A grief-stricken mother takes on the LAPD to her own detriment when it stubbornly tries to pass off an obvious impostor as her missing child, while also refusing to give up hope that she will find him one day.
Mourning his dead child, a haunted Vietnam war veteran attempts to discover his past while suffering from a severe case of dissociation. To do so, he must decipher reality and life from his own dreams, delusion, and perception of death.
After a car wreck on the winding Mulholland Drive renders a woman amnesiac, she and a perky Hollywood-hopeful search for clues and answers across Los Angeles in a twisting venture beyond dreams and reality.
With an absent father and a withdrawn and depressed mother, 17 year-old Ree Dolly keeps her family together in a dirt poor rural area. She's taken aback however when the local Sheriff tells her that her father put up their house as collateral for his bail and unless he shows up for his trial in a week's time, they will lose it all. She knows her father is involved in the local drug trade and manufactures crystal meth, but everywhere she goes the message is the same: stay out of it and stop poking your nose in other people's business. She refuses to listen, even after her father's brother, Teardrop, tells her he's probably been killed. She pushes on, putting her own life in danger, for the sake of her family until the truth, or enough of it, is revealed. Written by
Ree is wearing gloves when she gets up from the chicken coop. When she talks to Thump's wife, the gloves are off. When Thump's wife offers her the drink, the gloves are back on. When Ree drinks and returns the cup, the gloves are off again. See more »
Greetings again from the darkness. A double award winner at the Sundance Film Festival, this film is based on Daniel Woodrell's novel and is directed by Debra Granik. It's opening sequence slaps the viewer with the bleak unforgivingness of life in the backwoods of the Ozarks. This is land of people that time has passed by.
The basic premise of the story is that 17 year old Ree Dolly (played by Jennifer Lawrence) is responsible for raising her brother and sister and caring for her mentally-blank mother while maintaining a mostly positive outlook on the present and future. Reality strikes again when the local sheriff arrives to inform her that her missing, meth-lab running father has an upcoming court date. He used their land and house as collateral for his latest bond. If he fails to show, they will lose their home. Instead of breaking down, Ree pledges to find him and starts out on a hazardous journey, unlike we have seen on screen.
This community of mountain people are distrusting of outsiders, but stunningly, are just as paranoid around insiders and even family members. Their way of life seems to depend on pure independence, even though they all seemed intertwined in the same illegal activities and daily quest for survival. Some kind of odd code exists - ask nothing, give nothing and get rid of any obstacles.
The driving forces of the story are Ree and her constant hope and courage, and her bond to her dad's only brother, Teardrop played chillingly by John Hawkes. Teardrop tries to toughen up Ree and get her to accept her plight, while Ree constantly shows his there is reason to plow forward.
The film is very well written and the local filming brings a harsh reality that was crucial to the film's success. Additionally, I was stunned at the fierceness displayed by Jennifer Lawrence as Ree. Her performance reminded me of my first exposure to the talents of Meryl Streep (The Deer Hunter) and Evan Rachel Wood (Thirteen). Talk about powerful and exciting ... what she did with this role vaults her immediately into a very small group of actresses who can carry a movie with their presence. I am anxiously awaiting her next appearance - a Jody Foster project.
I also want to mention the music in the film. The vocalist, Marideth Sisco, is also the vocalist in the living room band who makes an appearance in one scene. Her voice truly captures the balance of hope and acceptance of plight. This is not a movie for everyone, but it is fascinating and hardcore.
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