Two twelve-year-old boys, Romeo and Gavin, undergo an extraordinary test of character and friendship when Morell, a naive but eccentric and dangerous stranger, comes between them. Morell ... See full summary »
Darren O. Campbell
In a typical English working-class town, the juveniles have nothing more to do than hang around in gangs. One day, Alan Darcy, a highly motivated man with the same kind of youth experience,... See full summary »
A story about a troubled boy growing up in England, set in 1983. He comes across a few skinheads on his way home from school, after a fight. They become his new best friends even like family. Based on experiences of director Shane Meadows.
Rock roadie, Le Donk, has lived, loved and learned. Along the way, he's lost a classy girlfriend but gained a sidekick, Scorz-Ayz-Ee. He sets out to make Scorz a star with a little help from the Artic Monkeys.
Joseph is a man plagued by a violence and rage who is driving him to self destruction. As he falls further into turmoil, Joseph scours the landscape in search of a single grain of redemption that might restore hope to his fractured life.
The story of Joseph, a man plagued by violence and a rage that is driving him to self-destruction. As Joseph's life spirals into turmoil, a chance at redemption appears in the form of Hannah, a Christian charity shop worker. Their relationship develops to reveal that Hannah is hiding a secret of her own with devastating consequences to both of their lives. Written by
I prayed for you last night.
Yeah, well, it didn't fucking work.
I think it did.
Don't think he heard you, love.
Why did you come here?
I was just passing.
There must be a reason. Do you want God to forgive you for something?
I don't want anything from that fuck.
God loves you.
Does he now?
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It has been quite a while since a movie has shook me to my very core, rattled my sense of security, and left me deeply scarred when I got out of the theater.
Tyrannosaur for me personally is one of the best movies of the year. The year's not over, and it may as well hold a top 3 spot on my list until the end.
First and foremost, the acting in this movie was outstanding. Mullan, Colman was incredible as the two forces that move the movie. Marsan was genuinely terrifying. These three people should be considered for Oscars when the time comes.
There were a few moments where I almost...almost turned my head away, and not many movies can claim the privilege of making me squirm and feel uneasy (Not even the fairly recent "A Serbian Film").
I guess the strongest strength of this movie was the uncanny sense of realism. I've spent enough time learning and observing just what emotions and bursts of rage can do to people. And every bit of rage and anger in this movie seemed all too real. I'm sure some will counter me on this, but for me, I didn't consider any actions, reactions in this movie to be over-the-top. They flowed seamlessly, taking us to bleak, dark places, sprinkling a bit of hope and light along the way, only for us to be shocked again. By god, it was VERY suspenseful in some parts.
In the end, a few hours after getting out of the screening, I'm still reeling trying to find my composure. No, it's not an easy movie to watch, and yes, some will probably dismiss it as an unnecessary glorification of domestic violence and brutality. But for me it's more than that, it has soul, one that's not easy to capture with a subject as difficult as this, but Considine certainly managed to do just that.
Watch it if you get a chance.
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