The Taking of Pelham One Two Three (1974)

In New York, armed men hijack a subway car and demand a ransom for the passengers. Even if it's paid, how could they get away?

Director:

Joseph Sargent

Writers:

John Godey (novel), Peter Stone (screenplay)

Stars:

Walter Matthau, Robert Shaw, Martin Balsam

Nominated for 1 BAFTA Film Award. Another 2 nominations.

Cast

Cast overview, first billed only:
Walter Matthau	...	Police Lt. Zachary Garber
Robert Shaw	...	Bernard Ryder aka Blue
Martin Balsam	...	Harold Longman aka Green
Hector Elizondo	...	Giuseppe Benvenuto aka Grey
Earl Hindman	...	George Steever aka Brown
James Broderick	...	Denny Doyle - Train Conductor
Dick O'Neill	...	Frank Correll
Lee Wallace	...	Al - the Mayor of New York City
Tom Pedi	...	Caz Dolowicz
Beatrice Winde	...	Mrs. Jenkins
Jerry Stiller	...	Police Lt. Rico Patrone
Nathan George	...	Police Ptl. James
Rudy Bond	...	Phil - Police Commissioner
Kenneth McMillan	...	Harry - Borough Commander (as Kenneth Mc Millan)
Doris Roberts	...	Jessie - The Mayor's Wife

Storyline

Four seemingly-unrelated men board subway train Pelham 1:23 at successive stations. Mr. Blue, Mr. Green, Mr. Grey and Mr. Brown are heavily armed and overpower the motorman and novice conductor to take control of the train. Between stations they separate the front car from the remainder of the train, setting passengers in the back cars and the motorman free. The four demand $1 million ransom within exactly one hour for the remaining eighteen hostages, including the conductor. If their demands are not met in time or their directions are not followed precisely, they will begin to shoot hostages dead, one every minute the money is late. Wisecracking Lt. Zach Garber of the transit police ends up being the primary communicator between the hijackers and the authorities, which includes transit operations, his own police force, the NYPD, and the unpopular and currently flu ridden mayor who will make the ultimate decision of whether to pay the ransom. Unknown to Garber, what may be working on ...

---

Plot Keywords:

poliziottesco | north american poliziottesco | new york city new york | african american | train | 

---

Taglines:

Pelham One Two Three Was the Name of a New York Subway Train...And the Start of a Million Dollar Countdown in Suspense!

---

Genres:

Action | Crime | Thriller

---

Certificate:

R

Details

Country:

USA

Language:

English Spanish

Release Date:

14 November 1974 (West Germany)

Also Known As:

El tomar de Pelham uno dos tres

Filming Locations:

Gracie Mansion, Manhattan, New York City, New York, USA

Box Office

Budget:

$5,000,000 (estimated)

Company Credits

Production Co:

Palomar Pictures (I), Palladium Productions

Technical Specs

Runtime:

104 min

Sound Mix:

Mono

Color:

Color

Aspect Ratio:

2.35 : 1

Did You Know?

Trivia

Filmed mostly in the tunnels leading to the decommissioned IND Court St. station in Brooklyn. The station itself served as Grand Central and 28th St., and it is currently the home of the New York City Transit Museum.

---

Goofs

(at around 27 mins) Mr. Grey ('Hector Elizondo') walks through the two doors between the second and first subway cars. As the door slides shut, you can see a crew member reflected in the door window.

---

Quotes

Lt. Garber: Rico, she's moving.
Lt. Rico Patrone: Who's moving?
Lt. Garber: Who do you think? Pelham!

---

Crazy Credits

Although many of the scenes in this film were taken on transit property, the New York City Transit Authority is not responsible for plot, story and characters portrayed. The Authority did not render technical advice and assistance.

---

Connections

Referenced in Hustling (1975)

User Reviews

This was meant to be Carry On At Your Convenience...

... Thank Goodness it wasn't!

I switched on me TV last night after an evening out and the opening credits of Pelham was just finishing. Not knowing the name of this film (the Carry On listing was clearly not being shown, perhaps the Producer-dude had a revelation of taste!) I began to watch it half-heartedly, whilst prostrate on the sofa.

By the end of the movie, and that glorious last look from Matthau, I was sitting blot-upright with the biggest grin I've had on my face at 2am for a long time!

What a flick! What a film! How good was this simple, little, under-rated, under-stated movie? Very.

See this film, forgive it for being written in the 70-ties, in fact revel in that non-PC fact (the Chinese/Lady jokes are, retrospectively, quite amusing, in a non-Carry On way).

They just don't make 'um like this anymore. Simple, sweet, suspense.