A look at tightrope walker Philippe Petit's daring, but illegal, high-wire routine performed between New York City's World Trade Center's twin towers in 1974, what some consider, "the artistic crime of the century."
Jean François Heckel,
Wisconsin Death Trip is an intimate, shocking and sometimes hilarious account of the disasters that befell one small town in Wisconsin during the final decade of the 19th century. The film ... See full summary »
An uplifting feature documentary highlighting the transformative power of art and the beauty of the human spirit. Top-selling contemporary artist Vik Muniz takes us on an emotional journey ... See full summary »
A documentary that follows a billionaire couple as they begin construction on a mansion inspired by Versailles. During the next two years, their empire, fueled by the real estate bubble and cheap money, falters due to the economic crisis.
Using state-of-the-art equipment, a group of activists, led by renowned dolphin trainer Ric O'Barry, infiltrate a cove near Taijii, Japan to expose both a shocking instance of animal abuse and a serious threat to human health.
It is happening all across America-rural landowners wake up one day to find a lucrative offer from an energy company wanting to lease their property. Reason? The company hopes to tap into a... See full summary »
From the Oscar-winning team behind MAN ON WIRE comes the story of Nim, the chimpanzee who in the 1970s became the focus of a landmark experiment which aimed to show that an ape could learn to communicate with language if raised and nurtured like a human child. Following Nim's extraordinary journey through human society, and the enduring impact he makes on the people he meets along the way, the film is an unflinching and unsentimental biography of an animal we tried to make human. What we learn about his true nature - and indeed our own - is comic, revealing and profoundly unsettling. Written by
English screenwriter and director James Marsh's third documentary feature is inspired by real events in the life of a Chimpanzee named Nim Chimpsky and is an adaptation of a book from 2008 called "Nim Chimpsky: The Chimp Who Would Be Human" by author Elizabeth Hess. It premiered in the World Cinema Documentary Competition section at the 27th Sundance Film Festival in 2011, was shot on locations in America and is a UK production which was produced by English producer Simon Chinn. It tells the story about a primate named Nim Chimpsky who was born in the early 1960s and who in the early 1970s moved in with an American family who were assigned to treat him as humanely as possible and to teach him to communicate with sign language.
Distinctly and precisely directed by English filmmaker James Marsh, this finely paced documentary which is narrated from multiple viewpoints and at times from the main subject's point of view, draws a profoundly involving and heartrending portrayal of an animal's interaction with humans during a scientific project and his ability to adapt in an unfamiliar environment. While notable for its reverent cinematography by cinematographer Michael Simmonds, production design by production designer Markus Kirschner, film editing by film editor Jinx Godfrey and use of sound, this character-driven and narrative-driven story about the life of a Chimpanzee and the people he acquainted which underlines the exceptional aspects of cinema and where it exceeds its potential, depicts a perspicaciously humane study of character and contains a great and timely score by composer Dickon Hinchliffe.
This informatively biographical, distinguishably sociological and densely historic though present retelling of real events which is set in the United States in the late 20th century and where the distinctions and similarities between human beings and chimpanzees becomes as apparent as the ricochet consequences of attempting to integrate and humanize an innate non-conformist, is impelled and reinforced by its cogent narrative structure, substantial character development, rhythmic continuity, use of archive footage and the narration of the interviewees' as a narrative device, the introduction of a man named Bob Ingersoll and the many charming, humorous, unsettling and genuinely gripping scenes of the socially adept Nim whose graceful presence lingers and affirms the right of animals to be treated with humanity. A distinctly communicative, harmonically photographic and admirable work of art.
1 of 1 people found this review helpful.
Was this review helpful to you?