A private eye escapes his past to run a gas station in a small town, but his past catches up with him. Now he must return to the big city world of danger, corruption, double crosses and duplicitous dames.
It's the Great Depression. In the process of robbing a bank of $10,000, Ben Harper kills two people. Before he is captured, he is able to convince his adolescent son John and his daughter Pearl not to tell anyone, including their mother Willa, where he hid the money, namely in Pearl's favorite toy, a doll that she carries everywhere with her. Ben, who is captured, tried and convicted, is sentenced to death. But before he is executed, Ben is in the state penitentiary with a cell mate, a man by the name of Harry Powell, a self-professed man of the cloth, who is really a con man and murderer, swindling lonely women, primarily rich widows, of their money before he kills them. Harry does whatever he can, unsuccessfully, to find out the location of the $10,000 from Ben. After Ben's execution, Harry decides that Willa will be his next mark, figuring that someone in the family knows where the money is hidden. Despite vowing not to remarry, Willa ends up being easy prey for Harry's outward ... Written by
Robert Mitchum was very eager for the part of the preacher. When he auditioned, a moment that particularly impressed Charles Laughton was when Laughton described the character as "a diabolical shit." Mitchum promptly answered, "Present!" See more »
(at around 53 mins) In the basement scene, John pulled down the overhead shelf with the jam or oils pouring over Harry's hairs and shoulders. In the following shot when Harry is trying to grab at John and Pearl, his hairdo remained its normal form without drops of oils or jam on them. See more »
A must-see for lovers of art cinema and suspense. Exquisite!
One of the best suspense films ever made. Exquisite art direction: moody, scary, sometimes lyrically beautiful. Yet there are comical and even idyllic moments. Mitchum is EXCELLENT, especially in the cellar scene. Subtle, different; not just the same old ax-after-ax tear-'em-up blood-and-gore formula, but REAL suspense built from the personalities of the characters and the artful editing, music, art direction, and Charles Laughton's directing. Yet warm and lovely in parts. The cast's characterizations are excellent, even in minor roles, such as the "typical townspeople". You'll remember this one for a long time. Maybe not for kids under 12, as the frightening parts are too much like real life (compared to run-of-the-mill horrendous movies) and might leave unsettling memories.
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