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Winter's Bone (2010)

R  |   |  Drama  |  16 July 2010 (USA)
7.2
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Ratings: 7.2/10 from 103,722 users   Metascore: 90/100
Reviews: 286 user | 358 critic | 38 from Metacritic.com

An unflinching Ozark Mountain girl hacks through dangerous social terrain as she hunts down her drug-dealing father while trying to keep her family intact.

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Title: Winter's Bone (2010)

Winter's Bone (2010) on IMDb 7.2/10

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Nominated for 4 Oscars. Another 75 wins & 95 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
Ree
Isaiah Stone ...
Ashlee Thompson ...
Valerie Richards ...
...
...
William White ...
Ramona Blair ...
...
Andrew Burnley ...
Phillip Burnley ...
Isaac Skidmore ...
Cody Brown ...
Cinnamon Schultz ...
...
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Storyline

With an absent father and a withdrawn and depressed mother, 17 year-old Ree Dolly keeps her family together in a dirt poor rural area. She's taken aback however when the local Sheriff tells her that her father put up their house as collateral for his bail and unless he shows up for his trial in a week's time, they will lose it all. She knows her father is involved in the local drug trade and manufactures crystal meth, but everywhere she goes the message is the same: stay out of it and stop poking your nose in other people's business. She refuses to listen, even after her father's brother, Teardrop, tells her he's probably been killed. She pushes on, putting her own life in danger, for the sake of her family until the truth, or enough of it, is revealed. Written by garykmcd

Plot Summary | Plot Synopsis

Taglines:

Everyone's got a secret

Genres:

Drama

Motion Picture Rating (MPAA)

Rated R for some drug material, language and violent content | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

16 July 2010 (USA)  »

Also Known As:

Lazos de sangre  »

Filming Locations:

 »

Box Office

Budget:

$2,000,000 (estimated)

Opening Weekend:

$84,887 (USA) (11 June 2010)

Gross:

$6,531,491 (USA) (15 April 2011)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

In the book, the Gail/Ree relationship is elaborated much more. The director, Debra Granik, said that they filmed a lot the scenes on that Gail/Ree timeline that they had to drop from the final cut of the film out because of time restraints. See more »

Goofs

When Ree is in the boat about to use the chainsaw, there is no chain on the bar of the saw. See more »

Quotes

[first lines]
Ree: [waking her] Ashlee Dawn...
Ashlee: Hmmm?
[to her brother]
Ashlee: Wake up...
See more »

Connections

Featured in At the Movies: Summer Special 2010/11 (2010) See more »

Soundtracks

The Missouri Waltz
(1914)
Words by J.R. Shannon
Music by John Valentine Eppel
a.k.a. "Hush-a'bye, Ma Baby"
Performed a capella by Marideth Sisco
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
A rich, satisfying film
27 June 2010 | by (Vancouver, B.C.) – See all my reviews

It is quite astonishing what people are capable of when their survival or way of life is threatened. In those moments, they are somehow able to employ a level of courage, perseverance, and high intention that they never knew they had. Such is the case for young Ree Dolly (Jennifer Lawrence) in Debra Granik's The Winter's Bone, winner of the Jury Prize for dramatic competition as well as the Waldo Salt Screen writing Award at the Sundance Film Festival. Newcomer Lawrence, a Kentucky native, is completely convincing as the 17-year-old Ree who has endured much in her brief lifetime and has plenty of obstacles yet to overcome. Living in poverty in a small house in the rural Missouri Ozarks, near the Arkansas border, she has to cook, chop wood and do whatever is necessary to care for her twelve-year old brother Sonny (Isaiah Stone) and her six-year old sister Ashlee (Ashlee Thompson) as well as look after her mother who is catatonic.

Based on the novel by Daniel Woodrell and co-written by Granik and Anne Rosellini, The Winter's Bone depicts how young Ree's life is changed when the local sheriff informs her that her dad, Jessup, on the run after being arrested for "cooking" methamphetamines, has put the family's house up as bond and that, unless he is found and convinced to turn himself in, Ree's family will lose their house. Insisting to the sheriff that she will find him, the young girl begins a search among friends, family members, distant relatives, and the community of small-time crooks, dope dealers, and kingpins that dominate the male-dominated rural society. No one wants to talk and Ree is met with silence, hostility, and even violence. One neighbor tells her that her questioning is, "a real good way to end up et by hogs." When someone asks her, "Ain't you got no men folk to do this?" the answer is an emphatic "no." (at times, the film seems to be challenging Juno for the most quirky one-liners).

Ree's main antagonists are her father's terrifying older brother Teardrop, played by John Hawkes, and Merab (Dale Dickey), the wife of Thump Milton, one of the local bosses. The performance by Dickey conveys an overbearing sense of intimidation that is both real and frightening. As Ree navigates through this hostile environment, we grow to admire her determination and her willingness to confront danger in order to protect her siblings. Winter's Bone is a film about poverty and desperation but it never exploits its characters or engages in manipulation or sentimentality. Though it can be hard to watch at times, it is not as some critics have said "poverty porn." There are lighter moments as well that include authentic Ozark folk music sung by Marideth Sisco and scenes of Ree teaching her brother and sister to spell, count, and perhaps more important for survival, how to shoot a rifle. She also tells her younger brother about the culture in which they live saying "Never ask for what ought to be offered."

Though I was riveted by the unfolding story, perhaps because of the film's high degree of stylization, I stopped short of full emotional involvement and was often conscious of the fact that I was watching a movie. Yet The Winter's Bone is a rich, satisfying film that more than deserves the accolades it has been receiving. Though it is stylized, it has an authenticity derived from using local residents as actors and from the director having immersed herself in the culture for two years before shooting the film. Jennifer Lawrence conveys a stoic and hard-edged individual, yet one with integrity who has somehow avoided getting sucked into the soul destructive way of life that seems to be endemic to the area. In Ree, Granik has created one of the strongest female characters in cinema in memory, one who, by her sheer will, suggests what could be accomplished if all of us could live each day as if our life depended on it.


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