It's the Great Depression. In the process of robbing a bank of $10,000, Ben Harper kills two people. Before he is captured, he is able to convince his adolescent son John and his daughter Pearl not to tell anyone, including their mother Willa, where he hid the money, namely in Pearl's favorite toy, a doll that she carries everywhere with her. Ben, who is captured, tried and convicted, is sentenced to death. But before he is executed, Ben is in the state penitentiary with a cell mate, a man by the name of Harry Powell, a self-professed man of the cloth, who is really a con man and murderer, swindling lonely women, primarily rich widows, of their money before he kills them. Harry does whatever he can, unsuccessfully, to find out the location of the $10,000 from Ben. After Ben's execution, Harry decides that Willa will be his next mark, he figuring that someone in the family knowing where the money is. Despite vowing not to get remarried, Willa ends up being easy prey for Harry's outward... Written by
Robert Mitchum's autobiography contains many spurious accounts of the making of the film; one, for example, concerns director Charles Laughton, and how he supposedly found the script by James Agee totally unacceptable, rewriting it himself. This has been disproved by the discovery of Agee's 293-page first draft, back in 2004, which is, scene-for-scene, the film that Laughton directed. See more »
(at around 41 mins) Mr. Spoon opens the cabinet to get the peach brandy. In the next shot, the cabinet is closed and he opens it again to put the brandy away. See more »
A must-see for lovers of art cinema and suspense. Exquisite!
One of the best suspense films ever made. Exquisite art direction: moody, scary, sometimes lyrically beautiful. Yet there are comical and even idyllic moments. Mitchum is EXCELLENT, especially in the cellar scene. Subtle, different; not just the same old ax-after-ax tear-'em-up blood-and-gore formula, but REAL suspense built from the personalities of the characters and the artful editing, music, art direction, and Charles Laughton's directing. Yet warm and lovely in parts. The cast's characterizations are excellent, even in minor roles, such as the "typical townspeople". You'll remember this one for a long time. Maybe not for kids under 12, as the frightening parts are too much like real life (compared to run-of-the-mill horrendous movies) and might leave unsettling memories.
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