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Straw Dogs (1971)

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A young American and his English wife come to rural England and face increasingly vicious local harassment.

Director:

Sam Peckinpah

Writers:

David Zelag Goodman (screenplay), Sam Peckinpah (screenplay) | 1 more credit »
Reviews
Popularity
664 ( 2,600)
Nominated for 1 Oscar. Another 1 win & 1 nomination. See more awards »

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Cast

Complete credited cast:
Dustin Hoffman ... David Sumner
Susan George ... Amy
Peter Vaughan ... Tom Hedden
T.P. McKenna ... Maj. John Scott
Del Henney Del Henney ... Charlie Venner
Jim Norton ... Chris Cawsey
Donald Webster Donald Webster ... Riddaway
Ken Hutchison ... Norman Scutt
Len Jones Len Jones ... Bobby Hedden
Sally Thomsett Sally Thomsett ... Janice Hedden
Robert Keegan Robert Keegan ... Harry Ware
Peter Arne ... John Niles
Cherina Schaer Cherina Schaer ... Louise Hood
Colin Welland ... Rev. Barney Hood
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Storyline

Upon moving to Britain to get away from American violence, astrophysicist David Sumner and his wife Amy are bullied and taken advantage of by the locals hired to do construction. When David finally takes a stand it escalates quickly into a bloody battle as the locals assault his house. Written by Andrew Hyatt <dres@uiuc.edu>

Plot Summary | Plot Synopsis

Taglines:

Sometimes a man is forced to defend his honor. See more »

Genres:

Crime | Drama | Thriller

Motion Picture Rating (MPAA)

Rated R for strong brutal violence including a sexual attack, menace, some sexual content, and pervasive language | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

UK | USA

Language:

English

Release Date:

30 January 1972 (UK) See more »

Also Known As:

Strawdogs See more »

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Box Office

Budget:

$3,251,794 (estimated)

Cumulative Worldwide Gross:

$11,148,828, 31 December 1983
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (uncut)

Sound Mix:

Mono

Color:

Color (Eastmancolor) (uncredited)| Black and White (opening credits)

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

Sam Peckinpah wanted Richard Harris or Peter O'Toole for the role of Charlie Vennor and the DVD contains an extract from his original letter to Harris. See more »

Goofs

When Amy fires the shotgun at the last attacker both the hammers are in the 'uncocked' position. She would need to pull the hammer of the relevant barrel backwards to cock the gun. See more »

Quotes

Amy Sumner: David, give Niles to them. That's what they want. They just want him. Give them Niles, David!
David Sumner: They'll beat him to death.
Amy Sumner: I don't care! Get him out!
David Sumner: You really don't care, do you?
Amy Sumner: No, I don't.
David Sumner: No. I care. This is where I live. This is me. I will not allow violence against this house.
See more »

Alternate Versions

The video version was twice rejected by the British Board of Film Classification in 1999 after the distributors refused to cut forcible stripping and any signs that Susan George was "enjoying" the rape. Video versions were available in Britain before the 1984 law which required all videos to be classified. There were two such releases, one of which was uncut, and one which lost some dialogue due to print damage. As of 1st July 2002, the full version of the film has been passed uncut for video and DVD release by the BBFC. See more »

Connections

Featured in This Film Is Not Yet Rated (2006) See more »

Soundtracks

Brandenburg Concerto
(uncredited)
Music by Johann Sebastian Bach
See more »

Frequently Asked Questions

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User Reviews

 
Years ahead of its time
18 February 2006 | by itamarscomixSee all my reviews

Sam Pecknpah followed his extremely violent and critically acclaimed 'The Wild Bunch' with the even more violent 'Straw Dogs', which didn't sit as well with the critics; in fact, 'Straw Dogs' was shocking enough to be banned in the UK where it was filmed, although in the US it was released with an X rating. Critics attacked it as being overtly violent and sexual, and entirely missed the message Peckinpah was making. Three and a half decades later, though, it's easier to appreciate 'Straw Dogs' for the groundbreaking creation that it was, and its influence can clearly be seen in the works of such contemporary directors as David Fincher, David Lynch and Todd Solondz, among others.

With hindsight, it's hard to miss the fact that the sexual and violent content of 'Straw Dogs' isn't a whole lot more shocking than that of Kubrick's 'A Clockwork Orange', released that very same month. 'A Clockwork Orange' also created its own share of controversy, of course; yet somehow it was more rapidly recognized as the masterpiece it is by critics than 'Straw Dogs'. In part, I think that's due to the fact that while 'A Clockwork Orange' is an ultra-violent surreal fantasy from its very beginning, 'Straw Dogs' seems entirely innocent at first, like a very realistic and light-hearted drama, and the violence builds gradually throughout the film. That sense of realism, which 'A Clockwork Orange' never pretends to, makes 'Straw Dogs' much more difficult to take as an analogy; it cries out to be taken at face value, which makes it much more difficult to swallow.

Dustin Hoffman was never an actor to fear controversy, and 'Straw Dogs' catches him right at the peak of his best years as an actor, after 'The Graduate', 'Midnight Cowboy' and 'Little Big Man', and before 'Lenny', 'Papillon' and 'All The President's Men'. His performance is as amazing as in any of these, and again Hoffman proves his rare range, as well as his sensitivity; his performance carries the film to true excellence, and perhaps that's the other reason that the film was a bit more difficult to take than 'A Clockwork Orange' – to take nothing away from the wonderful Malcolm McDowell, what 'A Clockwork Orange' simply didn't have was a protagonist for the viewer to identify with, and therefore, like I stated before, it was easier to take as an analogy, and Alex functioned more as a symbolic and iconic character than as a real human being. David Sumner, on the other hand, is a remarkably realistic and convincing character, and one that is very easy to relate to, which makes the change that comes over him towards the end of the film all the more shocking. Again, it is that building up of tension that makes 'Straw Dogs' such a powerful experience.

'Straw Dogs' is a film that creates controversy and disagreements, and so it should. It's easy to create controversy with sex and violence; but many years later that initial shock fades, and the real test is whether or not the film stands the trial of time and still manages to shock and engross. Like 'A Clockwork Orange', 'Straw Dogs' stands that test. Love it or hate it, it's hard to deny that it's an important and influential film, and it's essential viewing for any film lover.


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