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Four Lions (2010)

 -  Comedy | Crime | Drama  -  7 May 2010 (UK)
7.3
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Ratings: 7.3/10 from 45,172 users   Metascore: 68/100
Reviews: 141 user | 233 critic | 28 from Metacritic.com

Four incompetent British jihadists set out to train for and commit an act of terror.

Director:

(as Chris Morris)
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Title: Four Lions (2010)

Four Lions (2010) on IMDb 7.3/10

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Won 1 BAFTA Film Award. Another 7 wins & 21 nominations. See more awards »

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Cast

Cast overview, first billed only:
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...
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Waj
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Faisal
...
Craig Parkinson ...
...
Wasim Zakir ...
Mohammad Aqil ...
Karl Seth ...
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Khalid (as Willliam El-Gardi)
...
Malcolm Storge MP (as Alex MacQueen)
Shameem Ahmad ...
Chairwoman
Jonathan Maitland ...
Newsreader (as Jonny Maitland)
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Storyline

Four Lions tells the story of a group of British jihadists who push their abstract dreams of glory to the breaking point. As the wheels fly off, and their competing ideologies clash, what emerges is an emotionally engaging (and entirely plausible) farce. In a storm of razor-sharp verbal jousting and large-scale set pieces, Four Lions is a comic tour de force; it shows that-while terrorism is about ideology-it can also be about idiots. Written by Sundance Film Festival

Plot Summary | Plot Synopsis

Genres:

Comedy | Crime | Drama

Motion Picture Rating (MPAA)

Rated R for language throughout, including some sexual references | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

Country:

|

Language:

| |

Release Date:

7 May 2010 (UK)  »

Also Known As:

Cztery lwy  »

Filming Locations:

 »

Box Office

Opening Weekend:

$41,512 (USA) (5 November 2010)

Gross:

$304,137 (USA) (18 February 2011)
 »

Company Credits

Production Co:

, ,  »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

In the UK, the poster states "If you're reading this, find out what's wrong with you" in the small printed credits. As of October 2010, the poster is available in high resolution on the official UK website. See more »

Goofs

When Barry is driving the group to the airport in his Citroen Xantia, he pulls over in a huff and swallows the key to stop them going. However, the key he produces and swallows is a Ford key, not a Citroen key. Additionally, the car is fitted as standard with a keypad immobiliser, requiring a security number to start - so Omar's attempt to hotwire the car would not have succeeded in real life. See more »

Quotes

Omar: [to Sophia] I'm taking my team up to the top floor now. I'll see you up there.
See more »

Crazy Credits

The London Marathon had no involvement in the making of this film and its portrayal is entirely a work of fiction See more »

Connections

References Mr. Bean (1990) See more »

Soundtracks

Avril 14th
Written and performed by Aphex Twin
Published by Chrysalis Music Ltd
Licensed courtesy of Warp Records Ltd
Used with permission, all rights reserved
See more »

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User Reviews

 
More than a meow
11 May 2010 | by (United Kingdom) – See all my reviews

With The Day Today and its more acerbic follow-up Brasseye, supreme satirist Chris Morris made a mockery of the madness of the popular media by saying what he saw. It was funny because it could have been true. With Four Lions, Morris's focus is no longer on the manipulator, but rather the manipulated. Yet by presenting this jihad suicide squad as a group of bumbling misfits, chugging along the road to apotheosis in a car fitted with dodgy "Jewish spark plugs", it's still about the madness – here, the madness of a cracked ideology believed in mostly because it's made up as it goes along.

This is not really a film about Islam, or even religious fundamentalism, but identity. Omar (an excellent Riz Ahmed) speaks fluently about the "Church of McDonald's" and Western imperialism, and yet he's at the centre of a comfortable, suburban, upper working class family unit. Hassan (Arsher Ali) is an awkward, gangly virgin with a bone to pick with his Media Studies teacher. Barry (Nigel Lindsay, who some might remember playing a terrorist of a different creed in HBO's Rome) is white.

For all their misadventures, there's a genuine tenderness and loyalty between these "soldiers". This is a side of Morris we've rarely seen before – an emotional spine that raises the film far above what could have resembled a series of sketches or, worse, a reel of better outtakes. Perhaps this is the film's greatest success: bringing its director out of the satirical shadows and into the comedy spotlight, and proving there's a heart to go with that clever head.


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