A grieving couple retreat to their cabin in the woods, hoping to repair their broken hearts and troubled marriage. But nature takes its course and things go from bad to worse.
Director:
Lars von Trier
Stars:
Willem Dafoe,
Charlotte Gainsbourg,
Storm Acheche Sahlstrøm
The continuation of Joe's sexually dictated life delves into the darker aspects of her adulthood, obsessions and what led to her being in Seligman's care.
Director:
Lars von Trier
Stars:
Charlotte Gainsbourg,
Stellan Skarsgård,
Willem Dafoe
A woman on the run from the mob is reluctantly accepted in a small Colorado town. In exchange, she agrees to work for them. As a search visits town, she finds out that their support has a price. Yet her dangerous secret is never far away...
A young American studying in Paris in 1968 strikes up a friendship with a French brother and sister. Set against the background of the '68 Paris student riots.
Georges and Anne are an octogenarian couple. They are cultivated, retired music teachers. Their daughter, also a musician, lives in Britain with her family. One day, Anne has a stroke, and the couple's bond of love is severely tested.
Adele's life is changed when she meets Emma, a young woman with blue hair, who will allow her to discover desire, to assert herself as a woman and as an adult. In front of others, Adele grows, seeks herself, loses herself and ultimately finds herself through love and loss.
On the night of her wedding, Justine is struggling to be happy even though it should be the happiest day of her life. It was an extravagant wedding paid for by her sister and brother-in-law who are trying to keep the bride and all the guests in-line. Meanwhile, Melancholia, a blue planet, is hurtling towards the Earth. Claire, Justine's sister, is struggling to maintain composure with fear of the impending disaster. Written by
napierslogs
Stellan Skarsgård and Alexander Skarsgård are real life father and son See more »
Goofs
Melancholia is said to have "hidden behind the sun", then turn "from black to blue". There are many reasons because of which a close-by celestial object can remain undetected for a long time, but this isn't one of them. An object coming out from behind the sun would have been in full solar light, bright and clearly visible to the naked eye at either dusk or dawn. See more »
Quotes
[first lines]
Michael:
Sir. Eh...
[looking backward]
Michael:
Yeah, you're good. You can back up a little more, if you want. I think you need the... I think you need that extra...
Justine:
[laughing]
I don't think he can hear you.
Michael:
Sir. Sir, can you hear me up there?
[fiddling with controls]
Michael:
Do you copy, sailor? He's in a different county, I think that's...
Justine:
[laughing]
See more »
Trier takes us for a ride. It's a slow ride, taking in the beauty of the cinematography. It is at once a beautiful movie, while at the same time focusing on the absence of real love between the characters - and in the world. The movie hints at a correlation between the lack of love, and the threat of impending doom that's present throughout.
I speculate that every viewer will take something slightly different away from the picture, because the movie is designed to make you think about us humans and our behaviors toward each other, as well as enjoy the work of wonder that the movie is. What you end up with is dependent of what you take to the movie in the first place. Trier's movies are usually adept at making you feel. In this movie you are left to your own devices. There is no inherently good person to root or feel for. There is only the state of the world. And the future of the human kind. Can you be bothered to feel for us?
Truly Trier-esque (10/10).
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Trier takes us for a ride. It's a slow ride, taking in the beauty of the cinematography. It is at once a beautiful movie, while at the same time focusing on the absence of real love between the characters - and in the world. The movie hints at a correlation between the lack of love, and the threat of impending doom that's present throughout.
I speculate that every viewer will take something slightly different away from the picture, because the movie is designed to make you think about us humans and our behaviors toward each other, as well as enjoy the work of wonder that the movie is. What you end up with is dependent of what you take to the movie in the first place. Trier's movies are usually adept at making you feel. In this movie you are left to your own devices. There is no inherently good person to root or feel for. There is only the state of the world. And the future of the human kind. Can you be bothered to feel for us?
Truly Trier-esque (10/10).