Paul Koslo, a character actor who played the heavy in such films as The Omega Man, Rooster Cogburn and The Stone Killer, has died. He was 74.
Koslo died Wednesday of pancreatic cancer at his home in Lake Hughes, Calif., his wife, actress Allaire Paterson Koslo, told The Hollywood Reporter.
Koslo also portrayed a Nevada patrolman in Vanishing Point (1971), a bounty hunter in Joe Kidd (1972) and a gang member in Cleopatra Jones (1973) and the True Grit sequel Rooster Cogburn (1975). He appeared in other notable films like Voyage of the Damned (1976) and Heaven's Gate (1980) as ...
Koslo died Wednesday of pancreatic cancer at his home in Lake Hughes, Calif., his wife, actress Allaire Paterson Koslo, told The Hollywood Reporter.
Koslo also portrayed a Nevada patrolman in Vanishing Point (1971), a bounty hunter in Joe Kidd (1972) and a gang member in Cleopatra Jones (1973) and the True Grit sequel Rooster Cogburn (1975). He appeared in other notable films like Voyage of the Damned (1976) and Heaven's Gate (1980) as ...
- 1/15/2019
- The Hollywood Reporter - Movie News
Paul Koslo, a character actor who played the heavy in such films as The Omega Man, Rooster Cogburn and The Stone Killer, has died. He was 74.
Koslo died Wednesday of pancreatic cancer at his home in Lake Hughes, Calif., his wife, actress Allaire Paterson Koslo, told The Hollywood Reporter.
Koslo also portrayed a Nevada patrolman in Vanishing Point (1971), a bounty hunter in Joe Kidd (1972) and a gang member in Cleopatra Jones (1973) and the True Grit sequel Rooster Cogburn (1975). He appeared in other notable films like Voyage of the Damned (1976) and Heaven's Gate (1980) as ...
Koslo died Wednesday of pancreatic cancer at his home in Lake Hughes, Calif., his wife, actress Allaire Paterson Koslo, told The Hollywood Reporter.
Koslo also portrayed a Nevada patrolman in Vanishing Point (1971), a bounty hunter in Joe Kidd (1972) and a gang member in Cleopatra Jones (1973) and the True Grit sequel Rooster Cogburn (1975). He appeared in other notable films like Voyage of the Damned (1976) and Heaven's Gate (1980) as ...
- 1/15/2019
- The Hollywood Reporter - Film + TV
Veteran character actor Paul Koslo, known for his work in films such as The Omega Man and Vanishing Point, has died. Koslo died January 9 of pancreatic cancer surrounded by family at his home in Lake Hughes, California, his family said in a statement. He was 74.
Koslo, born in Germany and raised in Canada, began his career in his early 20s with a role in Little White Crimes, a short, in 1966. In the 1970s, he established a foothold as an actor in cult films such as Nam’s Angels aka The Losers, referenced in Quentin Tarantino’s Pulp Fiction, along with Vanishing Point and The Stone Killer. While he became known for more villainous roles, he appeared in an unusually
sympathetic co-starring role opposite Charlton Heston in sci-fi cult classic The Omega Man.
His more villainous roles included films Joe Kidd in 1972, opposite Clint Eastwood, Charles Bronson-starrer Mr. Majestyk in...
Koslo, born in Germany and raised in Canada, began his career in his early 20s with a role in Little White Crimes, a short, in 1966. In the 1970s, he established a foothold as an actor in cult films such as Nam’s Angels aka The Losers, referenced in Quentin Tarantino’s Pulp Fiction, along with Vanishing Point and The Stone Killer. While he became known for more villainous roles, he appeared in an unusually
sympathetic co-starring role opposite Charlton Heston in sci-fi cult classic The Omega Man.
His more villainous roles included films Joe Kidd in 1972, opposite Clint Eastwood, Charles Bronson-starrer Mr. Majestyk in...
- 1/14/2019
- by Denise Petski
- Deadline Film + TV
By Fred Blosser
When Francis Ford Coppola’s “The Godfather” emerged as a surprise box-office smash in the early months of 1972, studios and distributors hustled to meet popular demand for more movies about life in the Mob. In New York, a dubbed print of Jean-Pierre Melville’s 1967 film “Le Samourai” was hurriedly retitled and screened as “The Godson” in a masterful example of bait-and-switch marketing. Melville’s chilly, claustrophobic picture about a hit man portrayed by Alain Delon is a fine crime drama, but it had no connection to Coppola’s picture or, for that matter, to any aspect of American Mafia lore at all. “The Valachi Papers,” based on Peter Maas’ bestselling nonfiction book, followed as a more legitimate successor. Rushed through production by Dino De Laurentiis in spring and summer 1972, the film was scripted by Stephen Geller and directed by Terence Young. Shooting largely took place at De Laurentiis’ Rome studio.
When Francis Ford Coppola’s “The Godfather” emerged as a surprise box-office smash in the early months of 1972, studios and distributors hustled to meet popular demand for more movies about life in the Mob. In New York, a dubbed print of Jean-Pierre Melville’s 1967 film “Le Samourai” was hurriedly retitled and screened as “The Godson” in a masterful example of bait-and-switch marketing. Melville’s chilly, claustrophobic picture about a hit man portrayed by Alain Delon is a fine crime drama, but it had no connection to Coppola’s picture or, for that matter, to any aspect of American Mafia lore at all. “The Valachi Papers,” based on Peter Maas’ bestselling nonfiction book, followed as a more legitimate successor. Rushed through production by Dino De Laurentiis in spring and summer 1972, the film was scripted by Stephen Geller and directed by Terence Young. Shooting largely took place at De Laurentiis’ Rome studio.
- 7/8/2017
- by nospam@example.com (Cinema Retro)
- Cinemaretro.com
By Rob Hunter
‘The Man in the Moon’ joins five more new releases from Twilight Time! In addition to the Reese Witherspoon film, last month’s new releases from Twilight Time include Inferno 3D, Brutal Tales of Chivalry, The Stone Killer with Charles Bronson, Who’ll Stop the Rain, and the William Goldman-penned trifle that is Year of the Comet. We take […]
The article Reese Witherspoon’s Perfect Film Debut Is New to Blu-ray appeared first on Film School Rejects.
‘The Man in the Moon’ joins five more new releases from Twilight Time! In addition to the Reese Witherspoon film, last month’s new releases from Twilight Time include Inferno 3D, Brutal Tales of Chivalry, The Stone Killer with Charles Bronson, Who’ll Stop the Rain, and the William Goldman-penned trifle that is Year of the Comet. We take […]
The article Reese Witherspoon’s Perfect Film Debut Is New to Blu-ray appeared first on Film School Rejects.
- 6/10/2017
- by Rob Hunter
- FilmSchoolRejects.com
Kung Fu Killer starring Donny Yen, is the story of vicious killer Feng, who is going round Hong Kong killing top martial arts exponents, leaving a secret weapon called the Moonshadow as his calling card. When convicted killer and kung fu expert, Xia, hears of this, he offers to help the police catch the killer, in return for his freedom. Despite their misgivings, the police release the former police martial arts instructor into their custody. With his help, they realize from the chronological order of the victims that the killer is targeting his victims, all the top masters in their martial arts style, following a martial code of training. When Xia also disappears after a close encounter with Feng, they suspect the worse: that the two are accomplices and Feng was the bait to help spring Xia from jail. But Xia has actually gone back to his home in Foshan...
- 7/22/2015
- by Tom Stockman
- WeAreMovieGeeks.com
By Don Stradley
Charles Bronson was 55 at the time of “St Ives” (1976). He was just a couple years past his star-making turn in “Death Wish”, and was enjoying a surprising run of success. I say surprising because Bronson had, after all, been little more than a craggy second banana for most of his career. Now, inexplicably, he had box office clout as a leading man. In fact, Bronson reigned unchallenged for a few years as the most popular male actor in international markets. Yes, even bigger than Eastwood, Newman, Reynolds, Redford, or any other 1970s star you can name. Many of Bronson’s movies were partly financed by foreign investors, for even if his movies didn’t score stateside, they still drew buckets of money in Prague or Madrid. Some have suggested that his popularity on foreign screens was due to how little he said in his movies (there was...
Charles Bronson was 55 at the time of “St Ives” (1976). He was just a couple years past his star-making turn in “Death Wish”, and was enjoying a surprising run of success. I say surprising because Bronson had, after all, been little more than a craggy second banana for most of his career. Now, inexplicably, he had box office clout as a leading man. In fact, Bronson reigned unchallenged for a few years as the most popular male actor in international markets. Yes, even bigger than Eastwood, Newman, Reynolds, Redford, or any other 1970s star you can name. Many of Bronson’s movies were partly financed by foreign investors, for even if his movies didn’t score stateside, they still drew buckets of money in Prague or Madrid. Some have suggested that his popularity on foreign screens was due to how little he said in his movies (there was...
- 1/2/2015
- by nospam@example.com (Cinema Retro)
- Cinemaretro.com
There are plenty of lists waxing nostalgic about revisionist history online. Some even border on irritating, know-it-all anecdotes to drop on people at parties. “Speaking of Denzel Washington,” the partygoer will undoubtedly interject during the ongoing debate about Malcolm X’s role as a historical figure, “did you know he was in Death Wish?”
For such situations, I offer the following, less reported early roles with which to retort. Because for every Leonardo DiCaprio in Growing Pains, there’s one of these:
Jim Caviezel firebombed Alcatraz – The Rock
It’s easy to miss the Person of Interest star/Jesus as the fighter pilot who drops a load of bombs on Alcatraz, blowing Nicolas Cage out of the water (something we’ve secretly all wanted to do). That may have to do with the pilot oxygen mask covering his face during most of his screentime.
Jack Black was struck by lightning...
For such situations, I offer the following, less reported early roles with which to retort. Because for every Leonardo DiCaprio in Growing Pains, there’s one of these:
Jim Caviezel firebombed Alcatraz – The Rock
It’s easy to miss the Person of Interest star/Jesus as the fighter pilot who drops a load of bombs on Alcatraz, blowing Nicolas Cage out of the water (something we’ve secretly all wanted to do). That may have to do with the pilot oxygen mask covering his face during most of his screentime.
Jack Black was struck by lightning...
- 5/16/2014
- by Kenny Hedges
- SoundOnSight
Actor Ralph Waite has died at age 85. He became an icon of American television as the kindly father on the hit TV series The Waltons, which ran for nine seasons beginning in 1972. Waite received an Emmy nomination for his performance and he appeared in several Waltons reunion shows and TV specials over the years. Waite had a diversified career prior to acting. He was a Marine, social worker and ordained minister. He became disillusioned with the church and entered the acting profession. Despite a battle with alcoholism for many years, Waite was always in demand both on TV and in feature films. He received another Emmy nomination for his performance in the 1977 TV miniseries Roots. His feature films include Cool Hand Luke, The Stone Killer, Lawman and The Magnificent Seven Ride! He peppered his acting career with political activism and ran unsuccessfully as a Democratic candidate for Congress on three occasions.
- 2/14/2014
- by nospam@example.com (Cinema Retro)
- Cinemaretro.com
So sad! Ralph Waite, who was famous for his role as the father on the hit 1970s drama ‘The Waltons’, has died at age 85.
Ralph Waite, a prolific actor who was best known for playing John Walton Sr. (aka Papa Walton) on the CBS TV series The Waltons from 1972 to 1981, died on Feb. 13.
Ralph Waite Dead — ‘The Waltons’ Dad Dies At 85
The two-time Emmy Award-winning actor — who was nominated for his role on The Waltons in 1978 and for his role in the miniseries Roots in 1977 – played the Waltons patriarch for its entire nine-season run, later reprising his role in several Waltons telepics. A man of many talents, Ralph also directed 16 episodes of the classic show.
Ralph appeared in many films during his seven-decade-long career, including classics such as Cool Hand Luke in 1967 and Five Easy Pieces in 1970. He starred in several early 1970s films such as Chato’s Land, The Magnificent Seven Ride!
Ralph Waite, a prolific actor who was best known for playing John Walton Sr. (aka Papa Walton) on the CBS TV series The Waltons from 1972 to 1981, died on Feb. 13.
Ralph Waite Dead — ‘The Waltons’ Dad Dies At 85
The two-time Emmy Award-winning actor — who was nominated for his role on The Waltons in 1978 and for his role in the miniseries Roots in 1977 – played the Waltons patriarch for its entire nine-season run, later reprising his role in several Waltons telepics. A man of many talents, Ralph also directed 16 episodes of the classic show.
Ralph appeared in many films during his seven-decade-long career, including classics such as Cool Hand Luke in 1967 and Five Easy Pieces in 1970. He starred in several early 1970s films such as Chato’s Land, The Magnificent Seven Ride!
- 2/14/2014
- by tierneyhl
- HollywoodLife
Sosie Bacon may only be 21, but she has a lot going for her. On top of being 2014's Miss Golden Globe, through her father Kevin Bacon, she is connected to nearly everyone in Hollywood - including every other previous Miss Golden Globe, most of whom are also the daughters (or sons) of industry power players. And while some have a connection through their famous parents, others, such as Laura Dern (who happens to have famous parents), are also connected through their own work. Don't believe us? Here's how you get from young Ms. Bacon to all of her famous predecessors,...
- 1/11/2014
- by Nate Jones
- PEOPLE.com
Martin Balsam: Oscar winner has ‘Summer Under the Stars’ Day on Turner Classic Movies Best Supporting Actor Academy Award winner Martin Balsam (A Thousand Clowns) is Turner Classic Movies’ unusual (and welcome) "Summer Under the Stars" featured player today, August 27, 2013. Right now, TCM is showing Sidney Lumet’s The Anderson Tapes (1971), a box-office flop starring Sean Connery in his (just about) post-James Bond, pre-movie legend days. (Photo: Martin Balsam ca. early ’60s.) Next, is Joseph Sargent’s thriller The Taking of Pelham One Two Three (1974). Written by Peter Stone (Father Goose, Arabesque) from John Godey’s novel, the film revolves around the hijacking of a subway car in New York City. Passengers are held for ransom while police lieutenant Walter Matthau tries to handle the situation. Now considered a classic (just about every pre-1999 movie is considered a "classic" these days), The Taking of Pelham One Two Three was...
- 8/28/2013
- by Andre Soares
- Alt Film Guide
Following are some supplemental sections featuring notable director & actor teams that did not meet the criteria for the main body of the article. Some will argue that a number of these should have been included in the primary section but keep in mind that film writing on any level, from the casual to the academic, is a game of knowledge and perception filtered through personal taste.
****
Other Notable Director & Actor Teams
This section is devoted to pairings where the duo worked together at least 3 times with the actor in a major role in each feature film, resulting in 1 must-see film.
Terence Young & Sean Connery
Must-See Collaboration: From Russia with Love (1962).
Other Collaborations: Action of the Tiger (1957), Dr. No (1962), Thunderball (1965).
Director Young and actor Connery teamed up to create one of the very best Connery-era James Bond films with From Russia with Love which features a great villainous performance by Robert Shaw...
****
Other Notable Director & Actor Teams
This section is devoted to pairings where the duo worked together at least 3 times with the actor in a major role in each feature film, resulting in 1 must-see film.
Terence Young & Sean Connery
Must-See Collaboration: From Russia with Love (1962).
Other Collaborations: Action of the Tiger (1957), Dr. No (1962), Thunderball (1965).
Director Young and actor Connery teamed up to create one of the very best Connery-era James Bond films with From Russia with Love which features a great villainous performance by Robert Shaw...
- 7/14/2013
- by Terek Puckett
- SoundOnSight
Some may have thought that British movie director Michael Winner died years ago. He stopped making films in the ‘90s and even wrote his own joke obituary which was picked up on by some media and taken seriously. Winner continued to live in London and found a new career as a film critic with the long-running “Winner’s Dinners” column in the Sunday UK Times newspaper. Winner is remembered in the film industry as well as the restaurant scene for his abrasive personality,
He directed Charles Bronson in six films including three, The Mechanic, Death Wish, and Death 3, that landed in my Top Ten Tuesday: The Best of Charles Bronson list from July 2010 http://wearemoviegeeks.com/2010/06/top-ten-tuesday-charles-bronson/). His other Bronson collaborations were Death Wish 2, Chato’S Land, and The Stone Killer. Death Wish was a monstrous hit for both the star and director, yet in his autobiography Winner Takes All...
He directed Charles Bronson in six films including three, The Mechanic, Death Wish, and Death 3, that landed in my Top Ten Tuesday: The Best of Charles Bronson list from July 2010 http://wearemoviegeeks.com/2010/06/top-ten-tuesday-charles-bronson/). His other Bronson collaborations were Death Wish 2, Chato’S Land, and The Stone Killer. Death Wish was a monstrous hit for both the star and director, yet in his autobiography Winner Takes All...
- 1/29/2013
- by Tom Stockman
- WeAreMovieGeeks.com
Death Wish: Michael Winner’s movie vs. original novel [See previous post: "Michael Winner Dies."] "The point of the novel Death Wish," adds author Brian Garfield, "is that vigilantism is an attractive fantasy but it only makes things worse in reality. By the end of the novel, the character (Paul) is gunning down unarmed teenagers because he doesn’t like their looks. The story is about an ordinary guy who descends into madness." (Photo: Death Wish Charles Bronson.) A few years ago, Sylvester Stallone had plans to remake Death Wish, which (probably not coincidentally) has elements in common with Stallone’s (perhaps even more brutal and more pro-vigilantism) Cobra (1985). Stallone’s Death Wish remake, however, never came to fruition. Early in 2012, The Grey‘s director Joe Carnahan stated that he was planning an updated version of Death Wish. Michael Winner’s other ’70s movies: Directing Burt Lancaster, Alain Delon, and more Charles Bronson Among Michael Winner...
- 1/22/2013
- by Andre Soares
- Alt Film Guide
By Lee Pfeiffer
Director Michael Winner has died in his native England at age 77. Winner's star rose in the early to mid 1960s with a string of innovative comedies such as The Jokers and I'll Never Forget What's'isname, that perfectly tapped into the emerging London "mod scene". His eclectic range of movies covered many genres, from Westerns to WWII to urban crime thrillers. Among his more notable titles were Lawman, Chato's Land, Scorpio, Hannibal Brooks, The Games, The Sentinel, The Nightcomers, The Mechanic and The Stone Killer. His greatest and most unexpected success was the 1974 film Death Wish starring Charles Bronson which was released at a time when societies worldwide were bristling at an explosion of urban crime and the perception that the current laws were not protecting them. The film tapped into a vigilante sentiment in its depiction of a New York liberal who takes the law into his...
Director Michael Winner has died in his native England at age 77. Winner's star rose in the early to mid 1960s with a string of innovative comedies such as The Jokers and I'll Never Forget What's'isname, that perfectly tapped into the emerging London "mod scene". His eclectic range of movies covered many genres, from Westerns to WWII to urban crime thrillers. Among his more notable titles were Lawman, Chato's Land, Scorpio, Hannibal Brooks, The Games, The Sentinel, The Nightcomers, The Mechanic and The Stone Killer. His greatest and most unexpected success was the 1974 film Death Wish starring Charles Bronson which was released at a time when societies worldwide were bristling at an explosion of urban crime and the perception that the current laws were not protecting them. The film tapped into a vigilante sentiment in its depiction of a New York liberal who takes the law into his...
- 1/21/2013
- by nospam@example.com (Cinema Retro)
- Cinemaretro.com
When I was a kid, I devoured the kitschy fun of producer Dino De Laurentiis' films such as the 1976 "King Kong" remake. His name got branded in my feeble mind. When you see his "Dino De Laurentiis Presents" before a trailer, you know that film would be fun!
So the death of the Oscar-winning Italian film producer saddened me. The Italian media was reporting that Laurentiis, who gave the world nearly 500 films including "La Strada," "Serpico," and "Three Days of the Condor" died in Los Angeles. He was 91.
Here's a lengthy but absolutely wonderful snap shot of Laurentiis' life written by John Gallagher from film reference:
One of the most colorful, prolific, and successful producers in the contemporary motion picture business, Dino De Laurentiis has proven his entrepreneurial skills time and again, growing from an independent Italian producer into an international conglomerate. His product, from low-budget neorealist works to multimillion dollar spectacles,...
So the death of the Oscar-winning Italian film producer saddened me. The Italian media was reporting that Laurentiis, who gave the world nearly 500 films including "La Strada," "Serpico," and "Three Days of the Condor" died in Los Angeles. He was 91.
Here's a lengthy but absolutely wonderful snap shot of Laurentiis' life written by John Gallagher from film reference:
One of the most colorful, prolific, and successful producers in the contemporary motion picture business, Dino De Laurentiis has proven his entrepreneurial skills time and again, growing from an independent Italian producer into an international conglomerate. His product, from low-budget neorealist works to multimillion dollar spectacles,...
- 11/11/2010
- by Manny
- Manny the Movie Guy
The notorious film director on cheating death, the awfulness of restaurants – and how he can't stand boring people
It is with a mixture of fear and exhilaration that I approach Michael Winner's large house – he likes to describe it as a mansion – in London's fashionable Holland Park. God knows how much it's worth – £25m maybe. Jimmy Page of Led Zeppelin lives next door, in an even bigger house. An attractive, slightly forbidding young woman answers the door – I later discover she is a resting actress called Ruby – and she shows me into Winner's private cinema, filled with memorabilia from half a lifetime of movie-making and an entire lifetime of trouble-making.
There are seats for 30 people, a bar, a director's chair with Winner's name on it, the Winner puppet from Spitting Image, a signed photograph of Marilyn Monroe, pictures of some scantily clad starlets, and hundreds of photographs of stars...
It is with a mixture of fear and exhilaration that I approach Michael Winner's large house – he likes to describe it as a mansion – in London's fashionable Holland Park. God knows how much it's worth – £25m maybe. Jimmy Page of Led Zeppelin lives next door, in an even bigger house. An attractive, slightly forbidding young woman answers the door – I later discover she is a resting actress called Ruby – and she shows me into Winner's private cinema, filled with memorabilia from half a lifetime of movie-making and an entire lifetime of trouble-making.
There are seats for 30 people, a bar, a director's chair with Winner's name on it, the Winner puppet from Spitting Image, a signed photograph of Marilyn Monroe, pictures of some scantily clad starlets, and hundreds of photographs of stars...
- 11/16/2009
- by Stephen Moss
- The Guardian - Film News
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By Peter DeMarco
On our second date in my studio apartment, my wife shared her spaghetti dinner with a decaying corpse who had just climbed out of his grave.
This not-for-the-squeamish image was from the 1972 horror anthology Tales from the Crypt, which also featured a skull with cobwebs in its black eye socket. Dirty Harry’s, .44 magnum pointed at her from another wall, while a hand beckoned her into 1973’s The Vault of Horror.
You’re an unusual decorator, she’d said. I told her it was only art. That I wasn’t the Starry Night type.
The rest of my 350 square foot apartment was consumed with over 25 framed pieces of movie memorabilia from the 1970s, horrifying and violent artwork which symbolized, paradoxically, the nostalgia I felt for the innocence of my movie-going youth. Equinox. Race with the Devil. Westworld. Straw Dogs.
By Peter DeMarco
On our second date in my studio apartment, my wife shared her spaghetti dinner with a decaying corpse who had just climbed out of his grave.
This not-for-the-squeamish image was from the 1972 horror anthology Tales from the Crypt, which also featured a skull with cobwebs in its black eye socket. Dirty Harry’s, .44 magnum pointed at her from another wall, while a hand beckoned her into 1973’s The Vault of Horror.
You’re an unusual decorator, she’d said. I told her it was only art. That I wasn’t the Starry Night type.
The rest of my 350 square foot apartment was consumed with over 25 framed pieces of movie memorabilia from the 1970s, horrifying and violent artwork which symbolized, paradoxically, the nostalgia I felt for the innocence of my movie-going youth. Equinox. Race with the Devil. Westworld. Straw Dogs.
- 10/22/2009
- by nospam@example.com (Cinema Retro)
- Cinemaretro.com
Director William Lustig, best known for his Maniac Cop series and also as the founder of the “guilty pleasures” home video label Blue Underground, will guest-curate a festival of gritty, wacky, grindhouse-era flicks from the 1970s at Anthology Film Archives in New York, slated to run from August 7-13th. With Charles Bronson & Robert Duvall, hapless cops, revenge-crazed Vietnam vets, and double-crossed criminals, this fest harkens back to the glory days of 42nd Street cinema.
Entitled “William Lustig Presents: The Seventies – Buried Treasures,” the lineup contains rarely screened gems such as Freebie and the Bean (1974) and The Stone Killer (a pre-Death Wish collaboration between Charles Bronson and director Michael Winner, 1973), and other titles which haven’t seen the light of day outside of studio vaults in decades. Lustig, reached by phone in New York, had his fingers crossed for the screening of The Stone Killer, which will hopefully feature...
Entitled “William Lustig Presents: The Seventies – Buried Treasures,” the lineup contains rarely screened gems such as Freebie and the Bean (1974) and The Stone Killer (a pre-Death Wish collaboration between Charles Bronson and director Michael Winner, 1973), and other titles which haven’t seen the light of day outside of studio vaults in decades. Lustig, reached by phone in New York, had his fingers crossed for the screening of The Stone Killer, which will hopefully feature...
- 8/3/2009
- by nospam@example.com (Cinema Retro)
- Cinemaretro.com
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