The early life and career of Vito Corleone in 1920s New York City is portrayed, while his son, Michael, expands and tightens his grip on the family crime syndicate.
The presidencies of Kennedy and Johnson, the events of Vietnam, Watergate, and other history unfold through the perspective of an Alabama man with an IQ of 75.
In German-occupied Poland during World War II, industrialist Oskar Schindler gradually becomes concerned for his Jewish workforce after witnessing their persecution by the Nazis.
A thief who steals corporate secrets through the use of dream-sharing technology is given the inverse task of planting an idea into the mind of a C.E.O.
Director:
Christopher Nolan
Stars:
Leonardo DiCaprio,
Joseph Gordon-Levitt,
Ellen Page
A young F.B.I. cadet must receive the help of an incarcerated and manipulative cannibal killer to help catch another serial killer, a madman who skins his victims.
Director:
Jonathan Demme
Stars:
Jodie Foster,
Anthony Hopkins,
Lawrence A. Bonney
The story of Henry Hill and his life in the mob, covering his relationship with his wife Karen Hill and his mob partners Jimmy Conway and Tommy DeVito in the Italian-American crime syndicate.
A meek Hobbit from the Shire and eight companions set out on a journey to destroy the powerful One Ring and save Middle-earth from the Dark Lord Sauron.
The Godfather "Don" Vito Corleone is the head of the Corleone mafia family in New York. He is at the event of his daughter's wedding. Michael, Vito's youngest son and a decorated WW II Marine is also present at the wedding. Michael seems to be uninterested in being a part of the family business. Vito is a powerful man, and is kind to all those who give him respect but is ruthless against those who do not. But when a powerful and treacherous rival wants to sell drugs and needs the Don's influence for the same, Vito refuses to do it. What follows is a clash between Vito's fading old values and the new ways which may cause Michael to do the thing he was most reluctant in doing and wage a mob war against all the other mafia families which could tear the Corleone family apart.Written by
srijanarora-152-448595
While filming the hospital scenes, doctors and nurses kept sneaking through for a peek at Marlon Brando. See more »
Goofs
Before Vito is shot, he looks down the street and sees the two assassins turn a corner. They turn left to face towards him, indicating they were on the same side of the street as Vito. When they start running towards him, however, they step to the left to get on to the street. That would mean they had to be on the opposite side of the street. See more »
Quotes
[first lines]
Bonasera:
I believe in America. America has made my fortune. And I raised my daughter in the American fashion. I gave her freedom but I taught her never to dishonor her family. She found a "boy friend," not an Italian. She went to the movies with him. She stayed out late. I didn't protest. Two months ago he took her for a drive, with another boy friend. They made her drink whiskey and then they tried to take advantage of her. She resisted. She kept her honor. So they beat her. Like an animal...
[...] See more »
Crazy Credits
Although Mario Puzo is given possessory credit at the beginning, and is credited as a screenwriter at the end, no credit is given to him on-screen as author of the original novel, even though that credit is given on the poster. This credit does appear in the second film, however. See more »
Following Bonasera's exit in the first scene, Vito whistles at Sonny for not paying attention to business.
During the wedding reception, Tom Hagen informs Don Vito that consigliere Genco won't last the night in the hospital.
After the wedding, the Don and his sons are leaving the compound with Johnny Fontane to visit Genco. Vito asks Michael if Kay was able to get home all right.
In the hospital, the Don looks at Michael's military decorations with disdain then tells Michael that he has plans for him after graduation.
A dying Genco begs Vito to stay with him believing that Vito will somehow stop his death.
An extended version of Jack Woltz's party for his child star, Janie.
After being thrown out by Woltz, Tom looks up and sees Janie crying and her mother push her back into Woltz's bedroom.
Connie and Carlo argue and she runs crying into Mama's arms. Sonny wants to confront Carlo but Vito tells him not to interfere.
After Tom returns from Hollywood, he discusses with Vito what he has discovered about Woltz.
Michael and Kay are in their hotel bed in New York City and don't want to go to the family compound. Michael has Kay call Tom pretending to be an operator, then Michael tells Tom that they are in New Hampshire and will be at the compound the next day.
On the way to meet Sollozzo, Luca sees the nightclub's neon sign burn out.
Sonny gets a call from a detective telling him about his father's shooting. He then tries to call Tom.
Sonny tells Mama about the shooting. He then goes into Vito's study, calls Tessio and tells him to prepare his men. He then tries to call Luca.
A quick shot of Michael driving, returning home after his father's shooting and Rocco offering to escort Michael into the house.
Michael brings Tom's wife Theresa into the study where Sonny and Tessio are. Sonny comforts her and tells them both to wait outside but Michael stays. They discuss with Michael whether Clemenza or Paulie was the traitor. Michael tries to talk Sonny out of going to war stating Vito would not want it. Then Tom returns home and hugs Theresa.
Immediately following is a quick shot of the Corleone compound that dissolves to the scene where they discuss their next course of action.
Rocco admires Clemenza's car but Clemenza complains that the bumpers are wooden due to the war effort. He then tells Rocco that he is to kill Paulie.
Clemenza has Paulie check the hideout spot. He then has Paulie make a stop so he can buy some cannoli and have a meal at a restaurant.
In Sicily, Michael and the bodyguards watch a Communist demonstration march.
While relaxing in the afternoon sun, Fabrizio begs Michael to bring him along to America when he returns.
Michael and his bodyguards visit his father's childhood home and find it abandoned.
After Connie hangs up the phone on Carlo's "girlfriend", she then confronts him in the shower. Then, Carlo orders her to make him dinner.
Bonasera is shown getting ready to return his favor to Don Vito. Bonasera tells his wife who is helping him get dressed that maybe he will be asked to be an accomplice to murder.
After the car bomb, Michael wakes up in bed surrounded by nurses and Don Tommasino. Michael tells Tommasino to find Fabrizio and he passes out.
Michael and Vito talk in the new garden after his return from Sicily. Michael takes responsibility for avenging the deaths of Sonny and Apollonia so Vito will not have to break his promise to the other Dons.
Additional dialogue when Michael removes Tom from his position as consigliere.
The final scene is Kay in a Catholic church lighting candles and praying.
I love this movie and all of the GF movies. I see something new every time I have seen it (countless, truly). The story of tragedy and (little) comedy that exists in this film is easily understood by people all over the world. This film has been called an American story however I have met others who have seen this movie in other languages and they seem to have the same love and appreciation for it that I do. I love the characters and all of the different personalities that they represent not just in families but in society itself. It seems like the entire cast is part of every other movie that I love as well. The sounds, music, color and light in the film are just as much a part of the film as the people. This could be attributed to the method in which it was filmed. At many parts of the film I can still find myself feeling the emotions conveyed in the film. I never tire of appreciating this film. I thank God that FFC is an American treasure. We are fortunate to have him.
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I love this movie and all of the GF movies. I see something new every time I have seen it (countless, truly). The story of tragedy and (little) comedy that exists in this film is easily understood by people all over the world. This film has been called an American story however I have met others who have seen this movie in other languages and they seem to have the same love and appreciation for it that I do. I love the characters and all of the different personalities that they represent not just in families but in society itself. It seems like the entire cast is part of every other movie that I love as well. The sounds, music, color and light in the film are just as much a part of the film as the people. This could be attributed to the method in which it was filmed. At many parts of the film I can still find myself feeling the emotions conveyed in the film. I never tire of appreciating this film. I thank God that FFC is an American treasure. We are fortunate to have him.