A ballet dancer wins the lead in "Swan Lake" and is perfect for the role of the delicate White Swan - Princess Odette - but slowly loses her mind as she becomes more and more like Odile, the Black Swan.
A mentally unstable Viet Nam war veteran works as a night-time taxi driver in New York City where the perceived decadence and sleaze feeds his urge for violent action, attempting to save a preadolescent prostitute in the process.
Robert De Niro,
A veteran high school teacher befriends a younger art teacher, who is having an affair with one of her 15-year-old students. However, her intentions with this new "friend" also go well beyond platonic friendship.
Martha has run away from an abusive hippie-like cult where she was living as Marcy May for two years. She turns to her sister and brother-in-law who take her in and want to help her. The problem is Martha is having a hard time separating dreams from reality and when haunting memories of her past keep resurfacing, she may need more help than anyone is able to give her. Written by
Sean Durkin was looking for an unknown actress to play the role of Martha, which was the only role auditions were held for. Elizabeth Olsen auditioned twice for the role of Martha, and had to begin filming only two weeks after winning the part. See more »
[as Martha runs away]
Marcy! Marcy May! Where ya goin'?
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Sean Durkin's first feature is quite the trip. Durkin's sensibility as a director shines with this film, and shows undeniable promise. The really crazy thing about this film is that it's quietness is only juxtaposed by the really messed up things that are happening in the plot. An intriguing analytical mess of reality, memory, and fantasy, Martha Marcy May Marlene is about a paranoia, an extreme desire to escape the past, though it always comes back to haunt you. It is the isolation and the trouble that comes with that, that Martha really suffers from-- the cult has a certain way of thinking and the film geniously explores the psychological persuasion into a way of thinking the way that the cult tries to make their ethics and morality universal is a terrifying, and intriguing thing. Elizabeth Olsen does a helluva job as Martha, giving her dewey eyed complexity, both bewilderment, shock, disgust, and intrigue. She gives quiet moments great momentum, and is an actress to keep an eye on. Jody Lee Lipes' cinematography is eerily distant and then uncomfortably close; the mixed bag reflects Martha's psyche in an interesting way. The scariest thing about Martha Marcy May Marlene is that it actually could happen. It may have even benefited from taking that dive a bit further, let us know just how paranoid and altered Martha is, and especially contrasting that with the old Martha, and the only complaint I might have is that we never get to see what the original Martha was like; it is only inferred as to why she would even accept and join this group in the first place, or what exactly she was running away from. But perhaps that makes the film only more intriguingrunning away brought her to this society, and of course it looks fine on the outside, with it's acceptable living conditions and always a "family' of sorts around you. But, ah, there's always more than meets the eye. B+
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