The Man Who Laughs (1928)

When a proud noble refuses to kiss the hand of the despotic King James in 1690, he is cruelly executed and his son surgically disfigured.

Director:

Paul Leni

Writers:

Victor Hugo (novel), J. Grubb Alexander (adaptation)

Stars:

Mary Philbin, Conrad Veidt, Julius Molnar

1 win & 1 nomination.

Cast

Credited cast:
Mary Philbin	...	Dea
Conrad Veidt	...	Gwynplaine / Lord Clancharlie
Julius Molnar	...	Gwynplaine as a child (as Julius Molnar Jr.)
Olga Baclanova	...	Duchess Josiana
Brandon Hurst	...	Barkilphedro
Cesare Gravina	...	Ursus
Stuart Holmes	...	Lord Dirry-Moir
Sam De Grasse	...	King James II (as Sam DeGrasse)
George Siegmann	...	Dr. Hardquanonne
Josephine Crowell	...	Queen Anne
Károly Huszár	...	Innkeeper (as Charles Puffy)
Zimbo the Dog	...	Homo the Wolf (as Zimbo)
Rest of cast listed alphabetically:
Delmo Fritz	...	Sword Swallower
Deno Fritz	...	Sword Swallower

Storyline

Forever disfigured by a wide and mirthless grin on his face, the orphaned son of a nobleman, Gwynplaine, rescues the blind baby-girl, Dea, in cold seventeenth-century England. Taken in by the paternal carnival philosopher, Ursus, the unloved boy grows into a kind and honest man who chooses, however, to hide his grotesque deformity behind a black cloak, utterly convinced that the beautiful Dea will never truly love him because of his horrible secret. Feeling unworthy of Dea's noble feelings, Gwynplaine will soon cross paths with the aristocratic temptress, Duchess Josiana, as a cruel and long-standing conspiracy in the palace of Queen Anne presents him with the burden of choice. Will poor Gwynplaine, the Man who Laughs, renounce everything in the name of love?

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Plot Keywords:

melodrama | creepy smile | 1690s | jester | nobleman | 

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Taglines:

The Man Who laughs With Conrad Veidt as the clown on whose face was carved a horrible, leering grin. (Print Ad-Picket Line Post ((Mt. Morris, NY)) 7 December 1928)

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Genres:

Drama | Mystery | Romance | Thriller

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Certificate:

Not Rated

Did You Know?

Trivia

The Comprachicos, a Spanish term meaning child buyers, was coined by Victor Hugo for the novel. According to Hugo, they could change one's physical appearance through various methods such as physical restraints, muzzling their faces to deform them, slitting their eyes, dislocating their joints, and the malformation of their bones.

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Goofs

The clowns wear modern "clown" make-up in Queen Anne's reign (1702-1714). This appearance was not developed until the mid 1800s. Jo Grimaldi was the first clown to wear this style.

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Quotes

King James II: The proud rebel who refused to kiss our hand returns to kiss the iron lady!

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Connections

Featured in The Story Behind 'The Man Who Laughs' (2003)

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Soundtracks

When Love Comes Stealing
(uncredited)
Written by Walter Hirsch, Lew Pollack and Erno Rapee

User Reviews

Veidt and Leni and Victor Hugo

A lord refuses to kiss the hand of King James II, so is doubly punished: he perishes in the "Iron Lady" [onscreen in a memorably handled sequence] while his son is sent to a surgeon who [offscreen] carves a grin on his face "so he can forever laugh at his father". Sheltered by a kindly playwright ["like Shakespeare, only much better!"], the boy grows up to join his troupe of itinerant players as the star attraction: "The Man Who Laughs". His fortunes lead him to a blind girl, an ambitious duchess, and Queen Anne, who reinstates him to the nobility, but with further complications.

Conrad Veidt, in a career stretching from CALIGARI to CASABLANCA, always found the emotional authenticity in bizarre roles. Here, in the familiar 19th century figure of the suffering clown, his performance is transfixing: whether tremulous as the girl's hand explores his face, or mortified by the laughter of the House of Lords, Veidt's face makes the role more than a simple martyr: he is man struggling with unjust destiny ["A king made me a clown, a queen made me a lord, but first God made me a man!"].

Big-hearted and unashamedly dramatic, this is clearly the work of Victor Hugo, rags to riches in scope, offering consolation in love. The spirit of the French Revolution is very much in the air in this world of cruel privilege and class antagonism, full of secret doors, dungeons, and volatile mobs. While not as richly populated as Les Miserables and Hunchback, this adaptation still has spectacular set-pieces and elaborate settings.

Considerably less revolutionary is the conventional portrayal of women: virgin and vamp are the only alternatives. The former is the blind girl played by Mary Philbin [who had earlier unmasked Lon Chaney's Phantom]. With blond ringlets arranged to make her face heart-shaped, she edges close to simpering yet rises to genuinely moving moments. The vamp is Olga Baclanova [who became the blonde tormentor in Tod Browning's FREAKS], here writhing around in a black negligee and looking startlingly like Madonna.

Today, the films of Paul Leni are hard to track down, but worth the effort. Starting as an art director, Leni developed his visual command in Berlin; this Germanic style stands out in some beautifully designed compositions, such as a dynamic night sequence: a ship, full of gypsies being deported, heaves through a furious snowstorm. Yet Leni always works at the heart of the human values in the story, sustaining intense moments for all his actors. While some scenes are staged in darkness to rival a film noir, Leni also floods Veidt and Philbin with light, often focusing on one nuance per shot, an old-fashioned but effective strategy.

Filmed on the cusp of the sound revolution, this semi-silent has added sound effects and rather vague non-stop music but no spoken dialogue.

Details

Country:

USA

Language:

English

Release Date:

4 November 1928 (USA)

Also Known As:

The Man Who Laughs

Filming Locations:

Universal Studios - 100 Universal City Plaza, Universal City, California, USA

Box Office

Cumulative Worldwide Gross:

$4,347

Company Credits

Production Co:

Universal Pictures

Technical Specs

Runtime:

110 min

Sound Mix:

Mono (Western Electric Sound System) (musical score and sound effects) Silent

Color:

Black and White

Aspect Ratio:

1.20 : 1