In this week’s International TV Newswire, Netflix goes back to the Flx well in Sweden, “The Bureau” is selected to close Canneseries, BBC4 picks up two new series for its Saturday night lineup, Endemol Shine announces a “Love is Forever” spinoff in Spain, and Conecta Fiction earns the honor of selecting this year’s International Emmy Short-Form semi-finalists.
Netflix Commissions Third Swedish Original, “Love & Anarchy”
Created by Swedish screenwriter Lisa Langseth, “Love & Anarchy” has been announced as Netflix’s third Original Series from Sweden. Production company Flx will produce, marking the renewal of a partnership with Netflix which began when the company produced the platform’s first Swedish Original, “Quicksand.” “Love & Anarchy” follows Sofie, played by “A Man Called Ove’s” Ida Engvoll, a career driven consultant and mother of two assigned to modernize an outdated publishing house. Upon her arrival, a flirty relationship kicks off with young It tech Max,...
Netflix Commissions Third Swedish Original, “Love & Anarchy”
Created by Swedish screenwriter Lisa Langseth, “Love & Anarchy” has been announced as Netflix’s third Original Series from Sweden. Production company Flx will produce, marking the renewal of a partnership with Netflix which began when the company produced the platform’s first Swedish Original, “Quicksand.” “Love & Anarchy” follows Sofie, played by “A Man Called Ove’s” Ida Engvoll, a career driven consultant and mother of two assigned to modernize an outdated publishing house. Upon her arrival, a flirty relationship kicks off with young It tech Max,...
- 2/14/2020
- by Jamie Lang and John Hopewell
- Variety Film + TV
Exclusive: Euro exhibition group Europa Cinemas, sales agent network Europa International and U.S. indie theater circuit Art House Convergence have set the films and speakers for the second Tales of Europe Exhibitor Exchange Program.
The program aims to strengthen the relationship between North American and European exhibitors and give European films without U.S. distribution a chance to shine.
The first seminar of this year’s event, the Audience Development & Innovation Lab at Cinetecca di Bologna, will take place during the Il Cinema Ritrovato Festival in Bologna, June 22-26, 2019. It’s the first time U.S. exhibitors will be in Europe as part of the program.
Attending U.S. exhibitors will be Dylan Skolnick, Lawren Desai, Landee Bryant, Rochelle Walters and Barak Epstein.
The program funds the trip as well as the travel and accommodation for U.S. exhibitors attending the bi-annual Network Conference, taking place in Lisbon, Portugal, November 21-24, 2019 and the Audience Development & Innovation Lab in Sofia, Bulgaria in March 2020.
The program selected 12 European films without U.S. distribution as part of this year’s showcase with many based on the themes of immigration and identity. The films debuted over the last year at international festivals including Berlin, Cannes, Sundance and Toronto.
2019 Movie Program:
A Polar Year, dir. Samuel Collardey, Greenland
Amateurs, dir. Gabriela Pichler, Sweden
Cops, dir. Stefan A Lukacs, Austria
I Still Hide to Smoke, dir. Rayhana, Algeria
Killing God, dir. Albert Pintó, Caye Casas, Spain
L’Animale, dir. Katharina Mückstein, Austria
Mug, dir. Malgorzata Szumowska, Poland
Murer: Anatomy of a Trial, dir. Christian Frosch, Austria
Pororoca, dir. Constantin Popescu, Romania
Taranta on the Road, dir. Salvatore Allocca, Italy
The Final Adventure of Kaktus Kid, dir. Djordje Markovic, Serbia
The Venerable W, dir. Barbet Schroeder, Myanmar...
The program aims to strengthen the relationship between North American and European exhibitors and give European films without U.S. distribution a chance to shine.
The first seminar of this year’s event, the Audience Development & Innovation Lab at Cinetecca di Bologna, will take place during the Il Cinema Ritrovato Festival in Bologna, June 22-26, 2019. It’s the first time U.S. exhibitors will be in Europe as part of the program.
Attending U.S. exhibitors will be Dylan Skolnick, Lawren Desai, Landee Bryant, Rochelle Walters and Barak Epstein.
The program funds the trip as well as the travel and accommodation for U.S. exhibitors attending the bi-annual Network Conference, taking place in Lisbon, Portugal, November 21-24, 2019 and the Audience Development & Innovation Lab in Sofia, Bulgaria in March 2020.
The program selected 12 European films without U.S. distribution as part of this year’s showcase with many based on the themes of immigration and identity. The films debuted over the last year at international festivals including Berlin, Cannes, Sundance and Toronto.
2019 Movie Program:
A Polar Year, dir. Samuel Collardey, Greenland
Amateurs, dir. Gabriela Pichler, Sweden
Cops, dir. Stefan A Lukacs, Austria
I Still Hide to Smoke, dir. Rayhana, Algeria
Killing God, dir. Albert Pintó, Caye Casas, Spain
L’Animale, dir. Katharina Mückstein, Austria
Mug, dir. Malgorzata Szumowska, Poland
Murer: Anatomy of a Trial, dir. Christian Frosch, Austria
Pororoca, dir. Constantin Popescu, Romania
Taranta on the Road, dir. Salvatore Allocca, Italy
The Final Adventure of Kaktus Kid, dir. Djordje Markovic, Serbia
The Venerable W, dir. Barbet Schroeder, Myanmar...
- 6/19/2019
- by Andreas Wiseman
- Deadline Film + TV
Jacques Audiard, whose latest film “The Sisters Brothers” with John C. Reilly, Joaquin Phoenix and Jake Gyllenhaal earned him a best director prize at Venice, will make his TV debut with the Canal Plus hit original spy series “The Bureau.”
The Palme d’Or winning director of “Dheepan” will direct some episodes of the fifth and final season of “The Bureau,” along with the series creator Eric Rochant, Jérôme Salle, Thomas Bidegain, Anna Novion, Samuel Collardey and Mathieu Kassovitz, who is also the star of “The Bureau.”
Audiard, one of France’s most revered filmmakers, also co-wrote the fifth season of “The Bureau” with Bidegain, his writing partner on several films including “The Sisters Brothers,” as well as Cécile Ducrocq, Capucine Rochant, Hippolyte Girardot, Dominique Baumard, Camille de Castelnau, Olivier Dujols, Raphaël Chevènement, with the collaboration of Valentine Milville.
“The Bureau” revolves around a member of a clandestine branch of...
The Palme d’Or winning director of “Dheepan” will direct some episodes of the fifth and final season of “The Bureau,” along with the series creator Eric Rochant, Jérôme Salle, Thomas Bidegain, Anna Novion, Samuel Collardey and Mathieu Kassovitz, who is also the star of “The Bureau.”
Audiard, one of France’s most revered filmmakers, also co-wrote the fifth season of “The Bureau” with Bidegain, his writing partner on several films including “The Sisters Brothers,” as well as Cécile Ducrocq, Capucine Rochant, Hippolyte Girardot, Dominique Baumard, Camille de Castelnau, Olivier Dujols, Raphaël Chevènement, with the collaboration of Valentine Milville.
“The Bureau” revolves around a member of a clandestine branch of...
- 6/7/2019
- by Elsa Keslassy
- Variety Film + TV
A wet-behind-the-ears teacher in a classroom full of unruly kids — it's a timeless setup, and the core of French filmmaker Samuel Collardey's Greenland-set documentary. But in A Polar Year the usual new-instructor challenges are amplified by the very loaded cultural divide between European interloper and indigenous Inuit people. Focusing on the young, adventure-seeking Dane and one of his students, Collardey has crafted a memorable portrait of a remote setting and the relationships that slowly develop there.
Further festival travels are surely in store for the film, whose big-screen-ready visuals offer striking views of the pristine, often frozen landscape and...
Further festival travels are surely in store for the film, whose big-screen-ready visuals offer striking views of the pristine, often frozen landscape and...
- 1/29/2018
- by Sheri Linden
- The Hollywood Reporter - Movie News
I Am Not A Witch among titles supported.
Source: Kinology
I Am Not A Witch
European Film Promotion (Efp) is backing nine European features that are travelling to this month’s Sundance Film Festival (January 18-28).
Through its Film Sales Support programme, the organisation is giving a €35,000 boost to the marketing of the selected titles.
Four of the titles are screening in Sundance’s World Cinema Dramatic Competition: Isold Uggadottir’s And Breathe Normally (The Match Factory), Gustav Möller’s The Guilty (TrustNordisk), Isabella Eklöf’s Holiday (Heretic Outreach), and Babis Makridis’ Pity (New European Film Sales).
A further four are in the World Cinema Documentary Competition: Christian Frei’s Genesis 2.0 (Rise and Shine World Sales), Talal Derki’s Of Fathers And Sons (Autlook Filmsales), Samuel Collardey’s A Polar Year (Kinology), and Lorna Tucker’s Westwood (Dogwoof).
Finally, in Sundance’s Spotlight section, Rungano Nyoni’s Bafta-nominated I Am Not A Witch (Kinology) will also receive...
Source: Kinology
I Am Not A Witch
European Film Promotion (Efp) is backing nine European features that are travelling to this month’s Sundance Film Festival (January 18-28).
Through its Film Sales Support programme, the organisation is giving a €35,000 boost to the marketing of the selected titles.
Four of the titles are screening in Sundance’s World Cinema Dramatic Competition: Isold Uggadottir’s And Breathe Normally (The Match Factory), Gustav Möller’s The Guilty (TrustNordisk), Isabella Eklöf’s Holiday (Heretic Outreach), and Babis Makridis’ Pity (New European Film Sales).
A further four are in the World Cinema Documentary Competition: Christian Frei’s Genesis 2.0 (Rise and Shine World Sales), Talal Derki’s Of Fathers And Sons (Autlook Filmsales), Samuel Collardey’s A Polar Year (Kinology), and Lorna Tucker’s Westwood (Dogwoof).
Finally, in Sundance’s Spotlight section, Rungano Nyoni’s Bafta-nominated I Am Not A Witch (Kinology) will also receive...
- 1/11/2018
- by Tom Grater
- ScreenDaily
The Franco-American Cultural Fund, celebrating its 20th anniversary this year, has announced the program for the 20th Colcoa French Film Festival that will run April 18-26 at the Directors Guild of America in Los Angeles. The festival will showcase a record 70 films and television series - among them 64 in competition for Colcoa Awards - including four World Premieres, seven International Premieres, 19 North American or U.S. Premieres, 17 West Coast Premieres - and 21 new shorts. Colcoa, is now the world's largest event dedicated to French films and television.
"This 20th anniversary deserves a spectacular, strong program that reflects the diversity of French production, as well as the creativity and dynamism of French filmmakers and producers," stated François Truffart, Colcoa Executive Producer and Artistic Director. "More than ever, we are about to involve audiences in a journey that will stir them, make them laugh, cry, tickle their curiosity, and help them remain optimistic, while recognizing the urgent world zeitgeist."
"20 years is an achievement for any film festival in Hollywood. This would not have been possible without the commitment of the Franco-American Cultural Fund - a unique partnership of the DGA, the Mpa, la Sacem and the WGA West - creator of the festival in 1996 and supporter of its subsequent development. We also salute French sales companies, official supporters, sponsors, and U.S. distributors, whose loyalty and trust have given the festival its continuing excellence," he added.
Colcoa will open Monday, April 18th with the North American Premiere of "Monsieur Chocolat," a biopic about the first French black clown, co-written by Cyril Gely, Olivier Gorce, Gérard Noiriel, Roschdy Zem, directed by Roschdy Zem, and starring Omar Sy and James Thiérrée. The film will be presented in association with Gaumont, which celebrates its 120th anniversary.
The festival will close its competition on Monday, April 25th with the World Premiere of "Up For Love," the new romantic comedy written and directed by Laurent Tirard, starring Academy Award winner Jean Dujardin and Virginie Efira. "Call My Agent" (Season 1), the most popular French TV series of the year, about a talent agency with actors playing their own roles, will close the Colcoa TV Competition.
Two other TV series, shown for the first time in North America, will be part of the program, presented in association with TV France International and Titrafilm: "The Disappearance," a drama co-written by Marie Deshaires and Catherine Touzet and directed by Charlotte Brändström; and "The Secret of Elise," a supernatural drama written by lsa Marpeau, Marie Vinoy, Marie Deshaires, and Catherine Touzet and directed by Alexandre Laurent, Samir Boitard, Mathieu Simonet, and Mehdi Meskar. The first two episodes of each series will be shown to the Colcoa audience.
To complete the competition, five TV movies will premiere at Colcoa: the North American Premiere of "Borderline," a thriller co-written and directed by Olivier Marchal, the International Premiere of "Carpets and Chaos," a comedy co-written and directed by Nader Takmil Homayoun, the International Premiere of "Stolen Babies," a drama written by Julie Jézéquel and directed by Golden Globe winner Alain Berliner; the International Premiere of "The Wall-Crosser," a fantasy written and directed by Dante Desarthes, based on Marcel Aymé's book; and the North American Premiere of "Woman Under the Influence," a drama written and directed by Claude-Michel Rome.
The feature film selection (40 features and documentaries and 21 shorts), will feature exclusive presentations. "Fanny's Journey," an epic drama written and directed by Lola Doillon, starring Cecile de France, is also a World Premiere. The U.S. Premiere of the thriller "Made in France," written and directed by Nicolas Boukhrief, is a film which did not have theatrical release in France because of sensitivity following the recent terrorist attacks in Paris. Colcoa also will present the U.S. Premiere of Robert Guédiguian's provocative film about the Armenian genocide, "Don't Tell Me the Boy Was Mad." The U.S. Premiere of Oscar ® winner Claude Lelouch's new film "Un plus Une," starring Jean Dujardin and Elsa Zylberstein, will screen, in addition to another U.S. Premiere of "All Gone South," the comedy sequel co-written and co-directed by Nicolas Benamou and Philippe Lacheau, two years after the success of Babysitting at Colcoa in 2014.
Several established writers/directors return and other known artists have been selected: Academy Award nominee Christian Carion ("Come What May"- with Cohen Media Group), Anne Fontaine ("The Innocents" - with Music Box Films), Vincent Garencq ("Kalinka"), Academy Award nominee Jean-Paul Rappeneau ("Families"), Christian Vincent ("Courted"), Maïwenn ("My King" - with Film Movement)
Every year, the Colcoa program is dedicated to a new generation of talent, many of whose films are included in Colcoa's French NeWave 2.0 Series: Samuel Collardey ("Land Legs"), Clément Cogitor ("Neither Heaven Nor Earth" - with Film Movement), Philippe Faucon - the writer/director of the 2016 César Best film winner ("Fatima" - with Kino Lorber), Emmanuel Finkiel ("A Decent Man"), Eva Husson ("Bang Gang" - with Samuel Goldwyn), Laurent Larivière ("I am a Soldier"), and Orelsan and Christophe Offenstein ("Uncompleted Song").
The After 10 Series at Colcoa invites audiences to explore new frontiers with an exclusive program, including the French-Belgian co-production from writer/director Bouli Lanners ("The First, the Last"), the new dark comedy from Benoît Delépine, Gustave Kervern, starring Gérard Depardieu ("Saint Amour"), and Frédéric Schoendoerffer ("Past Convoy").
Two anticipated films about women in Muslim countries will be part of theWord Cinema Produced by France Series: the Franco-Moroccan co-production, "Much Loved," written and directed by Nabil Ayouch, premiered at the Director's Fortnight in 2015, and remains banned in Morocco; and, "As I Open My Eyes," a Franco-Tunisian film from female writer/director Leyla Bouzid (with Kino Lorber). The Argentine film, "Eva Doesn't Sleep," written and directed by Pablo Agüero will complete the series.
Two documentaries focusing on significant environmental issues will premiere at Colcoa: the closing film of the last Cannes Film Festival, "Ice and the Sky" (with Music Box Films) from Academy Award winner Luc Jacquet (March of the Penguins), and a special presentation following the United Nations screening of the 2016 Cesar winner for Best Documentary, "Tomorrow," written and directed by Cédric Dion and Mélanie Laurent. "The Frankenstein Complex," a tribute to the creators of big screen creatures, written and directed by Gilles Penso and Alexandre Poncet, will complete this high profile documentary series.
All other Colcoa series are back in 2016: the Colcoa Classics Series with an exclusive program of digitally restored premieres (see February 19th press release); the Happy Hour Talks PanelSeriesin association withVariety (April 19-25); the Short Film Competition (Sunday, April 24 - March press release); the Focus on a Filmmaker, this year with writer/director Jean-Paul Rappeneau (Thursday, April 21); and the Focus on a Producer will be with Dominique Besnehard (Saturday, April 23).
Animation, an important part of the French film industry, will be shown at Colcoa with the premiere of Rémi Chayé's new film: "Long Way North" (with Shout Factory).
As is Colcoa tradition, comedieswill join the program almost every day, including the romantic comedy "Love at First Child," co-written and directed by Anne Giaffieri, starring Patrick Bruel and Isabelle Carré, Benoît's Graffin's "Hopefully," with Sandrine Kiberlain and Edouard Baer, Jean-Francois Richet's "One Wild Moment," starring Francois Cluzet and Vincent Cassel, and the new French hit "One Man and His Cow," written and directed by Mohamed Hamidi.
This last film will also be shown to the 3,000 students and teachers who will attend the now five High School Screenings (April 19-25) as part of the Colcoa Educational Program presented in association with Elma (European Languages and Movies in America). Two master classes for college and university students will complete the program.
For the ninth year, Lafca will partner with Colcoa Cinema for the Critics' Awards. The complete recipients list of the 2015 Awards - including the U.S. distributor winner of the Colcoa Coming Soon Award, presented in association with Kpcc, will be announced on Wednesday, April 27. Colcoa Awards are presented in association with Titrafilm, TV5 Monde USA, and Air Tahiti Nui.
"This 20th anniversary deserves a spectacular, strong program that reflects the diversity of French production, as well as the creativity and dynamism of French filmmakers and producers," stated François Truffart, Colcoa Executive Producer and Artistic Director. "More than ever, we are about to involve audiences in a journey that will stir them, make them laugh, cry, tickle their curiosity, and help them remain optimistic, while recognizing the urgent world zeitgeist."
"20 years is an achievement for any film festival in Hollywood. This would not have been possible without the commitment of the Franco-American Cultural Fund - a unique partnership of the DGA, the Mpa, la Sacem and the WGA West - creator of the festival in 1996 and supporter of its subsequent development. We also salute French sales companies, official supporters, sponsors, and U.S. distributors, whose loyalty and trust have given the festival its continuing excellence," he added.
Colcoa will open Monday, April 18th with the North American Premiere of "Monsieur Chocolat," a biopic about the first French black clown, co-written by Cyril Gely, Olivier Gorce, Gérard Noiriel, Roschdy Zem, directed by Roschdy Zem, and starring Omar Sy and James Thiérrée. The film will be presented in association with Gaumont, which celebrates its 120th anniversary.
The festival will close its competition on Monday, April 25th with the World Premiere of "Up For Love," the new romantic comedy written and directed by Laurent Tirard, starring Academy Award winner Jean Dujardin and Virginie Efira. "Call My Agent" (Season 1), the most popular French TV series of the year, about a talent agency with actors playing their own roles, will close the Colcoa TV Competition.
Two other TV series, shown for the first time in North America, will be part of the program, presented in association with TV France International and Titrafilm: "The Disappearance," a drama co-written by Marie Deshaires and Catherine Touzet and directed by Charlotte Brändström; and "The Secret of Elise," a supernatural drama written by lsa Marpeau, Marie Vinoy, Marie Deshaires, and Catherine Touzet and directed by Alexandre Laurent, Samir Boitard, Mathieu Simonet, and Mehdi Meskar. The first two episodes of each series will be shown to the Colcoa audience.
To complete the competition, five TV movies will premiere at Colcoa: the North American Premiere of "Borderline," a thriller co-written and directed by Olivier Marchal, the International Premiere of "Carpets and Chaos," a comedy co-written and directed by Nader Takmil Homayoun, the International Premiere of "Stolen Babies," a drama written by Julie Jézéquel and directed by Golden Globe winner Alain Berliner; the International Premiere of "The Wall-Crosser," a fantasy written and directed by Dante Desarthes, based on Marcel Aymé's book; and the North American Premiere of "Woman Under the Influence," a drama written and directed by Claude-Michel Rome.
The feature film selection (40 features and documentaries and 21 shorts), will feature exclusive presentations. "Fanny's Journey," an epic drama written and directed by Lola Doillon, starring Cecile de France, is also a World Premiere. The U.S. Premiere of the thriller "Made in France," written and directed by Nicolas Boukhrief, is a film which did not have theatrical release in France because of sensitivity following the recent terrorist attacks in Paris. Colcoa also will present the U.S. Premiere of Robert Guédiguian's provocative film about the Armenian genocide, "Don't Tell Me the Boy Was Mad." The U.S. Premiere of Oscar ® winner Claude Lelouch's new film "Un plus Une," starring Jean Dujardin and Elsa Zylberstein, will screen, in addition to another U.S. Premiere of "All Gone South," the comedy sequel co-written and co-directed by Nicolas Benamou and Philippe Lacheau, two years after the success of Babysitting at Colcoa in 2014.
Several established writers/directors return and other known artists have been selected: Academy Award nominee Christian Carion ("Come What May"- with Cohen Media Group), Anne Fontaine ("The Innocents" - with Music Box Films), Vincent Garencq ("Kalinka"), Academy Award nominee Jean-Paul Rappeneau ("Families"), Christian Vincent ("Courted"), Maïwenn ("My King" - with Film Movement)
Every year, the Colcoa program is dedicated to a new generation of talent, many of whose films are included in Colcoa's French NeWave 2.0 Series: Samuel Collardey ("Land Legs"), Clément Cogitor ("Neither Heaven Nor Earth" - with Film Movement), Philippe Faucon - the writer/director of the 2016 César Best film winner ("Fatima" - with Kino Lorber), Emmanuel Finkiel ("A Decent Man"), Eva Husson ("Bang Gang" - with Samuel Goldwyn), Laurent Larivière ("I am a Soldier"), and Orelsan and Christophe Offenstein ("Uncompleted Song").
The After 10 Series at Colcoa invites audiences to explore new frontiers with an exclusive program, including the French-Belgian co-production from writer/director Bouli Lanners ("The First, the Last"), the new dark comedy from Benoît Delépine, Gustave Kervern, starring Gérard Depardieu ("Saint Amour"), and Frédéric Schoendoerffer ("Past Convoy").
Two anticipated films about women in Muslim countries will be part of theWord Cinema Produced by France Series: the Franco-Moroccan co-production, "Much Loved," written and directed by Nabil Ayouch, premiered at the Director's Fortnight in 2015, and remains banned in Morocco; and, "As I Open My Eyes," a Franco-Tunisian film from female writer/director Leyla Bouzid (with Kino Lorber). The Argentine film, "Eva Doesn't Sleep," written and directed by Pablo Agüero will complete the series.
Two documentaries focusing on significant environmental issues will premiere at Colcoa: the closing film of the last Cannes Film Festival, "Ice and the Sky" (with Music Box Films) from Academy Award winner Luc Jacquet (March of the Penguins), and a special presentation following the United Nations screening of the 2016 Cesar winner for Best Documentary, "Tomorrow," written and directed by Cédric Dion and Mélanie Laurent. "The Frankenstein Complex," a tribute to the creators of big screen creatures, written and directed by Gilles Penso and Alexandre Poncet, will complete this high profile documentary series.
All other Colcoa series are back in 2016: the Colcoa Classics Series with an exclusive program of digitally restored premieres (see February 19th press release); the Happy Hour Talks PanelSeriesin association withVariety (April 19-25); the Short Film Competition (Sunday, April 24 - March press release); the Focus on a Filmmaker, this year with writer/director Jean-Paul Rappeneau (Thursday, April 21); and the Focus on a Producer will be with Dominique Besnehard (Saturday, April 23).
Animation, an important part of the French film industry, will be shown at Colcoa with the premiere of Rémi Chayé's new film: "Long Way North" (with Shout Factory).
As is Colcoa tradition, comedieswill join the program almost every day, including the romantic comedy "Love at First Child," co-written and directed by Anne Giaffieri, starring Patrick Bruel and Isabelle Carré, Benoît's Graffin's "Hopefully," with Sandrine Kiberlain and Edouard Baer, Jean-Francois Richet's "One Wild Moment," starring Francois Cluzet and Vincent Cassel, and the new French hit "One Man and His Cow," written and directed by Mohamed Hamidi.
This last film will also be shown to the 3,000 students and teachers who will attend the now five High School Screenings (April 19-25) as part of the Colcoa Educational Program presented in association with Elma (European Languages and Movies in America). Two master classes for college and university students will complete the program.
For the ninth year, Lafca will partner with Colcoa Cinema for the Critics' Awards. The complete recipients list of the 2015 Awards - including the U.S. distributor winner of the Colcoa Coming Soon Award, presented in association with Kpcc, will be announced on Wednesday, April 27. Colcoa Awards are presented in association with Titrafilm, TV5 Monde USA, and Air Tahiti Nui.
- 4/14/2016
- by Sydney Levine
- Sydney's Buzz
Full line-up of the Stockholm film festival includes feature and documentary competition line-ups.Scroll down for full line-up
The Stockholm International Film Festival (Nov 11-22) has unveiled the line-up for its 26th edition, comprising more than 190 films from over 70 countries.
The Stockholm Xxvi Competition includes Marielle Heller’s Us title The Diary of a Teenage Girl and László Nemes’ Holocaust drama Son Of Saul.
It marks the first time Stockholm has a greater number of women than men competing for the Bronze Horse – the festival’s top prize.
The documentary competition includes Amy Berg’s An Open Secret, an investigation into accusations of teenagers being sexually abused within the film industry; and Cosima Spender’s Palio, centred on the annual horse race in Siena, Italy.
Announcing the programme, festival director Git Scheynius also revealed that Chinese artist Ai Weiwei will visit Stockholm for the first time as chairman of the jury for the first Stockholm Impact Award, which...
The Stockholm International Film Festival (Nov 11-22) has unveiled the line-up for its 26th edition, comprising more than 190 films from over 70 countries.
The Stockholm Xxvi Competition includes Marielle Heller’s Us title The Diary of a Teenage Girl and László Nemes’ Holocaust drama Son Of Saul.
It marks the first time Stockholm has a greater number of women than men competing for the Bronze Horse – the festival’s top prize.
The documentary competition includes Amy Berg’s An Open Secret, an investigation into accusations of teenagers being sexually abused within the film industry; and Cosima Spender’s Palio, centred on the annual horse race in Siena, Italy.
Announcing the programme, festival director Git Scheynius also revealed that Chinese artist Ai Weiwei will visit Stockholm for the first time as chairman of the jury for the first Stockholm Impact Award, which...
- 10/20/2015
- by michael.rosser@screendaily.com (Michael Rosser)
- ScreenDaily
Anomalisa wins Grand Jury Prize; Robert Pattinson-starrer The Childhood Of A Leader wins best debut.Scroll down for full list of winners
From Afar (Desde Alla), the first Venezuelan production to appear in Competition at the Venice Film Festival, has won the Golden Lion for Best Film.
The directorial debut of Lorenzo Vigas concerns a middle-aged man (Alfredo Castro) who pays young boys to spend time with him. One day he befriends an 18-year-old delinquent (Luis Silva), a development that affects both profoundly.
The film, sold by Celluloid Dreams, is produced by Oscar-nominated screenwriter Guillermo Arriaga, who co-wrote the script.
The Silver Lion for Best Director went to Argentinian film-maker Pablo Trapero for kidnap drama The Clan (El Clan).
Trapero has a good relationship with Venice, having won two prizes for his 1999 debut, Crane World, returning in 2004 with Rolling Family and sitting on the Golden Lion jury in 2012.
The Clan is based on the real-life exploits...
From Afar (Desde Alla), the first Venezuelan production to appear in Competition at the Venice Film Festival, has won the Golden Lion for Best Film.
The directorial debut of Lorenzo Vigas concerns a middle-aged man (Alfredo Castro) who pays young boys to spend time with him. One day he befriends an 18-year-old delinquent (Luis Silva), a development that affects both profoundly.
The film, sold by Celluloid Dreams, is produced by Oscar-nominated screenwriter Guillermo Arriaga, who co-wrote the script.
The Silver Lion for Best Director went to Argentinian film-maker Pablo Trapero for kidnap drama The Clan (El Clan).
Trapero has a good relationship with Venice, having won two prizes for his 1999 debut, Crane World, returning in 2004 with Rolling Family and sitting on the Golden Lion jury in 2012.
The Clan is based on the real-life exploits...
- 9/12/2015
- by michael.rosser@screendaily.com (Michael Rosser)
- ScreenDaily
Smack dab in the middle of the fall film fest season, the Venice Film Festival via Sala Web screening room (September 3rd to 16th) will be serving up fifteen offerings (12 feature films in the Orizzonti Competition and 3 feature films from the Biennale College) for the streaming VOD platform set up by the Festival Scope folks. Among the titles that lovers of world cinema will have the unique opportunity to see the likes of Italian Gangsters from helmer Renato De Maria (Tiff preemed La prima linea) and Jake Mahaffy’s long-awaited sophomore film, Free in Deed (see pic above). The films will be made available for five days after the films have premiere screenings at the festival. You can view all the films listed below and grab your tickets at the official Festival Scope channel.
Orizzonti Films
Neon Bull (Boi Neon), by Gabriel Mascaro – From September 3rd
Brazil, Uruguay, Netherlands; 101’ Portuguese
Iremar works at the Vaquejadas,...
Orizzonti Films
Neon Bull (Boi Neon), by Gabriel Mascaro – From September 3rd
Brazil, Uruguay, Netherlands; 101’ Portuguese
Iremar works at the Vaquejadas,...
- 8/18/2015
- by Eric Lavallee
- IONCINEMA.com
Venice’s “virtual festival” will feature 15 world premieres this year.Scroll Down For Full List
The fourth edition of Sala Web, the “virtual festival” at the Venice Film Festival (September 2-12), has revealed it’s line-up for 2015.
This year’s selection of films includes 15 world premieres: 12 from the Orizzonti Competition and three features from the Biennale College, Venice’s laboratory that supports micro-budget films.
Directors having their films featured include Merzak Allouache (The Rooftops), Jake Mahaffy (Wellness) and Gabriel Mascaro (August Winds), as well as numerous first-time filmmakers.
The selected films will again be streaming on VOD platform Festival Scope and will be available for five days after the films have premiere screenings at the festival.
Full list:
Synopses provided by Venice Film Festival
Orizzonti Films
Neon Bull (Boi Neon) dir. Gabriel Mascaro
Brazil, Uruguay, Netherlands; 101’ Portuguese
(Available from September 3)
Iremar works at the Vaquejadas, a rodeo in the Northeast of Brazil, where two men...
The fourth edition of Sala Web, the “virtual festival” at the Venice Film Festival (September 2-12), has revealed it’s line-up for 2015.
This year’s selection of films includes 15 world premieres: 12 from the Orizzonti Competition and three features from the Biennale College, Venice’s laboratory that supports micro-budget films.
Directors having their films featured include Merzak Allouache (The Rooftops), Jake Mahaffy (Wellness) and Gabriel Mascaro (August Winds), as well as numerous first-time filmmakers.
The selected films will again be streaming on VOD platform Festival Scope and will be available for five days after the films have premiere screenings at the festival.
Full list:
Synopses provided by Venice Film Festival
Orizzonti Films
Neon Bull (Boi Neon) dir. Gabriel Mascaro
Brazil, Uruguay, Netherlands; 101’ Portuguese
(Available from September 3)
Iremar works at the Vaquejadas, a rodeo in the Northeast of Brazil, where two men...
- 8/18/2015
- ScreenDaily
The full lineup for the Venice Film Festival has been revealed, and includes new films by Martin Scorsese, Jerzy Skolimowsky, Frederick Wiseman, Marco Bellocchio, Tsai Ming-liang, Aleksandro Sokurov and more.CompetitionFrenzy (Emin Alper, Turkey/France/Qatar)Heart of a Dog (Laurie Anderson, Us)Blood of My Blood (Marco Bellocchio, Italy)Looking for Grace (Sue Brooks, Australia)Equals (Drake Doremus, Us)Remember (Atom Egoyan, Canada/Germany)Beasts of No Nation (Cary Fukunaga, Us)Per amor vostro (Giuseppe M. Gaudino, Italy/France)Marguerite (Xavier Giannoli, France/Czech Republic/Belgium)Rabin, the Last Day (Amos Gitai, Israel/France)A Bigger Splash (Luca Guadagnino, Italy/France)The Endless River (Oliver Hermanus, South Africa/France)The Danish Girl (Tom Hooper, UK/Us)Anomalisa (Charlie Kaufman/Duke Johnson, Us)L'attesa (Piero Mesina, Italy)11 Minutes (Jerzy Skolimowski, Poland)Francofonia (Aleksandr Sokurov, France/Germany/Netherlands)The Clan (Pablo Trapero, Argentina/Spain)Desde alla (Lorenza Vigas, Venezuela/Mexico)L'hermine (Christian Vincent,...
- 8/1/2015
- by Notebook
- MUBI
Back to back mid-summer Xmas mornings with the rollout of major premiere titles at Tiff and now the full line-up for Venice means we’re now carefully dissecting the numerous films announced with our first focus going down the list at the treasure trove of items in the Horizons Section, otherwise known as Orizzonti. Names that pop out of the group of eighteen include Danish helmer Tobias Lindholm‘s heavily anticipated third feature film, A War. Re-teaming with actor Pilou Asbæk in just as many outings, R (2010) and A Hijacking (2012) are part of his already stacked early filmography, this is about a solider stationed in Afghanistan and finds himself caught in a catch-22 type of situation.
Another highly anticipated film (our Nicholas Bell slotted it at #33) which posits a person in a life or death type of situation is Nicolas Saada‘s sophomore film. Based on true horrific events, set...
Another highly anticipated film (our Nicholas Bell slotted it at #33) which posits a person in a life or death type of situation is Nicolas Saada‘s sophomore film. Based on true horrific events, set...
- 7/29/2015
- by Eric Lavallee
- IONCINEMA.com
On the heels of yesterday's Toronto Film Festival announcement, this morning we get the lineup for the 2015 Venice Film Festival and, as always, there's a little crossover with some films set to premiere on the Lido ahead of their Toronto (and/or Telluride premieres). Some of the titles not screening at Toronto (at least not yet) that will premiere at Venice include Baltasar Kormakur's Everest, which is serving as the opening night film, Drake Doremus' Equals starring Kristen Stewart, A Bigger Splash from Luca Guadagnino, Go With Me directed by Daniel Alfredson, Dito Montiel's Man Down, Amy Berg's Janis as well as a new, 16-minute short film from Martin Scorsese titled The Audition and a Brian De Palma documentary directed by Noah Baumbach and Jake Paltrow. There's also buzz building for The Childhood of a Leader directed by Brady Corbet and starring Robert Pattinson and Berenice Bejo.
- 7/29/2015
- by Brad Brevet
- Rope of Silicon
The Venice Film Festival has become one of the longest-running events on the festival circuit, its veteran status giving it a level of prestige that has only been heightened by the films that have screened at the event. Having first started in 1932, a number of movies that have gone on to be classics have won prizes at the festival, including Akira Kurosawa’s Rashomon, Satyajit Ray’s Aparajito, and Alain Resnais’ Last Year at Marienbad. Interest in the festival’s lineup announcement has thus grown over the years, with many film fans curious to see what the organisers select to play at the event, due to its stature. The full lineup for the 2015 incarnation of the festival, the 72nd one in the festival’s history, has now been announced. The festival itself will run from September 2nd to the 12th, with a jury that includes Alfonso Cuarón, Nuri Bilge Ceylan,...
- 7/29/2015
- by Deepayan Sengupta
- SoundOnSight
The Danish Girl, starring Eddie Redmayne, and Atom Egoyan’s Remember among the 21 competition titles.Scroll down for full line-up
The 72nd Venice Film Festival (Sept 2-12) has unveiled the 55 features – mixing star vehicles and international auteurs – that will make up this year’s official selection.
Venice director Alberto Barbera and Biennale president Paolo Baratta announced the line-up this morning.
As previously announced, Baltasar Kormakur’s mountaineering thriller Everest, starring Jake Gyllenhaal, will open the festival on Sept 2. The Universal release will play out of competition.
Birdman, last year’s opening night film, went on to be named best picture at this year’s Academy Awards, while multiple Oscar-winner Gravity bowed at the 2013 edition.
Venice also revealed that Guan Hu’s Mr Six will close the festival on Sept 12. Feng Xiaogang plays the title character, a former gangster living alone with various illnesses, who is tempted back into the business by his son.
Competition titles...
The 72nd Venice Film Festival (Sept 2-12) has unveiled the 55 features – mixing star vehicles and international auteurs – that will make up this year’s official selection.
Venice director Alberto Barbera and Biennale president Paolo Baratta announced the line-up this morning.
As previously announced, Baltasar Kormakur’s mountaineering thriller Everest, starring Jake Gyllenhaal, will open the festival on Sept 2. The Universal release will play out of competition.
Birdman, last year’s opening night film, went on to be named best picture at this year’s Academy Awards, while multiple Oscar-winner Gravity bowed at the 2013 edition.
Venice also revealed that Guan Hu’s Mr Six will close the festival on Sept 12. Feng Xiaogang plays the title character, a former gangster living alone with various illnesses, who is tempted back into the business by his son.
Competition titles...
- 7/29/2015
- by michael.rosser@screendaily.com (Michael Rosser)
- ScreenDaily
Chinese platforms Youku and Tudou registered 3.5m screenings for the online film festival.
The fourth edition of Unifrance’s MyFrenchFilmFestival.com — running Jan 17 to Feb 17 — more than quadrupled its viewing figures this year.
French cinema export agency Unifrance, which organises the event, reported that the online film festival generated 4 million screenings, against 750,000 in 2013 and 1.3m in 2012.
The month-long initiative - featuring 10 features and 10 shorts which have not been widely sold internationally - ran on 20 partner platforms as well as the dedicated MyFrenchFilmFestival site, which attracted some 100,000 subscribers this year.
The leap in hits was due in large part to increased viewing in China where online platforms Youku and Tudou reported 3.5m screenings for the event between them.
A surprise drop in MyFrenchFilmFestival.com viewings last year was pinned at the time to ownership changes at Youku just before the 2013 edition which had resulted in less visibility on the site.
Unifrance noted that short film In Seventh Heaven (7ème...
The fourth edition of Unifrance’s MyFrenchFilmFestival.com — running Jan 17 to Feb 17 — more than quadrupled its viewing figures this year.
French cinema export agency Unifrance, which organises the event, reported that the online film festival generated 4 million screenings, against 750,000 in 2013 and 1.3m in 2012.
The month-long initiative - featuring 10 features and 10 shorts which have not been widely sold internationally - ran on 20 partner platforms as well as the dedicated MyFrenchFilmFestival site, which attracted some 100,000 subscribers this year.
The leap in hits was due in large part to increased viewing in China where online platforms Youku and Tudou reported 3.5m screenings for the event between them.
A surprise drop in MyFrenchFilmFestival.com viewings last year was pinned at the time to ownership changes at Youku just before the 2013 edition which had resulted in less visibility on the site.
Unifrance noted that short film In Seventh Heaven (7ème...
- 2/20/2014
- ScreenDaily
Chinese platforms Youku and Tudou registered 3.5m screenings for the online film festival.
The fourth edition of Unifrance’s MyFrenchFilmFestival.com — running Jan 17 to Feb 17 — more than quadrupled its viewing figures this year.
French cinema export agency Unifrance, which organises the event, reported that the online film festival generated 4 million screenings, against 750,000 in 2013 and 1.3m in 2012.
The month-long initiative - featuring 10 features and 10 shorts which have not been widely sold internationally - ran on 20 partner platforms as well as the dedicated MyFrenchFilmFestival site, which attracted some 100,000 subscribers this year.
The leap in hits was due in large part to increased viewing in China where online platforms Youku and Tudou reported 3.5m screenings for the event between them.
A surprise drop in MyFrenchFilmFestival.com viewings last year was pinned at the time to ownership changes at Youku just before the 2013 edition which had resulted in less visibility on the site.
Unifrance noted that short film In Seventh Heaven (7ème...
The fourth edition of Unifrance’s MyFrenchFilmFestival.com — running Jan 17 to Feb 17 — more than quadrupled its viewing figures this year.
French cinema export agency Unifrance, which organises the event, reported that the online film festival generated 4 million screenings, against 750,000 in 2013 and 1.3m in 2012.
The month-long initiative - featuring 10 features and 10 shorts which have not been widely sold internationally - ran on 20 partner platforms as well as the dedicated MyFrenchFilmFestival site, which attracted some 100,000 subscribers this year.
The leap in hits was due in large part to increased viewing in China where online platforms Youku and Tudou reported 3.5m screenings for the event between them.
A surprise drop in MyFrenchFilmFestival.com viewings last year was pinned at the time to ownership changes at Youku just before the 2013 edition which had resulted in less visibility on the site.
Unifrance noted that short film In Seventh Heaven (7ème...
- 2/20/2014
- ScreenDaily
Following the great success of myFrenchFilmFestival.com last year (750,000 film viewings registered in 189 countries, with a 25% increase in paid viewings) the leading worldwide French film festival on the Internet now in its 4th edition returns this coming January 17th.
For one month, Us Internet users will have access to 10 features and 10 shorts in French with English subtitles. A selection of first and second feature films, theatrically released in France during the year, offers worldwide showcasing of a new generation of filmmakers, highlighting the diversity of young French production.
New features of the 2014 edition
- The festival will be accessible in the Us on the website myFrenchFilmFestival.com, iTunes (through Under the Milky Way) and TV5 Monde’s Cinema on Demand during one month (Jan 17-Feb 17 2014).
For more information:
www.tv5.org/cms/USA/Cinema-on-demand/p-22481-lg3-TV5MONDE-Cinema-On-Demand-in-November.htm
www.itunes.com
- La Fille Du 14 Juillet (The Rendez-Vous of Déjà-Vu) will be the closing film of the Museum of Moving Image’s First Look festival on January 19th, with director Antonin Peretjatko in attendance.
- A selection of 9 features will be screened in theatres throughout the Us starting January 2nd, thanks to our partnership with SpectiCast. View full schedule here: http://www.specticast.com/myfff.jsp
- The films will also be proposed to 400 airline companies via our partner Skeye for in-flight viewings.
4 prizes will be awarded at the end of the festival:
The Filmmakers Award , presided by Jean-Pierre Jeunet, and composed of foreign directors
Lynne Ramsay (United Kingdom), Marco Bellocchio (Italy), Anurag Kashyap (India) and Frédéric Fonteyne (Belgium).
The International Press Award , with a jury of 11 foreign journalists
The Audience Award , for which Internet users are invited to vote on-line
The Social Networks Award , chosen by 100 film buffs, influential on Facebook and Twitter
The winning films will then be shown on Air France flights during 6 months.
The full pass to watch the 10 features and 10 shorts online will be available for $22, features-only pass for $16.5, shorts-only pass for $8.2, single feature for $2.7 and single short $1.4.
The 2014 Myfff Selection
I – Features
- In a Rush, directed by Louis Do Lencquesaing
- Augustine, directed by Alice Winocour
- Little Lion, directed by Samuel Collardey
- Maddened by His Absence, directed by Sandrine Bonnaire
- The Virgin, the Copts and Me, directed by Namir Abdel Messeeh
- The Rendez-Vous of Déjà-Vu, directed by Antonin Peretjako
- The Day of the Crows, directed by Jean-Christophe Dessaint
- Welcome to Argentina, directed by Edouard Deluc
- Mobile Home, directed by François Pirot
- Pauline détective, directed by Marc Fitoussi
II – Shorts
- Just Before Losing Everything, directed by Xavier Legrand
- The Lobster's Cry, directed by Nicolas Guiot
- Clay, directed by Michaël Guerraz
- The Runaway, directed by Jean-Bernard Marlin
- The Lizards, directed by Vincent Mariette
- Mademoiselle Kiki et les Montparnos, directed by Amélie Harrault
- Solitudes, directed by Liova Jedlicki
- In Seventh Heaven, directed by Guillaume Foirest
- A la française, directed by Morrigane Boyer, Julien Hazebroucq, Ren-Hsien Hsu, Emmanuelle Leleu, William Lorton
- Le premier pas, directed by Jonathan Comnène...
For one month, Us Internet users will have access to 10 features and 10 shorts in French with English subtitles. A selection of first and second feature films, theatrically released in France during the year, offers worldwide showcasing of a new generation of filmmakers, highlighting the diversity of young French production.
New features of the 2014 edition
- The festival will be accessible in the Us on the website myFrenchFilmFestival.com, iTunes (through Under the Milky Way) and TV5 Monde’s Cinema on Demand during one month (Jan 17-Feb 17 2014).
For more information:
www.tv5.org/cms/USA/Cinema-on-demand/p-22481-lg3-TV5MONDE-Cinema-On-Demand-in-November.htm
www.itunes.com
- La Fille Du 14 Juillet (The Rendez-Vous of Déjà-Vu) will be the closing film of the Museum of Moving Image’s First Look festival on January 19th, with director Antonin Peretjatko in attendance.
- A selection of 9 features will be screened in theatres throughout the Us starting January 2nd, thanks to our partnership with SpectiCast. View full schedule here: http://www.specticast.com/myfff.jsp
- The films will also be proposed to 400 airline companies via our partner Skeye for in-flight viewings.
4 prizes will be awarded at the end of the festival:
The Filmmakers Award , presided by Jean-Pierre Jeunet, and composed of foreign directors
Lynne Ramsay (United Kingdom), Marco Bellocchio (Italy), Anurag Kashyap (India) and Frédéric Fonteyne (Belgium).
The International Press Award , with a jury of 11 foreign journalists
The Audience Award , for which Internet users are invited to vote on-line
The Social Networks Award , chosen by 100 film buffs, influential on Facebook and Twitter
The winning films will then be shown on Air France flights during 6 months.
The full pass to watch the 10 features and 10 shorts online will be available for $22, features-only pass for $16.5, shorts-only pass for $8.2, single feature for $2.7 and single short $1.4.
The 2014 Myfff Selection
I – Features
- In a Rush, directed by Louis Do Lencquesaing
- Augustine, directed by Alice Winocour
- Little Lion, directed by Samuel Collardey
- Maddened by His Absence, directed by Sandrine Bonnaire
- The Virgin, the Copts and Me, directed by Namir Abdel Messeeh
- The Rendez-Vous of Déjà-Vu, directed by Antonin Peretjako
- The Day of the Crows, directed by Jean-Christophe Dessaint
- Welcome to Argentina, directed by Edouard Deluc
- Mobile Home, directed by François Pirot
- Pauline détective, directed by Marc Fitoussi
II – Shorts
- Just Before Losing Everything, directed by Xavier Legrand
- The Lobster's Cry, directed by Nicolas Guiot
- Clay, directed by Michaël Guerraz
- The Runaway, directed by Jean-Bernard Marlin
- The Lizards, directed by Vincent Mariette
- Mademoiselle Kiki et les Montparnos, directed by Amélie Harrault
- Solitudes, directed by Liova Jedlicki
- In Seventh Heaven, directed by Guillaume Foirest
- A la française, directed by Morrigane Boyer, Julien Hazebroucq, Ren-Hsien Hsu, Emmanuelle Leleu, William Lorton
- Le premier pas, directed by Jonathan Comnène...
- 12/30/2013
- by Sydney Levine
- Sydney's Buzz
10 features and 10 shorts will be on offer.
UniFrance is launching the fourth edition of myFrenchFilmFestival.com, which will run Jan 17 to Feb 17.
Last year’s festival saw 750,000 viewings in 189 countries.
New for the 2014 edition are the addition of platforms including iTunes in 80 territories. SpectiCast will make the selections available to more than 1,000 cinemas worldwide, and 400 airlines will offer the films via partner Skeye.
The festival will showcase 10 first and second features and 10 shorts.
The jury for the filmmakers award will be led by Jean-Pierre Jeunet and also include Lynne Ramsay, Marco Bellocchio and Anurag Kashyap. A press award, audience award and social networks award will also be handed out.
The films are:
Features
In a Rush, directed by Louis Do Lencquesaing
Augustine [pictured], directed by Alice Winocour
Little Lion, directed by Samuel Collardey
Maddened by His Absence, directed by Sandrine Bonnaire
The Virgin, the Copts and Me, directed by Namir Abdel Messeeh
The Rendez-Vous of Déjà-Vu, directed by Antonin...
UniFrance is launching the fourth edition of myFrenchFilmFestival.com, which will run Jan 17 to Feb 17.
Last year’s festival saw 750,000 viewings in 189 countries.
New for the 2014 edition are the addition of platforms including iTunes in 80 territories. SpectiCast will make the selections available to more than 1,000 cinemas worldwide, and 400 airlines will offer the films via partner Skeye.
The festival will showcase 10 first and second features and 10 shorts.
The jury for the filmmakers award will be led by Jean-Pierre Jeunet and also include Lynne Ramsay, Marco Bellocchio and Anurag Kashyap. A press award, audience award and social networks award will also be handed out.
The films are:
Features
In a Rush, directed by Louis Do Lencquesaing
Augustine [pictured], directed by Alice Winocour
Little Lion, directed by Samuel Collardey
Maddened by His Absence, directed by Sandrine Bonnaire
The Virgin, the Copts and Me, directed by Namir Abdel Messeeh
The Rendez-Vous of Déjà-Vu, directed by Antonin...
- 12/4/2013
- by wendy.mitchell@screendaily.com (Wendy Mitchell)
- ScreenDaily
Col*Coa is winding down, but you can still catch a few stellar films and see the award winners for free Monday, April 22, 2013.
Award Screenings at 6:00 pm: The evening will start with the rerun of two awarded films in the Renoir and Truffaut Theaters at the DGA. Films will be announced on Sunday April 21 on the Col*Coa website, on Facebook, Twitter and on the Col•Coa info line (310) 289 5346. Free admission on a First comes First Served basis. No RSVP needed.
You can stay and also see the Closing Night Films at 8:30 pm at the DGA. Reservations needed. Those are both North American Premieres of two very anticipated French films. The thriller Moebus by Eric Rochant will show for free as will the comedy Like Brothers by Hugo Gélin.
Being among the French filmmakers (and I saw way too few of the films) gave me such a surprising sense of renewal - again because of this upcoming generation. After seeing City of Lights, the short by Pascal Tessaud which preceded the classic Jacques Demy film Bay of Angels starring a platinum blond gambling-addicted Jeanne Moreau in Cannes, Nice and Monte Carlo in 1963, we spoke at length about what is called "The New Vibe". City of Lights stars a deeply quiet young man from "les banlieus", the notorious "suburbs" surrounding Paris where the international mix of young (and old) proletariat population is invisible to the rest of France except when the anger erupts into riots. This first generation has the French education but not the money or jobs and it hurts. They have picked up the cameras and with no money are creating films which express their lives in many ways like the new Latin American filmmakers or the new Eastern European filmmakers. Tessaud gave me an entire education in the hour we talked and I will share this in time. For now, aside from his wonderfuly trenchant film which played like a feature, which captured the Paris this young generation recognizes as The City of Lights - dancing, the kitchen of a very upscale restaurant, the dreary streets filled with construction, there is another example of The New Vibe, started by Rachid Djaïdani (a story in himself) the film Hold Back (Rengaine) leads the pack of the 20-some-odd new films of The New Vibe. It is produced by Anne-Dominque Toussaint (Les Films des Tournelles) whose films are too numerous to name but include my favorite The Hedgehog which I wrote about at Col*Coa two years ago, Col*Coa's current Cycling with Moliere, 2002's Respiro and many many others. Hold Back took 9 years to make and most of the team was unpaid. The New Vibe makes films without the aid of the French system of funding; it is more guerilla-style, not New Wave, not Dogma but New Vibe. Hold Back took Cannes by storm when it showed last year in Directors Fortnight and went on to New Directors/ New Films in New York. The classic story of a Catholic and a Muslim who want to marry but whose family objects, this rendition the Juliet has a brother who marches throughout Paris to alert her 39 other brothers that she wants to marry outside her cultural and religious traditions. "This fresh debut mixes fable, plucky social commentary - particularly about France's Arab community - and inventive comic setpieces" (Col*Coa)
Hold Back (Rengaine) (Isa: Pathe) goes beyond the funny but "establishmant" film Intouchable which played here last year. It is the exact opposite of such films as Sister or even Aliyah (Isa: Rezo) which played here this year and also in Directors Fortnight last year. Aliyah is about a young French Jewish man who must make his last drug sale in order to escape his brother's destructive behavior. He escapes by immigrating to Israel. These films are made by filmmakers within the French establishment and describe a proletariat existence which exists in their bourgeois minds. They lack a certain "verite" which can only be captured by one who knows viscerally what such marginal existence is.
At the opposite end of the contemporary spectrum of films today, a real establishment film is You Ain't Seen Nothing Yet by Alain Renais (you have to be a Renais fan to love it who was so avant-garde in his day). Those old New Wave films one could see here stand out in beautiful contrast to today's New Vibe: Renais' Stavisky or the 1963 film The Fire Within (Le feu follet) by Louis Malle again starring the beautiful Jeanne Moreau. I missed them both to my regret. When I miss a film I always tell myself I can see it when it's released or on DVD or Mubi, but rarely do I get to see it. Instead I can only read about it as here written up by Beth Hanna on Indiewire blog ToH. The Fire Within was part of Wes Anderson's choices, one of the various showcases of Col*Coa. Says Hanna: "Anderson's taste is impeccable: He has selected Louis Malle's 1963 lyrical depression drama The Fire Within." It was made after the classic Elevator to the Gallows (1958) which Miles Davis scored and which also starred the young Jeanne Moreau. She also could be seen her in Col*Coa in the classic 1963 Jacques Demy-directed Bay of Angels.
Col*Coa really offered something for everyone this year. Another of my favorite film genres, the Jewish film, was represented by Aliyah and The Dandelions (Du Vent dans mes mollets) (Isa: Gaumont), Stavisky, and It Happened in St. Tropez (Isa: Pathe), a classic French comedy -- though a bit dark and yet still comedic, about romance, love and marriage switching between generations in a neurotic, comfortably wealthy Jewish family. The Dandelions was, according to my friend Debra Levine, a writer on culture including film and dance, (see her blog artsmeme), "darling, so touching, so well made, so creative ... i really liked it. Went into that rabbit hole of little girls together ... Barbie doll play. Crazy creative play. As looney as kids can be."
Ian Birnie's favorite film was Becoming Traviata. Greg Katchel's favorite originally was Rendez-vous à Kiruna by Anna Novion, but when I saw him later in the festival his favorite was Cycling with Moliere (Alceste a bicyclette) (Isa: Pathe), again produced by Anne-Dominque Toussaint and directed by Philippe Le Guay who directed one of my favorites, The Women on the 6th Floor. Greg also liked Three Worlds though it was a bit "schematic" in depicting the clash of different cultures which were also shown in Hold Back.
Of the few films I was able to see, the most interesting was Augustine by Alice Winokur. It is the French response to David Cronenberg's A Dangerous Method and the British film Hysteria. All three were about the turn of the century concern of psychologists or doctors with female hysteria. This one concerned Jean-Martin Charcot and the neurologist's belief that hysteria was a neurological disease and he used hypnosis to get at its roots, whild in A Dangerous Method it was seen by Freud and Jung as a mental disorder and in Hysteria by Tanya Wexler (Tiff 2011) in which Dr. Mortimer Granville devises the invention of the first vibrator in the name of medical science.
Take a look at Indiewire's own article here for more on Los Angeles's greatest French attraction, the second largest French film festival in the world.
Several American distributors will present their films at Col•Coa before their U.S. release: Kino Lorber – You Ain’t Seen Nothing Yet, co-written and directed by Alain Resnais (Focus on a Filmmaker); Mpi Media – Thérèse, the last film of director/co-writer Claude Miller starring Audrey Tautou; Cohen Media Group – In the House, written and directed by François Ozon and The Attack, co-written and directed by Ziad Doueiri; Distrib Films for two documentaries: Becoming Traviata and The Invisibles; Film Movement for two thrillers: Aliyah and Three Worlds; The Weinstein Company - Populaire.
Below you can see the international sales agents for the current features showing.
11.6 / 11.6 (Isa: Wild Bunch)
Directed by: Philippe Godeau
Written by: Philippe Godeau, Agnès De Sacy
A Few Hours Of Spring / Quelques heures de printemps (Isa: Rezo)
Directed by: Stéphane Brizé ♀
Written by: Stéphane Brizé, Florence Vignon
Cast: Vincent Lindon, Hélène Vincent, Emmanuelle Seigner, Olivier Perrier
Aliyah/Alyah ✡ (Isa: Rezo, U.S.: Film Movement
Directed by: Élie Wajeman
Written by: Élie Wajeman, Gaëlle Macé
Armed Hands / Mains armées (Isa: Films Distribution)
Directed by: Pierre Jolivet
Written by: Pierre Jolivet, Simon Michaël
Augustine / Augustine (Isa: Kinology, U.S.: Music Box)
Directed by: Alice Winocour ♀
Written by: Alice Winocour
Aya Of Yop City / Aya de Yopougon (Isa: TF1)
Directed by: Clément Oubrerie, Marguerite Abouet ♀
Written by: Marguerite Abouet
Bay Of Angels / La Baie des anges (U.S.: Criterion)
Directed by: Jacques Demy
Written by: Jacques Demy
Becoming Traviata /Traviata et nous (Isa: Films Boutique, U.S. Distrib Films and Cinema Guild)
Directed by: Philippe Béziat
Written by: Philippe Béziat
Cycling With MOLIÈRE / Alceste à bicyclette (Isa: Pathe)
Directed by: Philippe Le Guay
Written by: Philippe Le Guay, based on an original idea by Fabrice Luchini and Philippe Le Guay
Fly Me To The Moon / Un plan parfait (Isa: Kinology)
Directed By: Pascal Chaumeil
Written By: Laurent Zeitoun, Yoann Gromb, Philippe Mechelen
Haute Cuisine / Les Saveurs du palais (Isa: Wild Bunch, U.S.: The Weinstein Company)
Directed by: Christian Vincent
Written by: Etienne Comar & Christian Vincent, based on the life of Danièle Mazet-Delpeuch
Hidden Beauties / Mille-Feuille (Isa: Other Angle Pictures)
Directed by: Nouri Bouzid
Written by: Nouri Bouzid, Joumène Limam
Hold Back / Rengaine (Isa: Pathe)
Directed by: Rachid Djaïdani
Written by: Rachid Djaïdani
In The House / Dans la maison (Isa: Wild Bunch, U.S.: Cohen Media Group)
Directed by: François Ozon
Written by: François Ozon
It Happened In Saint-tropez / Des Gens qui s’embrassent (Isa: Pathe)
Directed by: Danièle Thompson ♀
Written by: Danièle Thompson, Christopher Thompson
Jappeloup/ Jappeloup (Isa: Pathe)
Directed by: Christian Duguay
Written by: Guillaume Canet
Le Grand Soir / Le grand soir (Isa: Funny Balloons)
Directed by: Benoît Delépine and Gustave de Kervern
Written by: Benoît Delépine and Gustave de Kervern
Little Lion / Comme un Lion (Isa: Pyramide)
Directed by: Samuel Collardey
Written by: Catherine Paillé, Nadège Trebal, Samuel Collardey
Moon Man / Jean de la lune (Isa: Le Pacte)
Directed By: Stephan Schesch
Written By: Stephan Schesch, Ralph Martin. Based on the book by: Tomi Ungerer
Populaire / Populaire (Isa: Wild Bunch, U.S.: TWC)
Directed By: Régis Roinsard
Written By: Régis Roinsard, Daniel Presley, Romain Compingt
Rendezvous In Kiruna / Rendez-vous à Kiruna (Isa: Pyramide)
Directed by: Anne Novion ♀
Written by: Olivier Massart, Anne Novion, Pierre Novion
Sons Of The Wind / Les Fils du vent (Isa: Wide)
Directed by: Bruno Le Jean
Written by: Bruno Le Jean
Stavisky / Stavisky (1974) (Isa: StudioCanal)
Directed by: Alain Resnais
Written by: Jorge Semprún
The Attack / L’Attentat
France, Belgium, Lebanon, Qatar, 2013
Directed by: Ziad Doueiri (Isa: Wild Bunch, U.S.: Cohen Media Group)
The BRONTË Sisters / Les Soeurs Brontë (Isa: Gaumont, U.S.: Cohen Media Group)
Directed by: André Téchiné
Written by: André Téchiné, Jean Gruault, Pascal Bonitzer
The Dandelions / Du Vent dans mes mollets ✡
Directed By: Carine Tardieu ♀
Written By: Carine Tardieu, Raphaële Moussafir, Olivier Beer
The Fire Within / Le Feu Follet (1963) (Isa: Pyramide, U.S.: Janus Films)
Directed by: Louis Malle
Written by: Louis Malle
The Invisibles / Les Invisibles (Isa: Doc & Film, U.S. Distrib Films))
Directed By: Sébastien Lifshitz
The Man Who Laughs/ L’Homme qui rit (Isa: EuropaCorps)
Directed by: Jean-Pierre Améris
Written by: Jean-Pierre Améris , Guillaume Laurant
THÉRÈSE / Thérèse Desqueyroux (Isa: TF1, U.S.: Mpi)
Directed by: Claude Miller
Written by: Claude Miller, Natalie Carter
Three Worlds / Trois mondes (Isa: Pyramide, U.S.: Film Movement)
Directed by: Catherine Corsini ♀
Written by: Catherine Corsini, Benoît Graffin
To Our Loves / À nos amours (1983) (U.S. Janus)
Directed By: Maurice Pialat
Written By: Arlette Langmann, Maurice Pialat
True Friends / Amitiés sincères (Isa: Snd Groupe 6)
Directed By: Stéphan Archinard, François Prévôt-Leygonie
Written By: Stéphan Archinard, François Prévôt-Leygonie, Marie-Pierre Huster
Welcome To Argentina / Mariage à Mendoza (Isa: Kinology)
Directed By: Édouard Deluc
Written By: Anaïs Carpita, Édouard Deluc, Thomas Lilti, Philippe Rebbot
What’S In A Name / Le prénom (Isa: Pathe, U.S. Under The Milky Way)
Directed by: Alexandre de La Patellière, Matthieu Delaporte
Written by: Alexandre de La Patellière, Matthieu Delaporte
You Ain’T Seen Nothin’ Yet / Vous n’avez encore rien vu (Isa: StudioCanal, U.S.: Kino Lorber)
Directed By: Alain Resnais
Written By: Alain Resnais, Laurent Herbiet...
Award Screenings at 6:00 pm: The evening will start with the rerun of two awarded films in the Renoir and Truffaut Theaters at the DGA. Films will be announced on Sunday April 21 on the Col*Coa website, on Facebook, Twitter and on the Col•Coa info line (310) 289 5346. Free admission on a First comes First Served basis. No RSVP needed.
You can stay and also see the Closing Night Films at 8:30 pm at the DGA. Reservations needed. Those are both North American Premieres of two very anticipated French films. The thriller Moebus by Eric Rochant will show for free as will the comedy Like Brothers by Hugo Gélin.
Being among the French filmmakers (and I saw way too few of the films) gave me such a surprising sense of renewal - again because of this upcoming generation. After seeing City of Lights, the short by Pascal Tessaud which preceded the classic Jacques Demy film Bay of Angels starring a platinum blond gambling-addicted Jeanne Moreau in Cannes, Nice and Monte Carlo in 1963, we spoke at length about what is called "The New Vibe". City of Lights stars a deeply quiet young man from "les banlieus", the notorious "suburbs" surrounding Paris where the international mix of young (and old) proletariat population is invisible to the rest of France except when the anger erupts into riots. This first generation has the French education but not the money or jobs and it hurts. They have picked up the cameras and with no money are creating films which express their lives in many ways like the new Latin American filmmakers or the new Eastern European filmmakers. Tessaud gave me an entire education in the hour we talked and I will share this in time. For now, aside from his wonderfuly trenchant film which played like a feature, which captured the Paris this young generation recognizes as The City of Lights - dancing, the kitchen of a very upscale restaurant, the dreary streets filled with construction, there is another example of The New Vibe, started by Rachid Djaïdani (a story in himself) the film Hold Back (Rengaine) leads the pack of the 20-some-odd new films of The New Vibe. It is produced by Anne-Dominque Toussaint (Les Films des Tournelles) whose films are too numerous to name but include my favorite The Hedgehog which I wrote about at Col*Coa two years ago, Col*Coa's current Cycling with Moliere, 2002's Respiro and many many others. Hold Back took 9 years to make and most of the team was unpaid. The New Vibe makes films without the aid of the French system of funding; it is more guerilla-style, not New Wave, not Dogma but New Vibe. Hold Back took Cannes by storm when it showed last year in Directors Fortnight and went on to New Directors/ New Films in New York. The classic story of a Catholic and a Muslim who want to marry but whose family objects, this rendition the Juliet has a brother who marches throughout Paris to alert her 39 other brothers that she wants to marry outside her cultural and religious traditions. "This fresh debut mixes fable, plucky social commentary - particularly about France's Arab community - and inventive comic setpieces" (Col*Coa)
Hold Back (Rengaine) (Isa: Pathe) goes beyond the funny but "establishmant" film Intouchable which played here last year. It is the exact opposite of such films as Sister or even Aliyah (Isa: Rezo) which played here this year and also in Directors Fortnight last year. Aliyah is about a young French Jewish man who must make his last drug sale in order to escape his brother's destructive behavior. He escapes by immigrating to Israel. These films are made by filmmakers within the French establishment and describe a proletariat existence which exists in their bourgeois minds. They lack a certain "verite" which can only be captured by one who knows viscerally what such marginal existence is.
At the opposite end of the contemporary spectrum of films today, a real establishment film is You Ain't Seen Nothing Yet by Alain Renais (you have to be a Renais fan to love it who was so avant-garde in his day). Those old New Wave films one could see here stand out in beautiful contrast to today's New Vibe: Renais' Stavisky or the 1963 film The Fire Within (Le feu follet) by Louis Malle again starring the beautiful Jeanne Moreau. I missed them both to my regret. When I miss a film I always tell myself I can see it when it's released or on DVD or Mubi, but rarely do I get to see it. Instead I can only read about it as here written up by Beth Hanna on Indiewire blog ToH. The Fire Within was part of Wes Anderson's choices, one of the various showcases of Col*Coa. Says Hanna: "Anderson's taste is impeccable: He has selected Louis Malle's 1963 lyrical depression drama The Fire Within." It was made after the classic Elevator to the Gallows (1958) which Miles Davis scored and which also starred the young Jeanne Moreau. She also could be seen her in Col*Coa in the classic 1963 Jacques Demy-directed Bay of Angels.
Col*Coa really offered something for everyone this year. Another of my favorite film genres, the Jewish film, was represented by Aliyah and The Dandelions (Du Vent dans mes mollets) (Isa: Gaumont), Stavisky, and It Happened in St. Tropez (Isa: Pathe), a classic French comedy -- though a bit dark and yet still comedic, about romance, love and marriage switching between generations in a neurotic, comfortably wealthy Jewish family. The Dandelions was, according to my friend Debra Levine, a writer on culture including film and dance, (see her blog artsmeme), "darling, so touching, so well made, so creative ... i really liked it. Went into that rabbit hole of little girls together ... Barbie doll play. Crazy creative play. As looney as kids can be."
Ian Birnie's favorite film was Becoming Traviata. Greg Katchel's favorite originally was Rendez-vous à Kiruna by Anna Novion, but when I saw him later in the festival his favorite was Cycling with Moliere (Alceste a bicyclette) (Isa: Pathe), again produced by Anne-Dominque Toussaint and directed by Philippe Le Guay who directed one of my favorites, The Women on the 6th Floor. Greg also liked Three Worlds though it was a bit "schematic" in depicting the clash of different cultures which were also shown in Hold Back.
Of the few films I was able to see, the most interesting was Augustine by Alice Winokur. It is the French response to David Cronenberg's A Dangerous Method and the British film Hysteria. All three were about the turn of the century concern of psychologists or doctors with female hysteria. This one concerned Jean-Martin Charcot and the neurologist's belief that hysteria was a neurological disease and he used hypnosis to get at its roots, whild in A Dangerous Method it was seen by Freud and Jung as a mental disorder and in Hysteria by Tanya Wexler (Tiff 2011) in which Dr. Mortimer Granville devises the invention of the first vibrator in the name of medical science.
Take a look at Indiewire's own article here for more on Los Angeles's greatest French attraction, the second largest French film festival in the world.
Several American distributors will present their films at Col•Coa before their U.S. release: Kino Lorber – You Ain’t Seen Nothing Yet, co-written and directed by Alain Resnais (Focus on a Filmmaker); Mpi Media – Thérèse, the last film of director/co-writer Claude Miller starring Audrey Tautou; Cohen Media Group – In the House, written and directed by François Ozon and The Attack, co-written and directed by Ziad Doueiri; Distrib Films for two documentaries: Becoming Traviata and The Invisibles; Film Movement for two thrillers: Aliyah and Three Worlds; The Weinstein Company - Populaire.
Below you can see the international sales agents for the current features showing.
11.6 / 11.6 (Isa: Wild Bunch)
Directed by: Philippe Godeau
Written by: Philippe Godeau, Agnès De Sacy
A Few Hours Of Spring / Quelques heures de printemps (Isa: Rezo)
Directed by: Stéphane Brizé ♀
Written by: Stéphane Brizé, Florence Vignon
Cast: Vincent Lindon, Hélène Vincent, Emmanuelle Seigner, Olivier Perrier
Aliyah/Alyah ✡ (Isa: Rezo, U.S.: Film Movement
Directed by: Élie Wajeman
Written by: Élie Wajeman, Gaëlle Macé
Armed Hands / Mains armées (Isa: Films Distribution)
Directed by: Pierre Jolivet
Written by: Pierre Jolivet, Simon Michaël
Augustine / Augustine (Isa: Kinology, U.S.: Music Box)
Directed by: Alice Winocour ♀
Written by: Alice Winocour
Aya Of Yop City / Aya de Yopougon (Isa: TF1)
Directed by: Clément Oubrerie, Marguerite Abouet ♀
Written by: Marguerite Abouet
Bay Of Angels / La Baie des anges (U.S.: Criterion)
Directed by: Jacques Demy
Written by: Jacques Demy
Becoming Traviata /Traviata et nous (Isa: Films Boutique, U.S. Distrib Films and Cinema Guild)
Directed by: Philippe Béziat
Written by: Philippe Béziat
Cycling With MOLIÈRE / Alceste à bicyclette (Isa: Pathe)
Directed by: Philippe Le Guay
Written by: Philippe Le Guay, based on an original idea by Fabrice Luchini and Philippe Le Guay
Fly Me To The Moon / Un plan parfait (Isa: Kinology)
Directed By: Pascal Chaumeil
Written By: Laurent Zeitoun, Yoann Gromb, Philippe Mechelen
Haute Cuisine / Les Saveurs du palais (Isa: Wild Bunch, U.S.: The Weinstein Company)
Directed by: Christian Vincent
Written by: Etienne Comar & Christian Vincent, based on the life of Danièle Mazet-Delpeuch
Hidden Beauties / Mille-Feuille (Isa: Other Angle Pictures)
Directed by: Nouri Bouzid
Written by: Nouri Bouzid, Joumène Limam
Hold Back / Rengaine (Isa: Pathe)
Directed by: Rachid Djaïdani
Written by: Rachid Djaïdani
In The House / Dans la maison (Isa: Wild Bunch, U.S.: Cohen Media Group)
Directed by: François Ozon
Written by: François Ozon
It Happened In Saint-tropez / Des Gens qui s’embrassent (Isa: Pathe)
Directed by: Danièle Thompson ♀
Written by: Danièle Thompson, Christopher Thompson
Jappeloup/ Jappeloup (Isa: Pathe)
Directed by: Christian Duguay
Written by: Guillaume Canet
Le Grand Soir / Le grand soir (Isa: Funny Balloons)
Directed by: Benoît Delépine and Gustave de Kervern
Written by: Benoît Delépine and Gustave de Kervern
Little Lion / Comme un Lion (Isa: Pyramide)
Directed by: Samuel Collardey
Written by: Catherine Paillé, Nadège Trebal, Samuel Collardey
Moon Man / Jean de la lune (Isa: Le Pacte)
Directed By: Stephan Schesch
Written By: Stephan Schesch, Ralph Martin. Based on the book by: Tomi Ungerer
Populaire / Populaire (Isa: Wild Bunch, U.S.: TWC)
Directed By: Régis Roinsard
Written By: Régis Roinsard, Daniel Presley, Romain Compingt
Rendezvous In Kiruna / Rendez-vous à Kiruna (Isa: Pyramide)
Directed by: Anne Novion ♀
Written by: Olivier Massart, Anne Novion, Pierre Novion
Sons Of The Wind / Les Fils du vent (Isa: Wide)
Directed by: Bruno Le Jean
Written by: Bruno Le Jean
Stavisky / Stavisky (1974) (Isa: StudioCanal)
Directed by: Alain Resnais
Written by: Jorge Semprún
The Attack / L’Attentat
France, Belgium, Lebanon, Qatar, 2013
Directed by: Ziad Doueiri (Isa: Wild Bunch, U.S.: Cohen Media Group)
The BRONTË Sisters / Les Soeurs Brontë (Isa: Gaumont, U.S.: Cohen Media Group)
Directed by: André Téchiné
Written by: André Téchiné, Jean Gruault, Pascal Bonitzer
The Dandelions / Du Vent dans mes mollets ✡
Directed By: Carine Tardieu ♀
Written By: Carine Tardieu, Raphaële Moussafir, Olivier Beer
The Fire Within / Le Feu Follet (1963) (Isa: Pyramide, U.S.: Janus Films)
Directed by: Louis Malle
Written by: Louis Malle
The Invisibles / Les Invisibles (Isa: Doc & Film, U.S. Distrib Films))
Directed By: Sébastien Lifshitz
The Man Who Laughs/ L’Homme qui rit (Isa: EuropaCorps)
Directed by: Jean-Pierre Améris
Written by: Jean-Pierre Améris , Guillaume Laurant
THÉRÈSE / Thérèse Desqueyroux (Isa: TF1, U.S.: Mpi)
Directed by: Claude Miller
Written by: Claude Miller, Natalie Carter
Three Worlds / Trois mondes (Isa: Pyramide, U.S.: Film Movement)
Directed by: Catherine Corsini ♀
Written by: Catherine Corsini, Benoît Graffin
To Our Loves / À nos amours (1983) (U.S. Janus)
Directed By: Maurice Pialat
Written By: Arlette Langmann, Maurice Pialat
True Friends / Amitiés sincères (Isa: Snd Groupe 6)
Directed By: Stéphan Archinard, François Prévôt-Leygonie
Written By: Stéphan Archinard, François Prévôt-Leygonie, Marie-Pierre Huster
Welcome To Argentina / Mariage à Mendoza (Isa: Kinology)
Directed By: Édouard Deluc
Written By: Anaïs Carpita, Édouard Deluc, Thomas Lilti, Philippe Rebbot
What’S In A Name / Le prénom (Isa: Pathe, U.S. Under The Milky Way)
Directed by: Alexandre de La Patellière, Matthieu Delaporte
Written by: Alexandre de La Patellière, Matthieu Delaporte
You Ain’T Seen Nothin’ Yet / Vous n’avez encore rien vu (Isa: StudioCanal, U.S.: Kino Lorber)
Directed By: Alain Resnais
Written By: Alain Resnais, Laurent Herbiet...
- 4/20/2013
- by Sydney Levine
- Sydney's Buzz
"The tragic destiny of the sculptor Camille Claudel will be the focus of Bruno Dumont's seventh feature, which will start shooting next February in Saint-Rémy-de-Provence," reports Fabien Lemercier at Cineuropa, where he notes that "the project has just been selected by Arte France Cinéma which will support it through co-production and pre-acquisitions. For the first time in his career, the director of Outside Satan (unveiled on the Croisette in May) and two-time winner of the Grand Prize at Cannes (in 1999 with Humanity and in 2006 for Flanders) has cast a star: Juliette Binoche (set to be seen next year in Malgorzata Szumowska's Elles, David Cronenberg's Cosmopolis, Sylvie Testud's The Life of Another and Marion Lainé's A Monkey on My Shoulder)."
Lemercier reminds us that when Isabelle Adjani played Claudel for Bruno Nuytten in 1988, she scored a Silver Bear in Berlin, a César and an Oscar nomination. And...
Lemercier reminds us that when Isabelle Adjani played Claudel for Bruno Nuytten in 1988, she scored a Silver Bear in Berlin, a César and an Oscar nomination. And...
- 11/25/2011
- MUBI
Paris -- The recent love affair between U.S. filmgoers and French movies will be reignited Thursday evening as Unifrance's 14th annual Rendez-Vous with French cinema kicks off in New York.
The event launches in Alice Tully Hall with the U.S. premiere of Christophe Barratier's musical period piece "Paris 36," the director's follow-up to international hit "The Chorus," about a Depression-era music hall in Paris. Sony Classics will release the film stateside April 3.
"The fact that we were sold out before the fest even began says that, while French films might be scrambling for a small little bit of the U.S. boxoffice, there's an enduring appetite in the U.S. for French movies," Unifrance's N.Y. bureau chief John Kochman told The Hollywood Reporter.
Organized in partnership with the Film Society of Lincoln Center, this year's Rendez-Vous lineup of 18 titles reads like the nominees list at Friday's Cesar Awards ceremony.
The event launches in Alice Tully Hall with the U.S. premiere of Christophe Barratier's musical period piece "Paris 36," the director's follow-up to international hit "The Chorus," about a Depression-era music hall in Paris. Sony Classics will release the film stateside April 3.
"The fact that we were sold out before the fest even began says that, while French films might be scrambling for a small little bit of the U.S. boxoffice, there's an enduring appetite in the U.S. for French movies," Unifrance's N.Y. bureau chief John Kochman told The Hollywood Reporter.
Organized in partnership with the Film Society of Lincoln Center, this year's Rendez-Vous lineup of 18 titles reads like the nominees list at Friday's Cesar Awards ceremony.
- 3/5/2009
- by By Rebecca Leffler
- The Hollywood Reporter - Movie News
Paris -- Laurent Cantet's "The Class" made the grade once again as the docu-drama took the prize for best French film of the year at the Etoiles d'or de la presse (Golden Star Awards) Monday night in Paris.
After winning the Lumiere award, the awards season and critic favorite will be a competitive contender for the best film Cesar award and the best foreign film Oscar later this month.
Vincent Cassel was once again named best actor for his role in "Mesrine" and Yolande Moreau continued her awards season streak, taking the prize for best actress for "Seraphine."
Arnaud Desplechin was named best director for "A Christmas Tale," and Remi Bezancon took the best screenplay prize for "The First Day of the Rest of Your Life."
Samuel Collardey's "L'apprenti" and Pierre Schoeller's "Versailles" shared the award for best first film, and Agnes Varda's "Les Plages d'Agnes" was named best documentary.
After winning the Lumiere award, the awards season and critic favorite will be a competitive contender for the best film Cesar award and the best foreign film Oscar later this month.
Vincent Cassel was once again named best actor for his role in "Mesrine" and Yolande Moreau continued her awards season streak, taking the prize for best actress for "Seraphine."
Arnaud Desplechin was named best director for "A Christmas Tale," and Remi Bezancon took the best screenplay prize for "The First Day of the Rest of Your Life."
Samuel Collardey's "L'apprenti" and Pierre Schoeller's "Versailles" shared the award for best first film, and Agnes Varda's "Les Plages d'Agnes" was named best documentary.
- 2/10/2009
- by By Rebecca Leffler
- The Hollywood Reporter - Movie News
- The Louis Delluc prize which I thought was going to be bestowed on Laurent Cantet’s Palme D’or winner has actually gone to another Cannes-selected title in Raymond Depardon's La Vie Moderne. The prestigious award is given to the best French film of the year (and in an Ioncinema.com interview with Cantet we got a feel for what that awards represents in France) and I imagine in the award's history that it's a rare sight to see a docu claim the prize. The film is a sort of self-portrait of Depardon, who hails from an agricultural background, and focuses on the old countryside villagers of Cervennes. The Louis Delluc prize for best first film went to Samuel Collardey's L'Apprenti although it did not originally figure on the short list of nominated which you can see below. Un Conte de Noel (A Christmas Tale) by Arnaud Desplechin
- 12/15/2008
- IONCINEMA.com
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