guest (Isa: Roxbury) by José Luis Guerín
Jean Gentil (Isa: Aurora Dominicana) by Laura Amelia Guzmán and Israel Cárdenas
The Colors of the Mountain (Isa: Urban Distribution Int.) by Carlos César Arbeláez
La mala verdad (lit. “The bad truth”) by Miguel Ángel Rocca
Half of Oscar (Isa: FiGa FIlms) by Manuel Martín Cuenca
La Yuma (Isa: All Rights Ent.) by Florence Jauguey
Medianeras by Gustavo Taretto
Norberto’s Deadline (Isa: Outsider Pictures) by Daniel Hendler
Pescador (Isa: Latinofusion) (lit. “Fisherman”) by Sebastián Cordero
Transeúnte by Eryck Rocha
iber.film.america is supported by the Icaa, the Latin American Federation of Cinema and Audiovisual Producers (Fipca), and the Cervantes Institute.
- 5/23/2012
- by Sydney Levine
- Sydney's Buzz
Elena Anaya, Antonio Banderas, The Skin I Live In No Rest For The Wicked Tops, Pedro Almodóvar Empty-Handed: Goyas 2012 Winners Best Film La Piel que habito / The Skin I Live In, Pedro Almodóvar * No habrá paz para los malvados / No Rest for the Wicked, Enrique Urbizu La Voz dormida / The Sleeping Voice, Benito Zambrano Blackthorn. Sin destino / Blackthorn, Mateo Gil Best Foreign Film in the Spanish Language Boleto al paraíso (Cuba), Gerardo Chijona Miss Bala (Mexico), Gerardo Naranjo * Un cuento chino / Chinese Take-Away (Argentina), Sebastián Borensztein Violeta se fue a los cielos (Chile), Andrés Wood Best European Film Jane Eyre (United Kingdom), Cary Fukunaga Melancholia (Germany / Denmark / France), Lars von Trier * The Artist (France), Michel Hazanavicius Carnage (France), Roman Polanski Best Director Pedro Almodóvar, The Skin I Live In Benito Zambrano, The Sleeping Voice * Enrique Urbizu, No Rest for the Wicked Mateo Gil, Blackthorn Best New Director Paula Ortiz, De tu ventana a la mía...
- 2/20/2012
- by Steve Montgomery
- Alt Film Guide
Beverly Hills, CA . .¡Sí Cuba! SoCal,. a multi-venue Southern California festival celebrating the culture of the island nation through art, dance, film, music and discussion, runs now through Sunday, October 2, 2011. Building on the momentum of the ¡Sí Cuba! festival currently in New York, .¡Sí Cuba! SoCal. will be presented by seven Southern California-based organizations and will include three exhibitions, hand-silkscreened film posters, political cartoons, and photographs documenting Cuba.s history; performances by the renowned Ballet Nacional de Cuba in Costa Mesa and Los Angeles; a film series with filmmaker Q&As; and a concert by the Buena Vista Social Club® orchestra.
The following is the .¡Sí Cuba! SoCal. calendar of events:
Cuban Film Posters: From Havana to the World
Academy of Motion Picture Arts and Sciences
Grand Lobby Gallery, Beverly Hills
Now . August 28
www.oscars.org/sicubasocal
This exhibition will showcase 125 hand-silkscreened posters from Cuban and international films created by...
The following is the .¡Sí Cuba! SoCal. calendar of events:
Cuban Film Posters: From Havana to the World
Academy of Motion Picture Arts and Sciences
Grand Lobby Gallery, Beverly Hills
Now . August 28
www.oscars.org/sicubasocal
This exhibition will showcase 125 hand-silkscreened posters from Cuban and international films created by...
- 5/16/2011
- by Michelle McCue
- WeAreMovieGeeks.com
Holding court downtown from June 16-26, 2011, the Los Angeles Film Festival comprehensively curates the cinematic landscape across a variety of media. Produced by Film Independent, the festival has continued to grow in recent years, and now boasts many of the best independent films of the year.
With the departure of the organization’s CEO, Dawn Hudson, to run the Academy, it will be interesting to see whether the festival’s director Rebecca Yeldham will stay on board past 2011. In the meantime, they’ve announced their line-up for the 2011 festival, and it includes some much buzzed about Sundance and SxSW titles (“Project Nim,” “The Future,” “Crime After Crime,” “The Salesman,” “Terri,” “Another Earth,” “The Guard,” “Natural Selection,” “Tyrannosaur,” “Where Soldiers Come From” and “Higher Ground,” to name a few), as well as 27 world, North American and U.S. premieres.
For the official list of competition and other films, as well as...
With the departure of the organization’s CEO, Dawn Hudson, to run the Academy, it will be interesting to see whether the festival’s director Rebecca Yeldham will stay on board past 2011. In the meantime, they’ve announced their line-up for the 2011 festival, and it includes some much buzzed about Sundance and SxSW titles (“Project Nim,” “The Future,” “Crime After Crime,” “The Salesman,” “Terri,” “Another Earth,” “The Guard,” “Natural Selection,” “Tyrannosaur,” “Where Soldiers Come From” and “Higher Ground,” to name a few), as well as 27 world, North American and U.S. premieres.
For the official list of competition and other films, as well as...
- 5/3/2011
- by admin
- Moving Pictures Magazine
Holding court downtown from June 16-26, 2011, the Los Angeles Film Festival comprehensively curates the cinematic landscape across a variety of media. Produced by Film Independent, the festival has continued to grow in recent years, and now boasts many of the best independent films of the year.
With the departure of the organization’s CEO, Dawn Hudson, to run the Academy, it will be interesting to see whether the festival’s director Rebecca Yeldham will stay on board past 2011. In the meantime, they’ve announced their line-up for the 2011 festival, and it includes some much buzzed about Sundance and SxSW titles (“Project Nim,” “The Future,” “Crime After Crime,” “The Salesman,” “Terri,” “Another Earth,” “The Guard,” “Natural Selection,” “Tyrannosaur,” “Where Soldiers Come From” and “Higher Ground,” to name a few), as well as 27 world, North American and U.S. premieres.
For the official list of competition and other films, as well as...
With the departure of the organization’s CEO, Dawn Hudson, to run the Academy, it will be interesting to see whether the festival’s director Rebecca Yeldham will stay on board past 2011. In the meantime, they’ve announced their line-up for the 2011 festival, and it includes some much buzzed about Sundance and SxSW titles (“Project Nim,” “The Future,” “Crime After Crime,” “The Salesman,” “Terri,” “Another Earth,” “The Guard,” “Natural Selection,” “Tyrannosaur,” “Where Soldiers Come From” and “Higher Ground,” to name a few), as well as 27 world, North American and U.S. premieres.
For the official list of competition and other films, as well as...
- 5/3/2011
- by admin
- Moving Pictures Network
Film Independent Announces First Round Of Us & International
Film Selections For 2011 Los Angeles Film Festival,
Presented By The Los Angeles Times - 19 Films Chosen for Narrative & Documentary Competition - - International Spotlight to Focus on Cuba -
Los Angeles (May 3, 2011) . Today the Los Angeles Film Festival, presented by the Los Angeles Times, announced the first round of official Us and international selections. The 2011 Los Angeles Film Festival is produced by Film Independent . the non-profit arts organization that also produces the Spirit Awards . and will screen over 200 feature films, shorts, and music videos, representing more than 30 countries. Opening and Closing Night films, Galas, Conversations, Artists in Residence, Lafca.s Films That Got Away, along with additional special guests and programming for the Festival Talks will be announced at later dates.
Returning to downtown Los Angeles, with its central hub at L.A. Live, the Festival will run from Thursday, June 16 to Sunday,...
Film Selections For 2011 Los Angeles Film Festival,
Presented By The Los Angeles Times - 19 Films Chosen for Narrative & Documentary Competition - - International Spotlight to Focus on Cuba -
Los Angeles (May 3, 2011) . Today the Los Angeles Film Festival, presented by the Los Angeles Times, announced the first round of official Us and international selections. The 2011 Los Angeles Film Festival is produced by Film Independent . the non-profit arts organization that also produces the Spirit Awards . and will screen over 200 feature films, shorts, and music videos, representing more than 30 countries. Opening and Closing Night films, Galas, Conversations, Artists in Residence, Lafca.s Films That Got Away, along with additional special guests and programming for the Festival Talks will be announced at later dates.
Returning to downtown Los Angeles, with its central hub at L.A. Live, the Festival will run from Thursday, June 16 to Sunday,...
- 5/3/2011
- by Michelle McCue
- WeAreMovieGeeks.com
It has been another great year of film. I still have but seven movies left to watch before I complete my “Best of the Year List” but we are already looking towards 2011.
The 57 feature films selected for the four competition programs of the 2011 Sundance Film Festival were announced today, and the titles include some exciting works from returning filmmakers. While the lineup isn’t has loaded with big names it does feature the return of James Marsh whose documentary Man on Wire won the Grand Jury Prize at the fest in 2008. Some interesting movies we should mention that appear on the list are Mike Cahill’s Another Earth, Carlos Moreno’s All Our Dead One (Todos Tus Muertos), Anne Sewitsky’s sexual drama Happy, Happy (Sykt Lykkelig) Rashaad Ernesto Green‘s Gun Hill Road, Sean Durkin‘s Martha Marcy May Marlene, Andrew Okpeaha MacLean‘s On the Ice, Dee Rees...
The 57 feature films selected for the four competition programs of the 2011 Sundance Film Festival were announced today, and the titles include some exciting works from returning filmmakers. While the lineup isn’t has loaded with big names it does feature the return of James Marsh whose documentary Man on Wire won the Grand Jury Prize at the fest in 2008. Some interesting movies we should mention that appear on the list are Mike Cahill’s Another Earth, Carlos Moreno’s All Our Dead One (Todos Tus Muertos), Anne Sewitsky’s sexual drama Happy, Happy (Sykt Lykkelig) Rashaad Ernesto Green‘s Gun Hill Road, Sean Durkin‘s Martha Marcy May Marlene, Andrew Okpeaha MacLean‘s On the Ice, Dee Rees...
- 12/2/2010
- by Ricky
- SoundOnSight
It's the first day in December, and whether you want to recognize it or not, January isn't too far away. Today the awesome folks at the Sundance Film Festival unveiled their first list of films, international and domestic, which will be presented at the festival. Check it out, and yes there are more to come. Sundance Institute announced today the lineup of films selected to screen in the U.S. and World Cinema Dramatic and Documentary Competitions for the 2011 Sundance Film Festival. In addition to the four Competition Categories, the Festival presents films in six out-of-competition sections to be announced on December 2. The 2011 Sundance Film Festival runs January 20-30 in Park City, Salt Lake City, Ogden and Sundance, Utah.For the 2011 Sundance Film Festival, 115 feature-length films were selected, representing 28 countries by 40 first-time filmmakers, including 25 in competition. These films were selected from 3,812 feature-length film submissions composed of 1,943 U.S. and 1,869 international feature-length films.
- 12/1/2010
- LRMonline.com
As we’re getting ready to wrap up another great year of film, some are already looking to 2011 and what it will have to offer and what better way to look a head than with the first round of titles for the year’s first big festival: Sundance.
The list of festival titles isn’t as loaded with as many big name titles as have made the cut in previous years but there’s are definitely some interesting film in the competition line-up including Mike Cahill’s Another Earth which takes place on the eve of the discovery of a duplicate Earth (wicked!), Carlos Moreno’s All Our Dead One (Todos Tus Muertos) about a guy who finds a pile of dead bodies in the middle of his crops, Anne Sewitsky’s sexual drama Happy, Happy (Sykt Lykkelig) along with the Canadian/Japanese co-production Vampire.
Loads of great stuff on the line-up.
The list of festival titles isn’t as loaded with as many big name titles as have made the cut in previous years but there’s are definitely some interesting film in the competition line-up including Mike Cahill’s Another Earth which takes place on the eve of the discovery of a duplicate Earth (wicked!), Carlos Moreno’s All Our Dead One (Todos Tus Muertos) about a guy who finds a pile of dead bodies in the middle of his crops, Anne Sewitsky’s sexual drama Happy, Happy (Sykt Lykkelig) along with the Canadian/Japanese co-production Vampire.
Loads of great stuff on the line-up.
- 12/1/2010
- QuietEarth.us
The announcement of the movies playing the 2011 Sundance Film Festival is like looking into our film futures. It's December and most movie fans are looking back at the last 12 months, picking out award winners, writing top ten lists, and chances are we haven't even heard of the Sundance films. They're just titles, people, words on a computer screen. Then in January they unspool on screens across Park City, Utah and become something more. Finally, months later, these are the movies we discuss with our friends and choose on ballots at awards parties. Yet we get to read about them now, a year in advance. Last year at this time, who had heard of Four Lions, Catfish, Exit Through The Gift Shop, Blue Valentine, The Kids Are All Right, Winter's Bone, Restrepo or Animal Kingdom? Sundance, that's who. All those films screened at the 2010 festival and now many have become not only personal favorites,...
- 12/1/2010
- by Germain Lussier
- Slash Film
The Sundance Film Festival has announced the films in competition for the awesome and cold film festival running January 20th through January 30th 2011 in Park City, Utah.
This will be my third year attending the festival, and I'm really excited for it! There's a great line-up of films this year! Check out the list below!
From the press release:
Sundance Institute announced today the lineup of films selected to screen in the U.S. and World Cinema Dramatic and Documentary Competitions for the 2011 Sundance Film Festival. In addition to the four Competition Categories, the Festival presents films in six out-of-competition sections to be announced on December 2. The 2011 Sundance Film Festival runs January 20-30 in Park City, Salt Lake City, Ogden and Sundance, Utah.
On Day One, the Festival will forego the convention of one opening night film and instead screen one narrative film and one documentary from both the U.
This will be my third year attending the festival, and I'm really excited for it! There's a great line-up of films this year! Check out the list below!
From the press release:
Sundance Institute announced today the lineup of films selected to screen in the U.S. and World Cinema Dramatic and Documentary Competitions for the 2011 Sundance Film Festival. In addition to the four Competition Categories, the Festival presents films in six out-of-competition sections to be announced on December 2. The 2011 Sundance Film Festival runs January 20-30 in Park City, Salt Lake City, Ogden and Sundance, Utah.
On Day One, the Festival will forego the convention of one opening night film and instead screen one narrative film and one documentary from both the U.
- 12/1/2010
- by Venkman
- GeekTyrant
Park City, Ut . Sundance Institute announced today the lineup of films selected to screen in the U.S. and World Cinema Dramatic and Documentary Competitions for the 2011 Sundance Film Festival. In addition to the four Competition Categories, the Festival presents films in six out-of-competition sections to be announced on December 2. The 2011 Sundance Film Festival runs January 20-30 in Park City, Salt Lake City, Ogden and Sundance, Utah. The complete list of films is available at http://www.sundance.org/.
On Day One, the Festival will forego the convention of one opening night film and instead screen one narrative film and one documentary from both the U.S. and World Cinema competitions, as well as one shorts program.
John Cooper, Director of the Sundance Film Festival said, .The Festival is a challenge to narrowly define. It is all at once exciting, fun, crazy, engaging, visceral, and sometimes even painful. We can explain storylines,...
On Day One, the Festival will forego the convention of one opening night film and instead screen one narrative film and one documentary from both the U.S. and World Cinema competitions, as well as one shorts program.
John Cooper, Director of the Sundance Film Festival said, .The Festival is a challenge to narrowly define. It is all at once exciting, fun, crazy, engaging, visceral, and sometimes even painful. We can explain storylines,...
- 12/1/2010
- by Michelle McCue
- WeAreMovieGeeks.com
Here's the first Sundance line-up announcement, of the fiction and nonfiction feature competitions, both U.S. and world. A few things of interest, on first scan: Vera Farmiga's directorial debut "Higher Ground," in which she also stars; "The Ledge," which sounds like this year's try for "Buried"; Iñupiaq Arctic thriller "On the Ice"; "Terri," the new film from "Momma's Man" director; Michael Rapaport's doc on A Tribe Called Quest "Beats, Rhymes and Life"; doc about the beloved Muppet "Being Elmo"; "If A Tree Falls," a new film from "Street Fight"'s Marshall Curry; Paddy Considine's feature directorial debut "Tyrannosaur"; and "Vampire," the new film from Japan's Shunji Iwai, a favorite of mine.
Descriptions courtesy of the festival:
U.S. Dramatic Competition
Another Earth (Director: Mike Cahill; Screenwriters: Mike Cahill and Brit Marling) - On the eve of the discovery of a duplicate Earth, a horrible tragedy...
Descriptions courtesy of the festival:
U.S. Dramatic Competition
Another Earth (Director: Mike Cahill; Screenwriters: Mike Cahill and Brit Marling) - On the eve of the discovery of a duplicate Earth, a horrible tragedy...
- 12/1/2010
- by Alison Willmore
- ifc.com
HollywoodNews.com: The 2011 Sundance Film Festival has just announced its lineup for January. John Cooper, director of Sundance Film Festival, said, “With more than 10,000 films submitted this year, we have had to make some very tough choices. Yet in the end, I’m excited about the way the program has come together. It’s an incredible honor to introduce these films and filmmaker…these are the stories that will define not only our Festival, but also the cultural year ahead.”
Sundance Institute announced today the lineup of films selected to screen in the U.S. and World Cinema Dramatic and Documentary Competitions for the 2011 Sundance Film Festival. In addition to the four Competition Categories, the Festival presents films in six out-of-competition sections to be announced on December 2. The 2011 Sundance Film Festival runs January 20-30 in Park City, Salt Lake City, Ogden and Sundance, Utah.
On Day One, the Festival will...
Sundance Institute announced today the lineup of films selected to screen in the U.S. and World Cinema Dramatic and Documentary Competitions for the 2011 Sundance Film Festival. In addition to the four Competition Categories, the Festival presents films in six out-of-competition sections to be announced on December 2. The 2011 Sundance Film Festival runs January 20-30 in Park City, Salt Lake City, Ogden and Sundance, Utah.
On Day One, the Festival will...
- 12/1/2010
- by Linny Lum
- Hollywoodnews.com
The Film Stage is headed to Sundance this year and the festival has just announced its line-up. With over 10,00 entries here is what they narrowed it down to. Most initially notable is Vera Farmiga‘s directorial debut, Higher Ground (pictured above). There is a clear lack of stars as NYTimes notes, so the excitement of discovery is back in full swing. The fest will also announce 6 more out-of-competition categories tomorrow. Check out the full list below via the official site.
Us Dramatic
Another Earth (Director: Mike Cahill; Screenwriters: Mike Cahill and Brit Marling) – On the eve of the discovery of a duplicate Earth, a horrible tragedy irrevocably alters the lives of two strangers, who begin an unlikely love affair. Cast: William Mapother, Brit Marling, Jordan Baker, Robin Lord Taylor, Flint Beverage.
Benavides Born (Director: Amy Wendel; Screenwriters: Daniel Meisel and Amy Wendel) – A high school senior in a forgotten town...
Us Dramatic
Another Earth (Director: Mike Cahill; Screenwriters: Mike Cahill and Brit Marling) – On the eve of the discovery of a duplicate Earth, a horrible tragedy irrevocably alters the lives of two strangers, who begin an unlikely love affair. Cast: William Mapother, Brit Marling, Jordan Baker, Robin Lord Taylor, Flint Beverage.
Benavides Born (Director: Amy Wendel; Screenwriters: Daniel Meisel and Amy Wendel) – A high school senior in a forgotten town...
- 12/1/2010
- by Jordan Raup
- The Film Stage
Well, here they are – the Sundance Film Festival class of 2011, split up into 4 categories as indicated by the headers below. In future posts, I’ll be going over the complete list, highlighting titles that need to be, taking into consideration this blog’s specific interests.
Of note, some titles that I listed on my list of 2011 black films on our radar… Gun Hill Road, Rashaad Ernesto Green’s debut feature (which I actually saw a cut of over the weekend, and gave a thumbs up to; but I’ll talk more about it in detail when the time comes), Dee Rees’ Pariah, and Alrick Brown’s Kinyarwanda. Further, titles we’ve previously covered here… Beats, Rhymes and Life, Michael Rapaport’s documentary on hip-hop legends, A Tribe Called Quest, and The Redemption of General Butt Naked, a documentary on the Liberian warlord turned evangelist.
One film I’m surprised isn...
Of note, some titles that I listed on my list of 2011 black films on our radar… Gun Hill Road, Rashaad Ernesto Green’s debut feature (which I actually saw a cut of over the weekend, and gave a thumbs up to; but I’ll talk more about it in detail when the time comes), Dee Rees’ Pariah, and Alrick Brown’s Kinyarwanda. Further, titles we’ve previously covered here… Beats, Rhymes and Life, Michael Rapaport’s documentary on hip-hop legends, A Tribe Called Quest, and The Redemption of General Butt Naked, a documentary on the Liberian warlord turned evangelist.
One film I’m surprised isn...
- 12/1/2010
- by Tambay
- ShadowAndAct
The Sundance Institute announced today the lineup of films selected to screen in the U.S. and World Cinema Dramatic and Documentary Competitions for the 2011 Sundance Film Festival. Tomorrow will see the announcement of the six out-of-competition sections, which will all screen at the 2011 Sundance Film Festival which runs from January 20-30 in Park City, Salt Lake City, Ogden and Sundance, Utah.
For the 2011 Sundance Film Festival, 115 feature-length films were selected, representing 28 countries by 40 first-time filmmakers, including 25 in competition. These films were selected from 3,812 feature-length film submissions composed of 1,943 U.S. and 1,869 international feature-length films. 92 films at the Festival will be world premieres.
The films featured in the U.S. Dramatic, U.S. Documentary, World Cinema Dramatic and World Cinema Documentary Competition are listed directly below and I've gone through and highlighted a few of the bigger known names to check out. However, Sundance has been introducing us to a...
For the 2011 Sundance Film Festival, 115 feature-length films were selected, representing 28 countries by 40 first-time filmmakers, including 25 in competition. These films were selected from 3,812 feature-length film submissions composed of 1,943 U.S. and 1,869 international feature-length films. 92 films at the Festival will be world premieres.
The films featured in the U.S. Dramatic, U.S. Documentary, World Cinema Dramatic and World Cinema Documentary Competition are listed directly below and I've gone through and highlighted a few of the bigger known names to check out. However, Sundance has been introducing us to a...
- 12/1/2010
- by Brad Brevet
- Rope of Silicon
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