Two twelve-year-old boys, Romeo and Gavin, undergo an extraordinary test of character and friendship when Morell, a naive but eccentric and dangerous stranger, comes between them. Morell ... See full summary »
Darren O. Campbell
In a typical English working-class town, the juveniles have nothing more to do than hang around in gangs. One day, Alan Darcy, a highly motivated man with the same kind of youth experience,... See full summary »
A story about a troubled boy growing up in England, set in 1983. He comes across a few skinheads on his way home from school, after a fight. They become his new best friends even like family. Based on experiences of director Shane Meadows.
Rock roadie, Le Donk, has lived, loved and learned. Along the way, he's lost a classy girlfriend but gained a sidekick, Scorz-Ayz-Ee. He sets out to make Scorz a star with a little help from the Artic Monkeys.
Joseph is a man plagued by a violence and rage who is driving him to self destruction. As he falls further into turmoil, Joseph scours the landscape in search of a single grain of redemption that might restore hope to his fractured life.
The story of Joseph, a man plagued by violence and a rage that is driving him to self-destruction. As Joseph's life spirals into turmoil, a chance at redemption appears in the form of Hannah, a Christian charity shop worker. Their relationship develops to reveal that Hannah is hiding a secret of her own with devastating consequences to both of their lives. Written by
In the early bar scene where Joseph is sitting alone talking to himself, the voice off screen saying, "Are you all right, Joseph?" belongs to director Paddy Considine, who said he was so taken in by Peter Mullan's performance that the question was totally spontaneous. See more »
This film is an exceptional, very challenging and thought-provoking piece of work. Viewing it, as I did, at a morning showing on opening day, however, is not to be recommended. Having said that, I am not sure when the optimum time for seeing this film would actually be.
There is a lot of very uncomfortable viewing here. The subject matter - such as it is - is very bleak, but, paradoxically, more life-affirming than depressing. That is to say, I looked at the majority of the characters on screen and thought: please don't let me end up like that.
The plot is thin - that is not meant pejoratively, it's not a plot-driven film - but the performances of the cast simply roar off the screen. Peter Mullan and Eddie Marsan are fantastic, but then again, they always are (as an aside, does Marsan not tire of playing scumbags?), but the real revelation in this film is the performance of Olivia Colman.
She is perfect in this, absolutely note-perfect; incredible acting. Awesome in her delivery. So good, in fact, that you forget this is just a movie. Her performance here is definitely going to propel her into the upper echelons of British acting - if she is not already there.
Tyrannosaur is not faultless, there are some scenes that linger too long and others that linger not long enough, but for an early effort from Considine this promises much for the future. This is Considine's 'Taxi Driver' and I will queue around the block for Considine's 'Goodfellas'.
Superb writing and gritty direction; performances better yet and Colman delivers on every level. Bravo Ms Colman, and bravo to everyone else associated with the best British film of the decade.
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