It's the Great Depression. In the process of robbing a bank of $10,000, Ben Harper kills two people. Before he is captured, he is able to convince his adolescent son John and his daughter Pearl not to tell anyone, including their mother Willa, where he hid the money, namely in Pearl's favorite toy, a doll that she carries everywhere with her. Ben, who is captured, tried and convicted, is sentenced to death. But before he is executed, Ben is in the state penitentiary with a cell mate, a man by the name of Harry Powell, a self-professed man of the cloth, who is really a con man and murderer, swindling lonely women, primarily rich widows, of their money before he kills them. Harry does whatever he can, unsuccessfully, to find out the location of the $10,000 from Ben. After Ben's execution, Harry decides that Willa will be his next mark, he figuring that someone in the family knowing where the money is. Despite vowing not to get remarried, Willa ends up being easy prey for Harry's outward... Written by
Stanley Cortez, the cinematographer on "Night of the Hunter", had also worked on Orson Welles's masterpiece, The Magnificent Ambersons (1942). He remarked some years after the making of this film that only two directors he'd worked with had understood light, "that incredible thing that can't be described": Welles and Laughton. See more »
The "movie money" used as the stolen $10,000 is actually Mexican revolutionary currency of 1914-15 with clearly readable "El Estado de Chihuahua" on the bills. See more »
I got tired of seein' children roamin' the woodlands without food, children roamin' the highways in this here Depression, children sleepin' in old abandoned car bodies in junk heaps. And I promised myself that I'd never see the day when my young-uns had want.
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A must-see for lovers of art cinema and suspense. Exquisite!
One of the best suspense films ever made. Exquisite art direction: moody, scary, sometimes lyrically beautiful. Yet there are comical and even idyllic moments. Mitchum is EXCELLENT, especially in the cellar scene. Subtle, different; not just the same old ax-after-ax tear-'em-up blood-and-gore formula, but REAL suspense built from the personalities of the characters and the artful editing, music, art direction, and Charles Laughton's directing. Yet warm and lovely in parts. The cast's characterizations are excellent, even in minor roles, such as the "typical townspeople". You'll remember this one for a long time. Maybe not for kids under 12, as the frightening parts are too much like real life (compared to run-of-the-mill horrendous movies) and might leave unsettling memories.
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