7.5/10
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Straw Dogs (1971)

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A young American and his English wife come to rural England and face increasingly vicious local harassment.

Director:

Sam Peckinpah

Writers:

David Zelag Goodman (screenplay), Sam Peckinpah (screenplay) | 1 more credit »
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Popularity
3,007 ( 971)
Nominated for 1 Oscar. Another 1 win & 1 nomination. See more awards »

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Cast

Complete credited cast:
Dustin Hoffman ... David Sumner
Susan George ... Amy
Peter Vaughan ... Tom Hedden
T.P. McKenna ... Maj. John Scott
Del Henney Del Henney ... Charlie Venner
Jim Norton ... Chris Cawsey
Donald Webster Donald Webster ... Riddaway
Ken Hutchison ... Norman Scutt
Len Jones Len Jones ... Bobby Hedden
Sally Thomsett Sally Thomsett ... Janice Hedden
Robert Keegan Robert Keegan ... Harry Ware
Peter Arne ... John Niles
Cherina Schaer Cherina Schaer ... Louise Hood
Colin Welland ... Rev. Barney Hood
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Storyline

Upon moving to Britain to get away from American violence, astrophysicist David Sumner and his wife Amy are bullied and taken advantage of by the locals hired to do construction. When David finally takes a stand it escalates quickly into a bloody battle as the locals assault his house. Written by Andrew Hyatt <dres@uiuc.edu>

Plot Summary | Plot Synopsis

Taglines:

How far will a man go to protect his wife and his home? See more »

Genres:

Crime | Drama | Thriller

Motion Picture Rating (MPAA)

Rated R for strong brutal violence including a sexual attack, menace, some sexual content, and pervasive language | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

UK | USA

Language:

English

Release Date:

30 January 1972 (UK) See more »

Also Known As:

Strawdogs See more »

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Box Office

Budget:

$3,251,794 (estimated)
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (uncut)

Sound Mix:

Mono

Color:

Color (Eastmancolor) (uncredited)| Black and White (opening credits)

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

The movie's poster was ranked #12 of "The 25 Best Movie Posters Ever" by Premiere. See more »

Goofs

The men open the mantrap for display then ask where to put it. They are asked to hang it above the fireplace. The guns which were hanging there whilst they opened the trap have, in the meantime, disappeared. See more »

Quotes

David Sumner: Jesus. I got 'em all!
See more »

Alternate Versions

Available in an edited 113 min R-rated version in addition to the uncut, unrated 118 min. version (that has been released by Anchor Bay Entertainment and MGM.) See more »

Connections

Referenced in A Decade Under the Influence (2003) See more »

Soundtracks

Symphony No.94
(The "Surprise") (uncredited)
Music by Franz Joseph Haydn
See more »

Frequently Asked Questions

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User Reviews

 
reacting as an animal to an animal doesn't make you an animal
9 May 2008 | by tmwestSee all my reviews

Somehow this movie reminds me of a scene in "A King in New York" where the king (Charles Chaplin) goes to visit a school and the pupils start throwing pieces of cake at him. At the beginning he tries to act dignified and ignore it, but then he ends up also throwing pieces of cake. Dustin Hoffman is David, a peaceful guy who starts being provoked by the hoodlums he contracted to fix his garage. He does not know their real bad characters so he is caught off guard and his lack of reaction can be attributed to that. He is far from being a coward as the film will show later on. Susan George is his wife Amy who makes a point of being sexy. She starts feeling her husband is a coward and her contradictory feelings during the magnificently made rape scene are an unconscious reaction to that. When the second man shows up to rape her, the humiliation which was already unbearable is multiplied. A similar situation occurs between Niles, the town idiot, and a girl. David gives Niles shelter in his house. The irony of the film is that the hoodlums come to lynch Niles for a crime they just practiced. David answers them on the same level. Did he become an animal like them? Definitely not, the bitter truth is that one does not always choose the weapons he fights with. This is Peckinpah's best film.


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