A Secret Service agent is framed as the mole in an assassination attempt on the President. He must clear his name and foil another assassination attempt while on the run from a Secret Service Protective Intelligence Division agent.
A millionaire, a million-dollar prostitute, a star-maker, a nation-killer, a woman whose lusts are as cold as graveyard snow...Five of the most powerful people in the world, and Maggie ... See full summary »
A fashion model moves into a house inhabited (on the top floor) by a blind priest. She begins having strange physical problems, has trouble sleeping at night, and has some nasty flashbacks of her attempted suicide. She complains to the real estate agent of the noise caused by her strange neighbors, but finds out that the house is only occupied by the priest and herself, and ultimately discovers that she has been put in the house for a reason.Written by
Ed Sutton <email@example.com>
The book on John Milton that Professor Ruzinsky hands to Lerman was edited by Maurice Kelley (1903-1996), an actual Milton authority. See more »
(at around 36 mins) While Allison and the landlady are having coffee, the coffee cup is in the landlady's hand, then when the camera changes angles it's on the table, then back in her hand when the camera angle goes back. See more »
Look at this. William O'Rourke. Father Halliran? William O'Rourke, disappeared July 12, 1952 after attempted suicide.
They're the same man. William O'Rourke became a priest named Halliran.
Yes, but why?
I just open doors.
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The theatrical version (the version released on video in the US) has scenes that were removed or severely truncated for broadcast on American TV, due to nudity, sex, the use of real life dwarfs, mutilated and otherwise deformed people, and allegedly profane references to the Catholic Church. Among the scenes reduced or removed for broadcast were Alison's first suicide attempt, her first encounter with her father's zombie, and her tea with her lesbian neighbors. A few scenes that were added for the TV version include a brief scene after the climax which shows detectives Gatz and Rizzo arriving at the brownstone house the morning after and seeing Father Hallin being being carried out by paramedics on a stretcher and being informed that he died of a heart attack. See more »
Boasting an all-star cast so impressive that it almost seems like the "Mad Mad Mad Mad World" of horror pictures, "The Sentinel" (1977) is nevertheless an effectively creepy film centering on the relatively unknown actress Cristina Raines. In this one, she plays a fashion model, Alison Parker, who moves into a Brooklyn Heights brownstone that is (and I don't think I'm giving away too much at this late date) very close to the gateway of Hell. And as a tenant in this building, she suffers far worse conditions than leaky plumbing and the occasional water bug, to put it mildly! Indeed, the scene in which Alison encounters her noisy upstairs neighbor is truly terrifying, and should certainly send the ice water coursing down the spines of most viewers. Despite many critics' complaints regarding Raines' acting ability, I thought she was just fine, more than ably holding her own in scenes with Ava Gardner, Burgess Meredith, Arthur Kennedy, Chris Sarandon and Eli Wallach. The picture builds to an effectively eerie conclusion, and although some plot points go unexplained, I was left feeling more than satisfied. As the book "DVD Delirium" puts it, "any movie with Beverly D'Angelo and Sylvia Miles as topless cannibal lesbians in leotards can't be all bad"! On a side note, yesterday I walked over to 10 Montague Terrace in Brooklyn Heights to take a look at the Sentinel House. Yes, it's still there, and although shorn of its heavy coat of ivy and lacking a blind priest/nun at the top-floor window, looks much the same as it did in this picture. If this house really does sit atop the entrance to Hell, I take it that Hell is...the Brooklyn Queens Expressway. But we New Yorkers have known THAT for some time!
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