With a job traveling around the country firing people, Ryan Bingham enjoys his life living out of a suitcase, but finds that lifestyle threatened by the presence of a new hire and a potential love interest.
A look at the lives of the strong-willed women of the Weston family, whose paths have diverged until a family crisis brings them back to the Oklahoma house they grew up in, and to the dysfunctional woman who raised them.
Nic and Jules are in a long term, committed, loving but by no means perfect same-sex relationship. Nic, a physician, needs to wield what she believes is control, whereas Jules, under that control, is less self-assured. During their relationship, Jules has floundered in her "nine to five" life, sometimes trying to start a business - always unsuccessfully - or being the stay-at-home mom. She is currently trying to start a landscape design business. They have two teen-aged children, Joni (conceived by Nic) and Laser (by Jules). Although not exact replicas, each offspring does more closely resemble his/her biological mother in temperament. Joni and Laser are also half-siblings, having the same unknown sperm donor father. Shortly after Joni's eighteenth birthday and shortly before she plans to leave the house and head off to college, Laser, only fifteen and underage to do so, pleads with her to try and contact their sperm donor father. Somewhat reluctantly, she does. He is late ... Written by
(at around 24 mins) While Mark Ruffalo's character is on the phone walking through his garden, a Star Waggon is very clearly seen centered in the frame behind the foliage. See more »
Tanya, you're so sexy and beautiful but I... I don't think we should do that anymore. You know, what we have is really fun and easy. But I don't wanna be that... that 50 year old guy who's just hangin' out you know. I really... I really do wanna have a family and I need to be doing that with someone who's like... like ready to go there with me.
[sad and surprised]
Yeah. Fuck you.
[gets up and walks away]
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The Kids Are All Right is yet another dramedy about a dysfunctional family, but it is still an excellent film with a great script and performances.
Annette Bening and Julianne Moore are excellent. Both are extremely versatile, and both flawed, but they play their characters with true respect for the script. Mark Ruffalo is also a nice addition, but If I had to choose the best, it would be Bening, simply because she has the most to play with. There is a great scene where she finally warms up to Ruffalo's character and starts her own rendition of one of her favorite songs in the dinner table. The best scene in the film, perfectly executed, and Bening certainly deserves an Oscar nomination for that scene alone. Mia Wasikowska also proves that she is a great talent to behold for the future. The ending is great, really touching and it rings especially with me because I am close to leaving for college next year as well.
Overall, I regret not having seen this sooner, and it is definitely worth accolades for the script and performances.
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