IMDb RATING
7.3/10
3.5K
YOUR RATING
A middle-aged iconoclast, doggedly avoiding the tedium of employment and conventional life, faces the prospect of losing custody of his young ward.A middle-aged iconoclast, doggedly avoiding the tedium of employment and conventional life, faces the prospect of losing custody of his young ward.A middle-aged iconoclast, doggedly avoiding the tedium of employment and conventional life, faces the prospect of losing custody of his young ward.
IMDb RATING
7.3/10
3.5K
YOUR RATING
- Director
- Writer
- Herb Gardner(screenplay)
- Stars
- Director
- Writer
- Herb Gardner(screenplay)
- Stars
- Won 1 Oscar
- 4 wins & 7 nominations total
Philip Bruns
- The Man in the Restaurant
- (as Phil Bruns)
John McMartin
- The Man in the Office
- (as John MacMartin)
Garrett Cassell
- News Reporter
- (uncredited)
Barry Pearl
- Nick Burns' Double
- (uncredited)
- Director
- Writer
- Herb Gardner(screenplay) (based on his original play)
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaThis movie features a scene where Jason Robards walks in front of the Lincoln Center for the Performing Arts during its construction.
- GoofsAfter Leo leaves the apartment, two different cardboard cutouts of him are used, with different facial appearances.
- Quotes
Murray: I just want him to stay with me until I can be sure he won't turn into Norman Nothing. I want to be sure he'll know when he's chickening out on himself. I want him to get to know exactly the special thing he is or else he won't notice it when it starts to go. I want him to stay awake and know who the phonies are, I want him to know how to holler and put up an argument, I want a little guts to show before I can let him go. I want to be sure he sees all the wild possibilities. I want him to know it's worth all the trouble just to give the world a little goosing when you get the chance. And I want him to know the subtle, sneaky, important reason why he was born a human being and not a chair.
- Crazy creditsIn opening credits: and introducing Barry Gordon as Nick. In the end credits, Gordon is credited to all the different names his character has tried: Nick Burns, Wilbur Malcome Burns, Theodore Burns, Raphael Sabatini, Dr. Morris Fishbein, Woodrow Burns, Chevrolet Burns, Big Sam Burns and Lefty Burns. In the film, however, he is called Nick, Nicky, and Nicholas.
- ConnectionsFeatured in The 68th Annual Academy Awards (1996)
- SoundtracksA Thousand Clowns
(1965)
Written by Judy Holliday and Gerry Mulligan
Sung by Rita Gardner
[Played before the opening titles]
Review
Featured review
Delightful and thought-provoking
I loved this movie passionately the first time I saw it, which was almost 30 years ago, and I love it every single time I watch it. Certainly aspects of it have gotten more meaningful as I've gotten older. The cast, full of people I had no idea of at the age of 10, turned out to be full of some of my all-time favorite actors (William Daniels, Barbara Harris, Jason Robards...how can you go wrong?)
I think some of the reviewers here (especially the ones giving it mixed reviews) are under the impression that the viewer is supposed to view Murray as a totally sympathetic character. He's not, and I don't think he's intended to be. Murray is really fun to be around for over half the movie; you're rooting for him all the way. As Sandy says, "No wonder Nick loves it here. I'd love to live here too if I were eleven years old!" When it's really time for Murray to settle down and do something to keep Nick, he can't bring himself to do it, and his free-spirited ways start looking, to the objective viewer, shallow and irresponsible. Murray needs to grow up, and do it fast, and growing up means compromising. That's the lesson; not that Murray was right all along, but that you can't be completely free if you do in fact have something left to lose, and Murray does. But life isn't a black and white choice between happiness and unhappiness, it's a continuum, and sometimes "doing the best you can" is enough.
I found it truly interesting that, throughout the movie, Nick was what Murray describes as "a middle-aged kid," seeming older than Murray himself. At the end, when Murray grows up, Nick seems to revert. He throws a full-scale tantrum, and that's the first time in the whole movie I remembered he was actually a child. I think that's a testament to Gordon's skill as an actor.
For anyone who read/saw the play: the director didn't seem to quite "get" the point of the play, and changed the end of the first and second (or is it second/third? I don't have it in front of me) to make the end of the movie more of a downer than the play. I never quite forgave him for that. The end of the play suggested that compromises have to be made, life goes on and it can even be good. The end of the movie seems to suggest that the last scene was unsubtly a "sell-out." I disagree. But I still loved the movie.
"Getting back to reality..." "I'll only go as a tourist!"
I think some of the reviewers here (especially the ones giving it mixed reviews) are under the impression that the viewer is supposed to view Murray as a totally sympathetic character. He's not, and I don't think he's intended to be. Murray is really fun to be around for over half the movie; you're rooting for him all the way. As Sandy says, "No wonder Nick loves it here. I'd love to live here too if I were eleven years old!" When it's really time for Murray to settle down and do something to keep Nick, he can't bring himself to do it, and his free-spirited ways start looking, to the objective viewer, shallow and irresponsible. Murray needs to grow up, and do it fast, and growing up means compromising. That's the lesson; not that Murray was right all along, but that you can't be completely free if you do in fact have something left to lose, and Murray does. But life isn't a black and white choice between happiness and unhappiness, it's a continuum, and sometimes "doing the best you can" is enough.
I found it truly interesting that, throughout the movie, Nick was what Murray describes as "a middle-aged kid," seeming older than Murray himself. At the end, when Murray grows up, Nick seems to revert. He throws a full-scale tantrum, and that's the first time in the whole movie I remembered he was actually a child. I think that's a testament to Gordon's skill as an actor.
For anyone who read/saw the play: the director didn't seem to quite "get" the point of the play, and changed the end of the first and second (or is it second/third? I don't have it in front of me) to make the end of the movie more of a downer than the play. I never quite forgave him for that. The end of the play suggested that compromises have to be made, life goes on and it can even be good. The end of the movie seems to suggest that the last scene was unsubtly a "sell-out." I disagree. But I still loved the movie.
"Getting back to reality..." "I'll only go as a tourist!"
helpful•633
- deirdre-3
- Aug 10, 2003
Details
- Release date
- Country of origin
- Language
- Also known as
- A Thousand Clowns
- Filming locations
- Production company
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $5,232,000
- Runtime1 hour 58 minutes
- Color
- Aspect ratio
- 1.66 : 1
Contribute to this page
Suggest an edit or add missing content

























