A brilliant plastic surgeon, haunted by past tragedies, creates a type of synthetic skin that withstands any kind of damage. His guinea pig: a mysterious and volatile woman who holds the key to his obsession.
When it appears as though the end is in sight, the pilots, flight crew, and passengers of a plane heading to Mexico City look to forget the anguish of the moment and face the greatest danger, which we carry within ourselves.
A woman's lover leaves her, and she tries to contact him to find out why he's left. She confronts his wife and son, who are as clueless as she. Meanwhile her girlfriend is afraid the police... See full summary »
Leo Macias writes sentimental novels with great success but hidden under a pseudonym, Amanda Gris. She is unhappy with her professional life and with her husband, a soldier working in ... See full summary »
A girl's mother returns after 15 years to find her daughter has married one of her (the mother's) old boyfriends. They try to mend their broken mother/daughter relationship and deal with ... See full summary »
Ex-bullfighter who is getting turned on by killing, lady lawyer with same problem and young man driven insane by over-religious upbringing - these are the main characters in this stylish ... See full summary »
In honor of his late wife who died in a flaming car accident, scientist, Dr. Robert Ledgard, is trying to synthesize the perfect skin which can withstand burns, cuts or any other kind of damage. As he gets closer to perfecting this skin on his flawless patient, the scientific community starts growing skeptical and his past is revealed that shows how his patient is closely linked to tragic events he would like to forget. Written by
When Dr.Ledgard enters his bedroom, the book "The Selfish Gene" by Richard Dawkins is open on his bed. The book's materialist approach is that a human being is merely a gene's way of making a new copy of itself; the human has no say in the matter. This may reflect on Ledgard's state of mind in manipulating Vera. (The book is acknowledged in the credits.) See more »
When Ledgard's colleagues come to his mansion to perform the operation, one of them arrives in the Mercedes-Benz E class coupe which came into production in 2010. But the operation took place in 2006. Vicente wrote after the operation dates from 2006 on the wall of his room. See more »
Help me with the dumbwaiter.
See more »
A fascinating and powerful departure for Almodovar, or perhaps more accurately more an terrific hybrid of the best of his old and new. This has the darker, more actively perversely disturbing and violent themes of some of his early work like 'Matador' but shot and directed with the far smoother and more mature hand he has developed over the years. It also uses the more complex and fractured time structure style of Almodovar's more recent work, to great effect.
In the end its a gorgeous looking, philosophically complex mystery and horror film. Although not gory, this is a disturbing work, both on a literal story level, and also for the questions it raises about identity, love, sado-masochism, and passion run amok.
These themes are all Almodovar touchstones, but delivered here with a visually stunning icy touch, and with much more complete logic than in his early works, which often felt less fully thought through, and had more frustrating plot holes and character leaps.
Not a 'scary' film, but a creepy, moody and highly effective one. A dark fairy tale as told by, say Stanley Kubrick.
It's good to see Antonio Banderas reunited with Almodovar, and he delivers a wonderfully complex and quirky modern day Dr. Frankenstein.
Less emotional than my two very favorite Almodovar films (Talk to Her, All About My Mother), but its exciting to see this extremely talented film maker continue to evolve and grow, and I think this represents work that can stand among his best.
58 of 70 people found this review helpful.
Was this review helpful to you?