A private eye escapes his past to run a gas station in a small town, but his past catches up with him. Now he must return to the big city world of danger, corruption, double crosses and duplicitous dames.
A writer meets a young socialite on board a train. The two fall in love and are married soon after, but her obsessive love for him threatens to be the undoing of both them and everyone else around them.
A dazed woman walks the streets of Los Angeles looking for a man named David. After collapsing in a diner, she's taken to the psychiatric ward of a nearby hospital. Flashbacks reveal her ... See full summary »
It's the Great Depression. In the process of robbing a bank of $10,000, the robbery because he is unable to provide for his family, Ben Harper kills two people. Before he is captured, he is able to convince his adolescent son John and his infant daughter Pearl not to tell anyone, including their mother Willa, who Ben believes is too idealistic, of where he hid the money, namely in Pearl's favorite toy, a doll that she carries everywhere with her. Ben, who is captured, tried and convicted, is sentenced to death. But before he is executed, Ben is in the state penitentiary with a cell mate, a man by the name of Harry Powell, a self-professed man of the cloth, who is really a con man and murderer, he who swindles lonely women, primarily rich widows, of their money before he kills them. The authorities are unaware of these crimes, Harry who is incarcerated on a thirty day sentence for car theft. Harry does whatever he can, unsuccessfully, to find out the location of the $10,000 from Ben. ... Written by
I still hear the lullaby singing sweetly in my head, like a hazy, haunting dream that won't go away.
From the opening scene of the beautiful Lillian Gish and her children, watching over the world in a starry sky, this movie just sinks you into a mesmeric fairy tale land. The camera takes us down in one sweeping move to a scene of children playing, a hot sunny day, and right to the feet of a murder victim. And that sweet music turns on us like a twisted nightmare as the scene chases after a car speeding along a country road to find one of movies worst villains.
Charles Laughton, in sadly his one and only stab at directing, created a masterpiece of horror with Night of the Hunter. The moments of sugar coated sweetness only make this movie even more disturbing as you wonder how the two can inhabit the same world.
Mitchum is terrifying. More-so in a town full of simple folk ready to match him up with the local widow who needs a father for her lit'le n's. Its like he's walked into the middle of a Frank Capra movie and he's going to do what he wants to.
This is not just a great horror movie, but an artist achievement to rival Welles' Kane. The river scene is one of many moments of pure visual splendor. And that sound track just keeps drifting alone, as if trying to coax you into slumber, till the singing madman of your nightmares comes over the hill, relentless. "Chil-dren, Come along now"
You don't watch this movie, it watches you. ...Hush, Lit'le ones, Hush.
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