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The Skin I Live In (2011)
"La piel que habito" (original title)

7.6
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Ratings: 7.6/10 from 84,822 users   Metascore: 70/100
Reviews: 136 user | 393 critic | 37 from Metacritic.com

A brilliant plastic surgeon, haunted by past tragedies, creates a type of synthetic skin that withstands any kind of damage. His guinea pig: a mysterious and volatile woman who holds the key to his obsession.

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Nominated for 1 Golden Globe. Another 33 wins & 49 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
...
...
Marilia
...
Roberto Álamo ...
Zeca
Eduard Fernández ...
Fulgencio
...
Presidente del Instituto de Biotecnología
...
Norma Ledgard
Susi Sánchez ...
Madre de Vicente
...
Cristina
...
Médico
Chema Ruiz ...
Policía
Buika ...
Cantante (as Concha Buika)
Ana Mena ...
Norma joven
Teresa Manresa ...
Casilda Efraiz
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Storyline

In honor of his late wife who died in a flaming car accident, scientist, Dr. Robert Ledgard, is trying to synthesize the perfect skin which can withstand burns, cuts or any other kind of damage. As he gets closer to perfecting this skin on his flawless patient, the scientific community starts growing skeptical and his past is revealed that shows how his patient is closely linked to tragic events he would like to forget. Written by napierslogs

Plot Summary | Plot Synopsis

Plot Keywords:

transgender | skin | suicide | key | death | See All (177) »


Motion Picture Rating (MPAA)

Rated R for disturbing violent content including sexual assault, strong sexuality, graphic nudity, drug use and language | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

2 September 2011 (Spain)  »

Also Known As:

Koža u kojoj živim  »

Box Office

Budget:

$13,000,000 (estimated)

Opening Weekend:

$223,119 (USA) (14 October 2011)

Gross:

$3,185,193 (USA) (23 March 2012)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

After a few days of shooting, Pedro Almodóvar had a conversation with Antonio Banderas in which he told Banderas that he needed to drop all of his ticks as an actor, because the director wanted a really restrained character and the actor was playing him in a more typical psycho way. See more »

Goofs

When Vera comes to the clothes shop in a taxi, the taxi is very clearly a Ford C-Max. However, in the next shot, when the reflection of the car is visible in the in the window pane as it drives away, it's a Volkswagen Jetta. See more »

Quotes

[first lines]
Marilia: [to servant] Help me with the dumbwaiter.
See more »

Connections

Referenced in Estrenos Críticos: ¡...con Phineas & Ferb! (2011) See more »

Soundtracks

Shades of Marble
Written and Performed by Anders Trentemøller
Strings by Davide Rossi
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Almodovar meets De Sade in The Skin I Live In.
28 December 2011 | by (United States) – See all my reviews

The Skin I Live In is really a film that should be seen by a very big audience, obviously it's a movie that probably doesn't appeal to a very big crowd, it appeals to an older crowd or a young hipster type crowd who enjoy foreign films. I have read the novella Tarantula that this is supposedly loosely based on, however I found that it followed the novel extremely closely, I thought a lot of the twists and stuff that were in the book would be taken out if the film but thankfully most are present and accounted for.

Antonio Banderas is so terrific as the leading man, he hasn't looked this great in screen in a long time, I think he seems more at home in his native language, and Elena Anaya is absolutely radiant on the big screen, her face just lights up the screen and she is absolutely exceptional in a very strange role. The story is really a bizarre one, it's seems like a less perverted De Sade and a more understandable David Lynch, it always takes you by surprise and it is highly original and also somewhat daring I think, and thank god a director like Almodovar decided to film it and not some silly director.

The cinematography and music is beautiful, the colours and textures in the film are picked up beautifully by the camera and the music is a great companion to each scene, it's so close to perfection in the production design department that i would go so far to say as I haven't seen a better looking film this year.

This movie is in my opinion the least accessible of all of Almodovar's films but I hope it doesn't put people off, as his touch and style is clear and present here. It's very different, strange, perverted, horrific, beautiful and always entertaining.

Enjoy :)


24 of 35 people found this review helpful.  Was this review helpful to you?

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