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Serpico (1973)

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4:14 | Trailer
An honest New York cop named Frank Serpico blows the whistle on rampant corruption in the force only to have his comrades turn against him.

Director:

Sidney Lumet

Writers:

Peter Maas (book), Waldo Salt (screenplay) | 1 more credit »
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Popularity
2,476 ( 16)
Nominated for 2 Oscars. Another 5 wins & 9 nominations. See more awards »

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Cast

Cast overview, first billed only:
Al Pacino ... Serpico
John Randolph ... Sidney Green
Jack Kehoe ... Tom Keough
Biff McGuire ... Captain McClain
Barbara Eda-Young ... Laurie (as Barbara eda-Young)
Cornelia Sharpe ... Leslie
Tony Roberts ... Bob Blair
John Medici John Medici ... Pasquale
Allan Rich ... D.A. Tauber
Norman Ornellas Norman Ornellas ... Rubello
Edward Grover ... Lombardo (as Ed Grover)
Albert Henderson Albert Henderson ... Peluce (as Al Henderson)
Hank Garrett ... Malone
Damien Leake ... Joey
Joseph Bova Joseph Bova ... Potts (as Joe Bova)
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Storyline

Serpico is a cop in the 1960s-early 1970s. Unlike all his colleagues, he refuses a share of the money that the cops routinely extort from local criminals. Nobody wants to work with Serpico, and he's in constant danger of being placed in life threatening positions by his "partners". Nothing seems to get done even when he goes to the highest of authorities. Despite the dangers he finds himself in, he still refuses to 'go with the flow', in the hope that one day, the truth will be known. Written by Rob Hartill

Plot Summary | Plot Synopsis

Taglines:

Many of his fellow officers considered him the most dangerous man alive - An honest cop.


Certificate:

R | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

Italy | USA

Language:

English | Italian | Spanish

Release Date:

26 February 1974 (Italy) See more »

Also Known As:

Serpiko See more »

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Box Office

Budget:

$3,000,000 (estimated)

Gross USA:

$29,800,000

Cumulative Worldwide Gross:

$29,829,963
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono

Color:

Color (Technicolor)

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

Al Pacino would sometimes go in character to different neighborhoods, some of them dangerous. One story has it that Pacino was so in character that he pulled over a truck driver and threatened to arrest him for exhaust pollution. See more »

Goofs

The prison "chain gang" being led into the wagon at the beginning has male and female prisoners on the same "chain," and both sexes are transported in the same wagon. The NYPD absolutely forbade that then, and now. See more »

Quotes

Cop: [to Frank] All right, you cocksucker. You might get by with that shit in the Bronx, but down here, eight thousand a month is chicken feed. And with that, you don't fuck around. You understand? Good. Now get the fuck out.
See more »

Alternate Versions

There is one Australian VHS version released through RCA Columbia Pictures Hoyts Home Video in the 1980's which had all profanity overdubbed with tamer language, as well as some scenes of sexuality/nudity. Subsequent releases on DVD are uncensored. See more »

Connections

Featured in WatchMojo: Top 10 Whistleblower Movies (2014) See more »

Soundtracks

Aria di Rinuccio
(uncredited)
from "Gianni Schicchi"
Music by Giacomo Puccini
Performed by Al Pacino
See more »

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User Reviews

 
Good cop, bad cops...
23 November 2008 | by LejinkSee all my reviews

Unquestionably one of the major films of the 70's dealing with a big theme (police corruption) and with some major talents at close to the top of their game throughout. Sydney Lumet spares us little in this gritty urban drama using almost fly-on-the-wall documentary technique to involve the viewer in the action and stand us directly alongside Pacino as crusading street-wise cop Frank Serpico. Serpico's naive idealism is at first bruised by what at first seems casual freeloading by almost everyone of his new colleagues on the force but which turns to literally a battering as he comes to appreciate just how endemic the inside corruption actually is. Lumet plants us firmly on location in contemporary downtown NY with its rundown apartment blocks, graffiti-strewn streets and lowlife criminal element (and that's just the police!) As for Serpico, we feel his frustration as he cracks under the pressure, his relationship with his girlfriend poisoned as he fails to make the powers-that-be sit up and address what to all intents and purposes is standard behaviour. It takes a great acting performance to carry the viewer all the way through this lonely journey, even when the character himself becomes at times obnoxious and unfeeling to his (few) supporters; thankfully Pacino gives a performance the real-life Serpico deserved. Only very occasionally lapsing into the "hoo-ha" overacting style that reached its nadir in "Scent Of A Woman", Pacino plays it cool and tight throughout, always wary, always looking over his shoulder, playing it for real. If one is slightly sceptical if not critical of his sometimes ridiculous-looking "Harry Hippy" persona, I think it can be forgiven as being of its time. The ensemble support acting is top-drawer too, everyone is believable as indeed they need to be to make this film work but particular praise should go to Barbara Eda-Young as his put-upon girlfriend and Tony Roberts, free of Woody Allen for once, as his main ally. It's not hard to see the prototypes here for the new generation cutting-egde TV shows which were soon to follow such as Kojak and particularly Hill Street Blues, but that's the least of this film's achievements. In summary then, this excellent film is proof that it's possible for Hollywood to address a potentially unpopular, certainly uncomfortable serious subject, make its point and still entertain.


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