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Rashomon - paholaisen temppeli

Original title: Rashômon
  • 1950
  • K-16
  • 1h 28m
IMDb RATING
8.2/10
178K
YOUR RATING
POPULARITY
4,799
431
Toshirô Mifune in Rashomon - paholaisen temppeli (1950)
The rape of a bride and the murder of her samurai husband are recalled from the perspectives of a bandit, the bride, the samurai's ghost and a woodcutter.
Play trailer1:49
1 Video
83 Photos
CrimeDramaMystery

The rape of a bride and the murder of her samurai husband are recalled from the perspectives of a bandit, the bride, the samurai's ghost and a woodcutter.The rape of a bride and the murder of her samurai husband are recalled from the perspectives of a bandit, the bride, the samurai's ghost and a woodcutter.The rape of a bride and the murder of her samurai husband are recalled from the perspectives of a bandit, the bride, the samurai's ghost and a woodcutter.

  • Director
    • Akira Kurosawa
  • Writers
    • Ryûnosuke Akutagawa
    • Akira Kurosawa
    • Shinobu Hashimoto
  • Stars
    • Toshirô Mifune
    • Machiko Kyô
    • Masayuki Mori
  • See production info at IMDbPro
  • IMDb RATING
    8.2/10
    178K
    YOUR RATING
    POPULARITY
    4,799
    431
    • Director
      • Akira Kurosawa
    • Writers
      • Ryûnosuke Akutagawa
      • Akira Kurosawa
      • Shinobu Hashimoto
    • Stars
      • Toshirô Mifune
      • Machiko Kyô
      • Masayuki Mori
    • 420User reviews
    • 123Critic reviews
    • 98Metascore
  • See production info at IMDbPro
  • Top rated movie #155
    • Nominated for 1 Oscar
      • 9 wins & 5 nominations total

    Videos1

    Re-release Trailer
    Trailer 1:49
    Watch Re-release Trailer

    Photos83

    Toshirô Mifune in Rashomon - paholaisen temppeli (1950)
    Toshirô Mifune and Machiko Kyô in Rashomon - paholaisen temppeli (1950)
    Minoru Chiaki, Takashi Shimura, and Kichijirô Ueda in Rashomon - paholaisen temppeli (1950)
    Toshirô Mifune and Machiko Kyô in Rashomon - paholaisen temppeli (1950)
    Toshirô Mifune and Masayuki Mori in Rashomon - paholaisen temppeli (1950)
    Toshirô Mifune and Machiko Kyô in Rashomon - paholaisen temppeli (1950)
    Toshirô Mifune and Machiko Kyô in Rashomon - paholaisen temppeli (1950)
    Rashomon - paholaisen temppeli (1950)
    Rashomon - paholaisen temppeli (1950)
    Minoru Chiaki and Takashi Shimura in Rashomon - paholaisen temppeli (1950)
    Minoru Chiaki and Takashi Shimura in Rashomon - paholaisen temppeli (1950)
    Minoru Chiaki and Takashi Shimura in Rashomon - paholaisen temppeli (1950)

    Top cast

    Edit
    Toshirô Mifune
    Toshirô Mifune
    • Tajômaru
    Machiko Kyô
    Machiko Kyô
    • Masako Kanazawa
    Masayuki Mori
    Masayuki Mori
    • Takehiro Kanazawa
    Takashi Shimura
    Takashi Shimura
    • Woodcutter
    Minoru Chiaki
    Minoru Chiaki
    • Priest
    Kichijirô Ueda
    Kichijirô Ueda
    • Commoner
    Noriko Honma
    Noriko Honma
    • Medium
    Daisuke Katô
    Daisuke Katô
    • Policeman
    • Director
      • Akira Kurosawa
    • Writers
      • Ryûnosuke Akutagawa
      • Akira Kurosawa
      • Shinobu Hashimoto
    • All cast & crew
    • Production, box office & more at IMDbPro

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    Storyline

    Edit

    Did you know

    Edit
    • Trivia
      Often credited as the reason the Academy created the "Best Foreign Film" category.
    • Goofs
      At the beginning of the film when the woodcutter finds the dead body, the arms and hands are stiff and raised. However; you can see both arms slightly moving. Apparently, they used a real person, and the actor playing the dead person was unable to keep the arms perfectly still.
    • Quotes

      Commoner: It's human to lie. Most of the time we can't even be honest with ourselves.

    • Alternate versions
      Criterion Collection releases of this film feature an English Dubbed Version in addition to the traditional, original Japanese version. This is unusual in that Criterion are usually film purists that do not put English language dubs on their discs that contain a foreign language film.
    • Connections
      Edited into Papillon d'amour (2004)
    • Soundtracks
      Woman's Tale Theme (Bolero)
      Written by Fumio Hayasaka inspired by Maurice Ravel's "Bolero", using the same background rhythm, and similar orchestration and build-up, but different melodic lines.

    User reviews420

    Review
    Review
    Featured review
    10/10
    A rare and a unique masterpiece from the master himself
    As oppose to its commonplace plot, Rashomon as a concept is extraordinarily idiosyncratic and perhaps it is this striking attribute that makes it an undisputed masterpiece, howsoever improbable. It vividly limns the artistry of contrivance innate in the human psyche owing to the importunate desire of humans to placate their insatiable egos. This manipulation of facts has no limits and entirely depends upon the skill of imaginative improvisation of the individual along with his level of comfort at skullduggery. The ability to misinterpret comes naturally to the humans as a desperate ploy to counter the adversities of life and that's what makes it indispensable. As a direct consequence of contrivance, the concept of truth no longer remains universal but becomes rather subjective and a matter of individualistic perception.

    Rashomon pioneered Kurosawa's dream tryst with perpetual brilliance and undoubtedly played a pivotal part in making his name a mark of excellence in the world of cinema. Rashomon is a well knitted tale about a supercilious samurai, his whimsical wife and a boorish bandit. The bandit inveigles the samurai into imprisonment and has his way with samurai's wife. The dead body of the samurai is later discovered under mysterious circumstances by a woodcutter. The bandit is captured and arraigned along with the deranged widow of the samurai. Their narrated versions seem such contrasting that a psychic is called upon to conjure up the dead samurai's spirit to record his testimony in order to corroborate the facts that seemed excessively manipulated. The samurai's version yet again differs considerably from the testimonies of the other two. Each version though different seemed to satiate the respective ego of the testifier. The woodcutter, who didn't want to get involved personally, later confesses to a priest to have actually witnessed the incident and comes up with a version of his own which falsifies the other three. The movie is ingenious as its actual motive has nothing to do with the revelation of truth as verity is merely a matter of lame perception, but rather is to highlight the discrepancies among the different versions as a medium to depict the irrational complexities associated with the human psyche.

    The concept of Rashomon though well ahead of its time, sowed the seeds for creative innovation in the world of cinema and has served as the undisputed benchmark of innovative excellence for well over five decades. A quintessential Kurosawa classic, strongly recommended to the masses for its sheer brilliance and enigmatic charm. 10/10
    helpful•63
    28
    • murtaza_mma
    • Jul 26, 2009

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    FAQ24

    • How long is Rashomon?Powered by Alexa
    • A NOTE REGARDING SPOILERS
    • What is a "Rashômon"?
    • Is Rashomon based on two stories?

    Details

    Edit
    • Release date
      • April 22, 1955 (Finland)
    • Country of origin
      • Japan
    • Language
      • Japanese
    • Also known as
      • Rashomon - demonernas port
    • Filming locations
      • Komyoji Temple, Kyoto, Japan
    • Production company
      • Daiei
    • See more company credits at IMDbPro

    Box office

    Edit
    • Budget
      • $250,000 (estimated)
    • Gross US & Canada
      • $46,808
    • Opening weekend US & Canada
      • $15,942
      • Jul 28, 2002
    • Gross worldwide
      • $116,507
    See detailed box office info on IMDbPro

    Technical specs

    Edit
    • Runtime
      1 hour 28 minutes
    • Color
      • Black and White
    • Aspect ratio
      • 1.37 : 1

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