The Mechanic

Michael Winner is not very popular these days. Some see him as a mediocre film maker. I would disagree with that: Winner has made some very good films and some which are not memorable so I would rank him with Val Guest as a very talented director who also works as a craftsman. The Mechanic is a good example of Winner at his best. He tells the story of a lone hit-man who seems to have no feelings at all and operates detached from the outside world almost like a Samurai. However, below that surface we see a very lonely man who pays a hooker to write him love letters and who suffers from depression and anxiety. He is a man of contradictions, a cultivated lover of classical music and fine wine and also ruthless killer. My only misgiving about the film is that I just don't see that degree of being torn between two extremes in Bronson's performance. I wonder what an actor like Clint Eastwood would have made of that role. Anyway, this leads to him adopting a seemingly kindred spirit as an apprentice to murder. Ironically, he is the son of his last victim. That is seen as breaking the rules by the organisation he seemingly freelances for and he realizes that he is not as independent as he thought he was. So both men are hunted and eventually set against each other. Bronson loses but the motive is not revenge, simply the lust to kill. The film then ends with a very twisted ending that makes you wonder whether Bronson's character really committed suicide through a third person. The story is originally and well paced with some spectacular action scenes. So all in all the film is both intelligent as well as full of suspense. Very, very watchable!