In 'Gegen die Wand' Cahit, a 40-something male from Mersin in Turkey has removed everything Turkish from his life. He has become an alcoholic drug addict and at the start of the movie wants... See full summary »
A poet falls in love with an art student who gravitates to his bohemian lifestyle -- and his love of heroin. Hooked as much on one another as they are on the drug, their relationship alternates between states of oblivion, self-destruction, and despair.
Dean Pereira and Cindy Heller Pereira are a young, working class married couple - Dean currently working as a painter, and Cindy working as a nurse in a medical clinic - with a young daughter named Frankie. Despite their relatively tender ages, they are both ravaged by the life they've eked out together and by the experiences they've had leading into their marriage. Dean, a high school drop out, comes from a broken home, where he never really had a mother figure. He never saw himself getting married or having a family despite falling in love at first sight with Cindy. He doesn't have any professional ambition beyond his current work - which he enjoys since he feels he can knock off a beer at 8 o'clock in the morning without it affecting his work - although Cindy believes he has so much more potential in life. Cindy also comes from a dysfunctional family, with her own mother and father not setting an example of a harmonious married or family life. One of her previous serious ... Written by
When it came to casting Dean and Cindy's daughter, Derek Cianfrance asked Michelle Williams whether she could use her daughter Matilda to play the role. Williams considered briefly, but after noticing that the child's interest lies beyond acting (she was quoted that Matilda's main hobby was horse riding), Williams declined. See more »
During a 'past' flashback when Dean and Cindy are outside the Boutique store, the camera focuses and moves with Cindy, while that's happening, a car drives by and being a night scene, the headlights from the car briefly illuminates both Cindy and the Cameraman's shadow on the background wall. (at around 54 mins) See more »
Good luck. I'd like to see you think about what you say instead of saying what you think all the time. Good luck.
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Blue Valentine: The Most genuine and heartfelt romance in more than a decade.
If ever there was a perfect film that defines the romantic relationship for the 21st century, Derek Cianfrance's 'Blue Valentine' is that film. We begin at a secluded ranch house where a little girl is trying to find her lost dog. We then see her father (Ryan Gosling) comforting her. Enter mom (Michelle Williams), the concerned mother who tries to balance work and her child's needs. Seems like a generally happy household, right? Wrong. Though they may not want to admit it, Dean and Cindy's marriage has been on the rocks for years. Dean decides to take his wife to a sex motel that ends up being more like a Star Trek motel to try to rekindle the way they used to feel about each other. The reason for their bickering is unclear until the flashbacks that have been following the main plot line give you a full understanding of why things have deteriorated so. You see them meet each other, fall madly in love, and then experience well, you'll have to see it yourself.
Personally, I think this is the tragic romance to end all tragic romances. Films will try to beat it, but they will have to work long and hard before they can eek out an ounce of the genuineness with which this film tells its story. Ryan Gosling's performance is one with a true everyman quality while allowing for a full-fledged, interesting character and a brilliantly realized character arc. Michelle Williams does the same. She delivers this role with so much raw truth that you almost forget that it's Michelle Williams and not just an average woman. I would not be surprised at all to see both of these superb talents get nominated for Best Actor Oscars, along with Derek Cianfrance for Best Director and the writing team for Best Original Screenplay.
It's heartbreaking, it's deeply moving; it will have you laughing, crying and singing its praises. Even though the MPAA seems to have a beef with truth in filmmaking, it's hard to imagine this film not being discovered over time and being recognized for the infallible masterpiece that it is.
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