The story of how an eccentric French shop-keeper and amateur film-maker attempted to locate and befriend Banksy, only to have the artist turn the camera back on its owner. The film contains...
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Using state-of-the-art equipment, a group of activists, led by renowned dolphin trainer Ric O'Barry, infiltrate a cove near Taijii, Japan to expose both a shocking instance of animal abuse and a serious threat to human health.
The story of how an eccentric French shop-keeper and amateur film-maker attempted to locate and befriend Banksy, only to have the artist turn the camera back on its owner. The film contains footage of Banksy, Shephard Fairey, Invader and many of the world's most infamous graffiti artists at work. Written by
Sundance Film Festival
Banksy claimed that he spent a year watching footage of vandals and graffiti artists spray painting walls. See more »
[talking about meeting Banksy for the first time]
It was magic that this person let me film, you know? I felt like I had the piece that will finish the puzzle. It was like getting something in the daylight that... what you see in the nightlight. He was even more than I expected; he was, like, just incredible; he was cool, he was... he was human, he was... he was... he was... he is, you know, he's really like a... what he represents, you know? He's really like a... I think he's really like a... I...
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At the end says "No elephants were harmed during the making of this movie" referring to Banksy's US expo. See more »
Performed by Hawk and a Hacksaw (as A Hawk and A Hacksaw)
Written by Jeremy Barnes
Used courtesy of The Leaf Label by arrangement with Woodwork Music
Taken from the album "When the Wind Blows" See more »
Like the very nature of the underground street art movement "Exit Through the Gift Shop" feels fresh and almost subversive. It doesn't matter to me if it is a conceptualized mockumentary, or a genuine attempt to record the outsider reality experienced by brilliant street artists like Shepard Fairey, Invader, and the infamous Banksy. "Exit Through The Gift Shop" is mischievous and immediate in the same way that street art is.
Mainly we watch the evolution of Thierry Guetta from an obsessive-compulsive videographer to a successful popular artist whose street credibility is quickly parlayed into the show of shows. Guetta takes contemporary icons and gives them Warholian emphasis, so we see a reinvention of Madonna, who once reinvented herself in a Marilyn-like way, and who we later learn commissions Mister Brainwash (Guetta) to design her cover art. Guetta's point-of-view is absolutely authentic in the way it synthesizes and skewers popular culture. Or is it Banksy's point-of-view? It doesn't matter. It's brilliant, provocative, charming, and completely entertaining.
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