6.5/10
2,115
31 user 11 critic

Voyage of the Damned (1976)

PG | | Drama, War | 22 December 1976 (USA)
The tragic 1939 voyage of SS St. Louis carrying hundreds of German Jewish refugees from Nazi Germany that seemingly no nation is willing to save from certain doom.

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Writers:

(screenplay), (screenplay) | 2 more credits »
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Nominated for 3 Oscars. Another 1 win & 6 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Carl Rosen
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David de Keyser ...
Joseph Joseph (as David De Keyser)
Della McDermott ...
Julia Strauss
Genevieve West ...
Sarah Strauss
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Professor Weiler
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Rebecca Weiler
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Alice Fienchild
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Mr. Hauser
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Mrs. Hauser
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Aaron Pozner
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Joseph Manasse
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Storyline

In 1939, Germany's Hamburg-America Line announced a voyage from Germany to Cuba. 937 people, the vast majority being Jews, signed up for the opportunity to escape Nazi Germany. Unbeknownst to the passengers, the visas they purchased were from a corrupt Cuban director of immigration, and they were invalid. Upon arrival in Havana, only 28 people were allowed to disembark, while the rest remained on board for weeks as they sailed to Florida, and eventually Canada, searching for safe haven. Sadly the ship returned to Antwerp after more than a month at sea. Forced back under Nazi rule as the low countries fell, it is estimated that approximately 250 of the refugees died in the extermination camps in occupied Poland. Written by JBentley

Plot Summary | Add Synopsis

Taglines:

In The Shadow of Death... [UK] See more »

Genres:

Drama | War

Certificate:

PG | See all certifications »
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Details

Country:

Language:

Release Date:

22 December 1976 (USA)  »

Also Known As:

De fördömdas resa  »

Company Credits

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Technical Specs

Runtime:

| (video)

Sound Mix:

Color:

(Eastmancolor) (uncredited)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Many PR handouts on the micro-jacket of Robert Brown at the BFI National Library say he is in this film, but he cannot be seen in the final print. See more »

Goofs

At c.14 minutes, as the ship is leaving Hamburg, in some shots the boat is stationary and in others the boat is moving. See more »

Crazy Credits

Opening credits prologue: Saturday, May 13th, 1939 Hamburg Harbor See more »

Connections

Referenced in The Brady Bunch Variety Hour: Episode #1.5 (1977) See more »

Soundtracks

G'schichten aus dem Wienerland
(uncredited)
Composed by Johann Strauss
Arranged by Lalo Schifrin
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User Reviews

 
Title tells all; occasionally interesting and compassionate
8 February 2008 | by See all my reviews

Nazi atrocities hang over the heads of some 937 Jewish refugees who are allowed to board the S.S. St. Louis in Hamburg, Germany, bound for Havana in 1939, but corrupt Cuban dignitaries (and apathetic other countries) manage to find unjust legalities which prevent the ocean-liner from docking. Dramatized true account with a star-studded cast filling the roles of the passengers (professors, lawyers, teachers, one rabbi, a Nazi spy, at least two children, a Christian ship's captain, and Faye Dunaway, looking wonderfully turned-out as the wife of a frustrated doctor). With anti-Semitism making a wave through Havana, nobody there is anxious to take on the Jews (they are looked on as charity cases), but the personalities in these excursions are static at best, with Ben Gazzara playing a globe-trotting businessman attempting to bargain on behalf of the voyagers (he seems to come from a different film altogether). Produced (or, one may say, packaged) by '70s tycoon Sir Lew Grade, the proceedings verge on the edge of disaster-movie clichés (with the appearance and the pacing of a television mini-series). The material warrants attention, but the melodrama inherent in the situation continually falters--gummed up with ungainly issues, overdrawn hysteria (Sam Wanamaker's suicide attempt), flagrant sentiment (Katharine Ross' Havana prostitute), and thuggish violence (it's bad enough that the two male teachers--scrawny and with their heads shaved--have been through hell, this narrative gives them more of the same, which is about as entertaining as watching victims at a firing squad). Dunaway, coolly regal and ice-pack gorgeous, approaches her part like visiting royalty, and gives the film a little goose. **1/2 from ****


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