A motorcycle stunt rider turns to robbing banks as a way to provide for his lover and their newborn child, a decision that puts him on a collision course with an ambitious rookie cop navigating a department ruled by a corrupt detective.
The lives of two lovelorn spouses from separate marriages, a registered sex offender, and a disgraced ex-police officer intersect as they struggle to resist their vulnerabilities and temptations in suburban Connecticut.
Dean Pereira and Cindy Heller Pereira are a young, working class married couple - Dean currently working as a painter, and Cindy working as a nurse in a medical clinic - with a young daughter named Frankie. Despite their relatively tender ages, they are both ravaged by the life they've eked out together and by the experiences they've had leading into their marriage. Dean, a high school drop out, comes from a broken home, where he never really had a mother figure. He never saw himself getting married or having a family despite falling in love at first sight with Cindy. He doesn't have any professional ambition beyond his current work - which he enjoys since he feels he can knock off a beer at 8 o'clock in the morning without it affecting his work - although Cindy believes he has so much more potential in life. Cindy also comes from a dysfunctional family, with her own mother and father not setting an example of a harmonious married or family life. One of her previous serious ... Written by
Derek Cianfrance spent 12 years making the movie. During that process, Cianfrance said that he wrote about 67 drafts, mostly each draft containing content added / modified based on on-set improvisations, inspirational encounters etc., while he worked on several documentaries to secure more funding for the movie. See more »
During a 'past' flashback when Dean and Cindy are outside the Boutique store, the camera focuses and moves with Cindy, while that's happening, a car drives by and being a night scene, the headlights from the car briefly illuminates both Cindy and the Cameraman's shadow on the background wall. (at around 54 mins) See more »
I can't really sing. I have to sing goofy, in order to sing. I have to sing stupid.
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i saw this movie at the Sundance film festival and i can't get it out of my head. everything about it is incredibly inspired and brave and poetic. the acting is astounding (i can't remember the last time i saw 2 movie stars be so raw)... the honest, unflinching portrayal of a real relationship is something you don't see much, especially in American film, (again, the actors really deliver here)... the way the images and the music work together creates a sort of dream-scape. this movie is special. i was blown away by it. i can't wait until the release so i can see it again. i hope it is as good as i remember! and i really hope they don't get scared and change it because people need to see this in the movies!
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