Victor and Hillary are down on their luck to the point that they allow tourists to take guided tours of their castle. But Charles Delacro, a millionaire oil tycoon, visits, and takes a ... See full summary »
In San Francisco in 1850, a Russian Countess runs away from an arranged marriage to a Russian Prince and falls into the arms of an American sea captain who occasionally poaches seals in Russian Alaska.
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Charles Dyer and Harry Leeds are a couple that have been living together for nearly 20 years. Both earn a living as hairdressers in the West End of London and both care deeply for their ... See full summary »
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Professor David Pollock is an expert in ancient Arabic hieroglyphics. A Middle Eastern Prime Minister convinces Pollock to infiltrate the organization of a man named Beshraavi, who is involved in a plot against the Prime Minister. The nature of the plot is believed to be found in a hieroglyphic code. Beshraavi's mistress, Yasmin Azir is a beautiful mystery who becomes intertwined in the plot. Pollock needs her help, but she repeatedly double crosses him in one escapade after another, he can't decide on who she is working for. Ultimately working together, Pollock and Yasmin decipher the message and set out to stop an assassination of the Prime Minister.Written by
E.W. DesMarais <firstname.lastname@example.org>
When Peck/Loren are escaping from a helicopter, the filming crew is clear visible on the right side of a bridge (in the helicopters' POV) See more »
[Prime Minister has arrived, weather is quite rainy]
What are your first impressions?
We could use some of your English rain in our dry country. In our country, there's a great deal of oil and very little water. A highly inflammable situation.
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In the original UK release Gregory Peck sings "Candy! I Call My Sugar Candy!" while in the US version he sings "Candy! I Keep My Candy Handy!". The US version is obviously dubbed while the UK retains the original line. See more »
Sometimes it's difficult to say why one likes a film.
Undoubtedly, what is most memorable about this film is Sofia Loren (as with any of her films). She remains beautiful and charming regardless of the script's worth Admittedly, the script isn't worth much; Peck's character is given all these imitation-Bond one-liners that are like listening to a relative speak only in bad puns, as some of my relatives do. The plot is only fair, and some of the plot-twists absurd. The film is over-long and wallows in its own cleverness. Undoubtedly, some of the visuals in this film are just experiments in '60s psychedelic 'hip' - occasionally confusing, utterly annoying.
But the film gets carried by Peck, hammy but companionable, and Ms. Loren. It's definitely entertaining, and more than one scene may stick with you for some years - although I find it difficult to say just why. My suspicion is that the glittery surface of the film, which is very light, is used to make palatable realities that are very dark - like the drowning of the killer in the aquarium. Ultimately the film feeds on the ambivalence of the audience, because in part it generates this ambivalence intentionally.
Hardly a great film, in some ways a bad film, but worth a couple hours entertainment.
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