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Pulp Fiction (1994)

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The lives of two mob hitmen, a boxer, a gangster's wife, and a pair of diner bandits intertwine in four tales of violence and redemption.

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Writers:

(stories), (stories) | 1 more credit »
Popularity
214 ( 19)
Top Rated Movies #8 | Won 1 Oscar. Another 62 wins & 69 nominations. See more awards »

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Cast

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Storyline

Jules Winnfield (Samuel L. Jackson) and Vincent Vega (John Travolta) are two hit men who are out to retrieve a suitcase stolen from their employer, mob boss Marsellus Wallace (Ving Rhames). Wallace has also asked Vincent to take his wife Mia (Uma Thurman) out a few days later when Wallace himself will be out of town. Butch Coolidge (Bruce Willis) is an aging boxer who is paid by Wallace to lose his fight. The lives of these seemingly unrelated people are woven together comprising of a series of funny, bizarre and uncalled-for incidents. Written by Soumitra

Plot Summary | Plot Synopsis

Taglines:

From the creators of 'True Romance' & 'Reservoir Dogs' See more »

Genres:

Crime | Drama

Motion Picture Rating (MPAA)

Rated R for strong graphic violence and drug use, pervasive strong language and some sexuality | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

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Country:

Language:

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Release Date:

14 October 1994 (USA)  »

Also Known As:

Black Mask  »

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Box Office

Budget:

$8,000,000 (estimated)

Opening Weekend USA:

$9,311,882, 14 October 1994

Gross USA:

$107,928,762

Cumulative Worldwide Gross:

$213,928,762
See more on IMDbPro »

Company Credits

Production Co:

, ,  »
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Technical Specs

Runtime:

| (original cut)

Sound Mix:

(Dolby Stereo Spectral Recording Digital)

Color:

Aspect Ratio:

2.39 : 1
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Did You Know?

Trivia

In the scene at the beginning, when Brett says to Vincent and Jules, "Excuse me. I got your name, Vincent. I didn't get yours", turning to Jules, to which he replies, "My name's Pitt, and your ass ain't talking your way out of this shit." Samuel L. Jackson and Brad Pitt co-starred in True Romance (1993), also written by Quentin Tarantino. See more »

Goofs

(at around 1h 55 mins) In Jimmy's bathroom, the shot of Jules washing his hands shows blood all around the rim of the sink. In the next shot from behind, the blood has disappeared. See more »

Quotes

[first lines]
Pumpkin: Forget it. Too risky. I'm through doing that shit.
Yolanda: You always say that. That same thing every time, "I'm through, never again, too dangerous".
Pumpkin: I know that's what I always say. I'm always right, too.
Yolanda: But you forget about it in a day or two.
Pumpkin: Yeah, well the days of me forgetting are over, and the days of me remembering have just begun.
See more »

Crazy Credits

The opening credits end with Produced by Lawrence Bender. Usually movies end opening credits with the Director's credit, however Written and Directed by Quentin Tarantino starts the end credits. See more »

Connections

Featured in 20 to 1: 50 to 01: Great Movie One Liners (2007) See more »

Soundtracks

Rumble
Written by Link Wray (as F.L. Wray Sr.) and Milt Grant (as M. Cooper)
Performed by Link Wray And His Raymen
Courtesy of Rollercoaster Records, England
See more »

Frequently Asked Questions

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User Reviews

 
The rebirth of a genre – and film history
24 July 2014 | by See all my reviews

I can only speak for myself, but I had never seen anything as stylish, cleverly constructed, well written and electrifying as this milestone when I first saw it in 1994. What really pulled me in right from the start is what we've now come to know as a Tarantino trademark: the dialogue. When gangsters Jules and Vincent talk to each other (or all the other characters, for that matter) there is a natural flow, a sense of realism and yet something slightly over the top and very theatrical about their lines – it's a mixture that immediately grabs your attention (even if it's just two dudes talking about what kind of hamburger they prefer, or contemplating the value of a foot-massage). Then there's the music: the songs Tarantino chose for his masterpiece fit their respective scenes so perfectly that most of those pieces of music are now immediately associated with 'Pulp Fiction'. And the narrative: the different story lines that come together, the elegantly used flashbacks, the use of "chapters" – there is so much playful creativity at play here, it's just a pure joy to watch.

If you're a bit of a film geek, you realize how much knowledge about film and love for the work of other greats – and inspiration from them - went into this (Leone, DePalma, Scorsese and, of course, dozens of hyper-stylized Asian gangster flicks), but to those accusing Tarantino of copying or even "stealing" from other film-makers I can only say: There has never been an artist who adored his kind of art that was NOT inspired or influenced by his favorite artists. And if you watch Tarantino's masterpiece today, it's impossible not to recognize just what a breath of fresh air it was (still is, actually). Somehow, movies - especially gangster films - never looked quite the same after 'Pulp Fiction'. Probably the most influential film of the last 20 years, it's got simply everything: amazing performances (especially Sam Jackson); it features some of the most sizzling, iconic dialogue ever written; it has arguably one of the best non-original soundtracks ever - it's such a crazy, cool, inspirational ride that you feel dizzy after watching it for the first time. It's – well: it's 'Pulp Fiction'. 10 stars out of 10.

Favorite films: http://www.IMDb.com/list/mkjOKvqlSBs/

Lesser-known Masterpieces: http://www.imdb.com/list/ls070242495/

Favorite TV-Shows reviewed: http://www.imdb.com/list/ls075552387/


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