Larry Rayder is an aspiring NASCAR driver, Deke Sommers is mechanic. As they feel they collectively are the best, the only thing that is holding them back is money to build the best vehicle... See full summary »
When a South American drug lord pays Pace to steal 48 cars for him, all but one is in the bag - thereby, the police precipitate in a desperate car chase against Pace and his Eleanor across Southern California.
When his wife goes into a troubled labor while he is on the road over 1200 miles away James Kowalski, a former race-car driver and Army Ranger, attempts to elude police while trying to get ... See full summary »
Charles Robert Carner
Kowalski works for a car delivery service. He takes delivery of a 1970 Dodge Challenger to take from Colorado to San Francisco, California. Shortly after pickup, he takes a bet to get the car there in less than 15 hours. After a few run-ins with motorcycle cops and highway patrol they start a chase to bring him into custody. Along the way, Kowalski is guided by Supersoul - a blind DJ with a police radio scanner. Throw in lots of chase scenes, gay hitchhikers, a naked woman riding a motorbike, lots of Mopar and you've got a great cult hit from the early 70's.Written by
The color white was chosen for the car simply so the car would stand out against the background scenery in the movie. White was not symbolic in any way. The director says this in the DVD commentary. See more »
When the older cop (Robert Donner) tells the young cop (Paul Koslo) that Super Soul is monitoring police radio, the young cop says that that is illegal, and the older cop agrees. In fact, the courts have ruled that it is not illegal to listen to police radio, but it is illegal to use the information you gain from it to evade or break the law. (So presumably Super Soul passing the information to Kowalski IS illegal.) See more »
And there goes the Challenger, being chased by the blue, blue meanies on wheels. The vicious traffic squad cars are after our lone driver, the last American hero, the electric centaur, the, the demi-god, the super driver of the golden west! Two nasty Nazi cars are close behind the beautiful lone driver. The police numbers are gettin' closer, closer, closer to our soul hero, in his soul mobile, yeah baby! They about to strike. They gonna get him. Smash him. Rape... the last beautiful free soul ...
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The Fox logo is shown without the fanfare making it one of the first times this has happened. See more »
The DVD contains both the 99-minute U.S. version and the 106-minute U.K. version. See more »
One thing I realised about carfilms, or whatever you might call them, is that a certain degree of monotony is always required (check out the wonderful Two Lane Blacktop too see what I mean). If you waste too much time with backgrounds, character development, story etc the really important stuff starts lacking (the car as an instrument of freedom, the road, the desert...). In this way Vanishing Point is the perfect carmovie: it's about the most monotonous, yet beautiful things i've ever seen! It's about:
1. The car
2. The road
3. The desert
4. The music
And nothing else! Some vague attempts are made to make a character out of Kowalski, but fortunely they're small in numbers. The car is the true main character of the film.
I recommend this film with all my heart.
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