A look at tightrope walker Philippe Petit's daring, but illegal, high-wire routine performed between New York City's World Trade Center's twin towers in 1974, what some consider, "the artistic crime of the century."
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Philip Seymour Hoffman,
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The story of how an eccentric French shop keeper and amateur film maker attempted to locate and befriend Banksy, only to have the artist turn the camera back on its owner. The film contains... See full summary »
On August 7, 1974, Philippe Petit, a French wire walker, juggler, and street performer days shy of his 25th birthday, spent 45 minutes walking, dancing, kneeling, and lying on a wire he and friends strung between the rooftops of the Twin Towers. Uses contemporary interviews, archival footage, and recreations to tell the story of his previous walks between towers of Notre Dame and of the Sydney Harbour Bridge, his passions and friendships, and the details of the night before the walk: getting cable into the towers, hiding from guards, and mounting the wire. It ends with observations of the profound changes the walk's success brought to Philippe and those closest to him. Written by
The helicopter reporter heard describing the tightwire walk (at 1:20:50 on the DVD) is Neil Bush, traffic helicopter pilot/reporter for WCBS NewsRadio88. See more »
In the reenaction of Philippe Petit and his friend hiding from the night watchman at the WTC, a box on the floor has a present-day USPS logo. See more »
Sgt Charles Daniels:
...I observed the tight rope dancer... because you couldn't call him a walker... approximately half-way between the two towers. I personally figured I was watching something that somebody else would never see again in the world. Thought it was once in a lifetime.
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I too saw this at the Waterfront Film Festival, and wow, what an experience.
It is hard to put into words just how good this film is, and on just how many levels it works. It is intensely fun, good-natured, laugh-out-loud funny at times, poignant and heart-wrenching at others. The images, not just of the central feat, but of many of Philippe Petit's performances are arresting and jaw-droppingly beautiful. Each of the supporting characters is colorful and entertaining in his or her own way, but none more so than Petit himself, who is so instantly likable that it is hard not to get immediately drawn in to this fascinating tale.
Even with this description, I am not doing the film justice. I have not seen a film this good in years. If you have a chance (I believe it is scheduled for release in August), GO SEE THIS MOVIE.
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