A woman on the run from the mob is reluctantly accepted in a small Colorado town. In exchange, she agrees to work for them. As a search visits town, she finds out that their support has a price. Yet her dangerous secret is never far away...
Georges and Anne are an octogenarian couple. They are cultivated, retired music teachers. Their daughter, also a musician, lives in Britain with her family. One day, Anne has a stroke, and the couple's bond of love is severely tested.
Adele's life is changed when she meets Emma, a young woman with blue hair, who will allow her to discover desire, to assert herself as a woman and as an adult. In front of others, Adele grows, seeks herself, loses herself and ultimately finds herself through love and loss.
On the night of her wedding, Justine is struggling to be happy even though it should be the happiest day of her life. It was an extravagant wedding paid for by her sister and brother-in-law who are trying to keep the bride and all the guests in-line. Meanwhile, Melancholia, a blue planet, is hurtling towards the Earth. Claire, Justine's sister, is struggling to maintain composure with fear of the impending disaster. Written by
During the Cannes Film Festival press conference for the film director Lars von Trier responded to a question about the use of Wagner's music by calling himself a Nazi and saying that he sympathized with Hitler. Despite apologizing for his remarks he was banned from the remainder of the festival and declared a persona non grata by festival organizers, a first in the history of the festival. See more »
During the fly-by, Melancholia is shown to become apparently smaller by more than 5% (diameter) in 5 minutes, when traveling at a known speed. Calculation shows that it is roughly 5 earth radii away. It should have taken up large portions of the sky at this distance (more like what is shown at the end of the movie) and would have had catastrophic effects on the earth, even if only flying by. See more »
Yeah, you're good. You can back up a little more, if you want. I think you need the... I think you need that extra...
I don't think he can hear you.
Sir. Sir, can you hear me up there?
[fiddling with controls]
Do you copy, sailor? He's in a different county, I think that's...
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Lars Von Trier's latest film MELANCHOLIA got the media attention it needed when Von Trier, in Cannes doing a press conference, stated that he sympathized with Hitler. Now sure, one can look at this as a smart way of marketing one's own film, or one can start wondering what kind of guy Von Trier has become. As a filmmaker he's certainly interesting, and certainly self-indulging, and as a child of the late Bergman, he loves dwelling upon women in a somewhat sad state of mind. MELANCHOLIA is a dark film that doesn't have the explicitness of his controversial ANTICHRIST, but brings in just the same dark undercurrents of human beings who's lost their touch with love, compassion, faith and hope, and so we find them in the land of Trier where things will become increasingly intense and frightful. The story is told in two parts; in the first we find the deeply depressed Kirsten Dunst on her wedding day, which shot and felt much like Vinterberg's Dogme-film 'Festen', and part two interests Dunst's sister Charlotte Gainsbourg more into the story along with her husband and son, as staying at a beautiful mansion in the countryside sees the enormous planet Melancholia headed for Earth, fearing for all of humanity to end. One can certainly see this film with two different kind of goggles; Melancholia IS a planet that's headed for Earth, and it's doomsday - or, one can see the heavy symbolism of Melancholia as a state of mind, swallowing the family with its meaninglessness. Director Von Trier keeps most questions open, and by using some absolutely mesmerizing camera-work the film beholds a interesting quality and sensibility. Few if any other popular directors anno 2011 creates stuff the way Von Trier does, and the immense climax accompanied by Wagner music is sole alone worth the watch. I guess Von Trier makes personal films, and he claims himself to be the best living director in the world, and he wants a green card into everyone's lives and with MELANCHOLIA he again sows some disturbing and heavy-handed seeds - and if anything, he makes your mind wobble. Must see.
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