In San Francisco in 1850, a Russian Countess runs away from an arranged marriage to a Russian Prince and falls into the arms of an American sea captain who occasionally poaches seals in Russian Alaska.
Victor and Hillary are down on their luck to the point that they allow tourists to take guided tours of their castle. But Charles Delacro, a millionaire oil tycoon, visits, and takes a ... See full summary »
Victor Fabian is a musical genius whose eccentricities are kept in check by his wife, until she discovers him "auditioning" a sultry young pianist. She walks out on him and his career ... See full summary »
Professor David Pollock is an expert in ancient Arabic hieroglyphics. A Middle Eastern Prime Minister convinces Pollock to infiltrate the organization of a man named Beshraavi, who is involved in a plot against the Prime Minister. The nature of the plot is believed to be found in a hieroglyphic code. Beshraavi's mistress, Yasmin Azir is a mystery intertwined in the plot. Pollock needs her help, but when she repeatedly seems to double cross him in one escapade after another, he can't decide on whose side she is working. Ultimately working together, Pollock and Yasmin decipher the plot and set out to stop an assassination of the Prime Minister.Written by
E.W. DesMarais <email@example.com>
During filming Gregory Peck gave a surprisingly frank interview on the declining state of his career and the film industry in general. See more »
The interior of the Rolls Royce at the beginning changes between shots. See more »
[Prime Minister has arrived, weather is quite rainy]
What are your first impressions?
We could use some of your English rain in our dry country. In our country, there's a great deal of oil and very little water. A highly inflammable situation.
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In the original UK release Gregory Peck sings "Candy! I Call My Sugar Candy!" while in the US version he sings "Candy! I Keep My Candy Handy!". The US version is obviously dubbed while the UK retains the original line. See more »
Sophia Loren and Gregory Peck team up in this virtual re-make/sequel to director Stanley Donen's Charade, made three years earlier. Then it a glamorous couple being chased around Paris. Here it is an equally glamorous couple being chased around London, with the Zoo and Ascot races playing the backdrop to the film's key action sequences. Like the Grant character in Charade, it is impossible to work out just which side Loren is on until the film's final stages. The plot (in which Egyptology Professor Peck tries to unscramble a hieroglyphic for madman Alan Badel and Israeli agent Kieron Moore) is as dispensable as Charade's was. This is not quite up to the standard of the earlier film, but never mind, the action is breathtaking, the finale genuinely surprising, and the Mancini score is riveting.
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