A prisoner of war working at a zoo gets the chance to escape from the Germans, so he does and he takes with him the elephant that he's been caring for. Together they head for the Swiss border and freedom.
Michael J. Pollard
In a seaside village, a group of local young men mingle among the seasonal tourists in search of sexual conquests. Near the end of one summer, the leader of the group, Tinker, a strolling ... See full summary »
Four marathon runners (one from England, one from the U.S., a Czechoslovakian, and an Australian Aborigine) prepare to run in the Olympic games. The film follows each one and shows what their motivations are for running in the games.
An American businessman visits London and is horrified to discover his nubile teenage daughter has become involved with a gang of thuggish "beatniks". Her involvement leads to wild parties, sex, death and necrophilia.
Oliver Reed and Michael Crawford play two brothers who are always trying to find some way to succeed with cleverness rather than simple drudgery. Crawford is constantly living in his brother's shadow as the one who gets caught. After Crawford is forced to resign from the army after an episode of unappreciated cleverness, the two decide their careers would go better if there was a large amount of publicity, so they decide to steal the crown jewels from the tower of London. Bombs, misdirection, disguises and acting allow them to enter the tower with all of the alarms turned off.Written by
John Vogel <firstname.lastname@example.org>
While filming a night scene in Piccadilly Circus, director Michael Winner set off an unannounced smoke bomb, causing horrendous traffic jams, after which he sped off in a taxi with the film magazine, leaving other members of the crew to be arrested. This incident caused such resentment that for many years afterwards permission to film there was denied; John Landis' An American Werewolf in London (1981) was the first to be allowed to do so. See more »
A razor sharp early shot from a much maligned director
As the remains of Michael Winner's already tarnished reputation as a film maker stagger bloodied and battered from the wreckage of his latest debacle "Parting Shots", it is difficult to believe that he was once a genuinely promising director. A director who in the sixties had proved his worth largely with hip and swinging comedies such as "The Jokers". In this picture we follow the exploits of two well off brothers, with far too much time on their hands,as they set out to steal the crown jewels, not for financial gain or any political reason but just for the sheer hell of it. The script is razor sharp, Winner's direction is crisp, and the perfectly cast Oliver Reed and Michael Crawford both shine as the two scheming siblings. The fact that the establishment figures are not stereotypically portrayed as buffoons but as highly competent officials makes it more of a delight to see the brothers run such rings round them. With a couple of brilliant twists along the way the only let down is seeing the film run out of steam towards the very end. Its a shame Dick Clements and Ian La Frenais, who penned this film, could have not come up with a climax as inventive as what had come before in this remarkable movie.
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