Seventeen year-old Rhoda Williams receives an acceptance letter from MIT and she celebrates with her friends. On the same night, a planet similar and close to Earth is discovered and called Earth 2. Rhoda drives her car looking at Earth 2 and crashes with composer John Burroughs, killing his pregnant wife and his baby son. Rhoda goes to prison and four years later she is released and moves to her parents' house. She finds a job as high-school janitor, but tries to commit suicide. She survives, however, and submits an essay to a contest where the prize is a ticket to travel to Earth 2. Meanwhile the scientists discover that Earth 2 is a mirror of Earth and the synchronicity between the dwellers was interrupted when the planets were seen by each other. One day, Rhoda decides to visit John Burroughs, whose life was destroyed after the death of his family, to admit to him that she had killed his family. However she does not have the nerve to tell him the truth. So she lies and tells him ... Written by
Claudio Carvalho, Rio de Janeiro, Brazil
When Rhoda speaks with United Space Ventures CEO Keith Harding, Harding makes an off-beat comment that his headmaster once told him "you will either become a millionaire or go to jail". This is a reference to Richard Branson, who was told the same thing by his headmaster at school and also owns a pioneering civilian space travel company. See more »
Towards the beginning of the film, Rhoda's Google searches "John Burroughs and new haven and accident", but when the results are displayed, the search box (which displays the terms which have just been searched) reads just "John Burroughs". See more »
I saw this image when I was a kid. The photograph of Jupiter taken by NASAs Voyager. Beautiful. But nothing special until shown in rapid succession. Suddenly Jupiter was alive. Breathing. I was hypnotized.
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I am a psychiatrist and psychotherapist who can tell a hawk from a handsaw, and there is a wonderful handsaw in this movie. So, I feel qualified to tell you it is safe to see this movie as it is, without worrying about details like gravity. Do not allow unimaginative naysayers to keep you from enjoying this gem. I mean, we all can enjoy vampire and zombie movies, right? Is any movie any better than "Let the Right One In"? I saw this movie last night in Brookline Mass at a Q&A preview, with director, writers, and an actor -- all combined in two lovely people. No one in our sophisticated audience that included a CETI scientist cared enough about the "laws of physics" problems to mention them in the question period. All we cared about were the endearing characters, the music both acoustic and visual, the plot developments, the shocking climaxes, the compelling emotional plausibility.
The movie is not about anything as terrestrial as gravity. In the world of this movie, something has happened to upset some kind of cosmic symmetry, and the other earth has appeared from a parallel universe. I do wish some character or other had dispelled the physics with "I don't know why our orbits are not affected". But, the metaphor works as a way to discuss looking at oneself. It really does not matter. The acting is perfect, the camera-work perfectly beautiful, the plot deeply affecting with wonderful surprises.
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