| Cast overview, first billed only: | |||
| Charles Bronson | ... | Paul Kersey | |
| Jill Ireland | ... | Geri Nichols | |
| Vincent Gardenia | ... | Det. Frank Ochoa | |
| J.D. Cannon | ... | New York D.A. | |
| Anthony Franciosa | ... | Herman Baldwin | |
| Ben Frank | ... | Inspector Lt. Mankiewicz | |
| Robin Sherwood | ... | Carol Kersey | |
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Silvana Gallardo | ... | Rosario |
| Robert F. Lyons | ... | Fred McKenzie | |
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Michael Prince | ... | Elliott Cass |
| Drew Snyder | ... | Deputy Comm. Hawkins | |
| Paul Lambert | ... | New York Police Comm. | |
| Thomas F. Duffy | ... | Nirvana (as Thomas Duffy) | |
| Kevyn Major Howard | ... | Stomper | |
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Stuart K. Robinson | ... | Jiver |
After using himself as bait to rid New York City of its muggers in Death Wish (1974), Paul Kersey relocates to Los Angeles with his traumatised daughter, trying to wipe the slate clean, and bury the past. However, once again, Paul catches the eye of a new bunch of savage street thugs, and before long, rape and murder destroy his family. Now, armed with his unforgiving semi-automatic Beretta 84 pistol, Kersey prowls the filthy backstreets of L.A., eager to pick up where he left off, and clean up the city. But, Paul's brutal method of justice is starting to attract unwanted attention. Will the police corner the notorious vigilante this time? Written by Nick Riganas
Well, we don't get the great Herbie Hancock score of the first movie, but we do get Jill Ireland, Mrs. Bronson, in one of her last films, directed as Death Wish I and III, by Michael Winner.
We also get what I feel is the biggest collection of scumbags ever assembled. Thomas F. Duffy as Nirvana, Kevyn Major Howard as Stomper, Stuart K. Robinson as Jiver, Laurence Fishburne as Cutter, and E. Lamont Johnson as Punkut. It was fitting that the first kill occurred in a rat- infested building, and the last was an electrocution.
Vincent Gardenia is back to track down Kersey after he starts again in Los Angeles.
Unlike the serious and tragic first film, this is more focused and revenge-oriented. A good film, nonetheless.