A dramatization of the real-life Johnson County War in 1890 Wyoming, in which a Sheriff born into wealth, attempts to protect immigrant farmers from rich cattle interests.
Michael Reynolds is a rich oncologist who has a one hundred seventy-five thousand dollar sports car, a multi-million dollar house, and a new boost in his career. Brandon "Blue" Monroe is a ... See full summary »
Tom Logan is a horse thief. Rancher David Braxton has horses, and a daughter, worth stealing. But Braxton has just hired Lee Clayton, an infamous "regulator", to hunt down the horse thieves; one at a time.
An inside look at the hectic production of Heaven's Gate (1980), the media circus that turned it into a synonym for movie flop and how it added to the tectonic change that occurred in Hollywood film studios after it infamously flopped.
Cole Thornton, a gunfighter for hire, joins forces with an old friend, Sheriff J.P. Hara. Together with an old Indian fighter and a gambler, they help a rancher and his family fight a rival rancher that is trying to steal their water.
Wyoming, 1890. James Averill is the Sherriff of Johnson County, a county largely inhabited by foreign immigrants. The wealthy cattle owners view the immigrant farmers as a nuisance and hindrance to them enlarging their own land. The cattlemen's association, the Wyoming Stock Growers Association, effectively declares war on the immigrant farmers, and gets the state government's blessing. They assemble an army of guns-for-hire, and, backed by the U.S. Cavalry, set out to rid the state of the immigrants. James Averill's heart is with the immigrants, but he is not sure they have a chance of winning the inevitable war.Written by
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The rollerskating violinist is David Mansfield, the Composer of the soundtrack. According to Steven Bach, in his book "Final Cut", Michael Cimino bought the rights to the music, and then sold it to the movie production for ten times what he paid to Mansfield. The tune played, by the roller skating fiddler, is well known to Cajun music fans, as the "Mamou Two-Step", composed and performed by accordionist Lawrence Walker and his Wandering Aces on Khoury 78 601 B in 1950. Side A was titled Country Waltz. See more »
Goofs
In real life, James Averill attended Cornell, not Harvard. See more »
Quotes
Ella Watson:
Do you think a woman can love two men?
James Averill:
Sure you can. Why not three? But it sure as hell isn't convenient.
See more »
Alternate Versions
Writer-director Michael Cimino was coaxed to revisit his film for a 2012 video release via The Criterion Collection and supervised a 2K transfer from the YCM separation negatives from which he noticeably changed the original look of the film from a subdued sepia to a more rich "Technicolor" appearance. He also made a number of revisions, including the removal of the intermission thus creating a straight cut, reversed a "pull out" shot to a "pull in" and made a number of other tweaks as well as a re-tweak of the soundtrack. See more »
I'm only one of a very few people who has actually seen BOTH versions of "Heaven's Gate". A frequently asked question is "Why was it ripped apart so badly?" The answer lies in this story here:
In 1984 I rented "Heaven's Gate" in order to show a friend of mine who had wanted to know if the film was as bad as he had heard. About 50 or so minutes into the film, Averill walks into Casper, Wyoming, which at the time this scene takes place is 1890. The town is filled with many meticulously dressed pedestrians, and the streets are filled with horses and buggies. My friend starts laughing uncontrollably. I asked, "Did I miss something?" He pulls himself together and says, "You gotta be kidding. There ain't even that many people in Casper, Wyoming NOW."
That in a nutshell can easily describe what went wrong. The film reeks of a director desperately trying to convince us that this movie is very important and cries for us to think he's an absolute genius. Actors take long breaths between sentences as though they were going to choke on what they are saying (man, just wait till you get to the scene where the deathlist is read out - you truly believe he'll read all 125 names), while every shot is filled with either smoke or dust in order to give us the feeling that this is ART. Camino's intentions were honorable as I truly believed that he believed he was making a masterpiece. This is what happens when you go out to make a masterpiece. I had only wished he tried to go out and make a good western. Then this film might have worked.
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I'm only one of a very few people who has actually seen BOTH versions of "Heaven's Gate". A frequently asked question is "Why was it ripped apart so badly?" The answer lies in this story here:
In 1984 I rented "Heaven's Gate" in order to show a friend of mine who had wanted to know if the film was as bad as he had heard. About 50 or so minutes into the film, Averill walks into Casper, Wyoming, which at the time this scene takes place is 1890. The town is filled with many meticulously dressed pedestrians, and the streets are filled with horses and buggies. My friend starts laughing uncontrollably. I asked, "Did I miss something?" He pulls himself together and says, "You gotta be kidding. There ain't even that many people in Casper, Wyoming NOW."
That in a nutshell can easily describe what went wrong. The film reeks of a director desperately trying to convince us that this movie is very important and cries for us to think he's an absolute genius. Actors take long breaths between sentences as though they were going to choke on what they are saying (man, just wait till you get to the scene where the deathlist is read out - you truly believe he'll read all 125 names), while every shot is filled with either smoke or dust in order to give us the feeling that this is ART. Camino's intentions were honorable as I truly believed that he believed he was making a masterpiece. This is what happens when you go out to make a masterpiece. I had only wished he tried to go out and make a good western. Then this film might have worked.